They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.

    James and you might end up with a writer like Robert Aickman, though his self-described “strange stories” remain confoundingly and uniquely his own. Aickman’s superbly written tales terrify not with standard thrills and gore but through a radical overturning of the laws of nature and everyday life. His territory of the strange, of the “void behind the face of order,” is a surreal region that grotesquely mimics the quotidian: Is that river the Thames, or is it even a river? What does it mean when a prospective lover removes one dress, and then another—and then another? Do a herd of cows in a peaceful churchyard contain the souls of jilted women preparing to trample a cruel lover to death? Published for the first time under one cover, this collection offers a generous introduction to a sophisticated, psychologically acute modernist whose achievements have too long been hidden under the cloak of genre.

    For if each of A.S. Byatt's narratives is in some way inspired by a painting of Henri Matisse, each is also about the intimate connection between seeing and feeling--about the ways in which a glance we meant to be casual may suddenly call forth the deepest reserves of our being. Beautifully written, intensely observed, The Matisse Stories is fiction of spellbinding authority."Full of delight and humor...The Matisse Stories is studded with brilliantly apt images and a fine sense for subtleties of conversation and emotion."--San Francisco Chronicle

    Gathering works from the previously published Monday or Tuesday, as well as stories published in American and British magazines, this book compiles some of the best shorter fiction of one of the most important writers of our time.

    Here is a collection of his short fiction, with dozens of tales spanning his career and ranging from the moving to the macabre, the humorous to the haunting. From the penetrating 'Memories of Youghal' to the bittersweet 'Bodily Secrets' and the elegiac 'Two More Gallants', here are masterpieces of insight, depth, drama and humanity, acutely rendered by a modern master.'A textbook for anyone who ever wanted to write a story, and a treasure for anyone who loves to read them' Madison Smartt Bell'Extraordinary... Mr. Trevor's sheer intensity of entry into the lives of his people...proceeds to uncover new layers of yearning and pain, new angles of vision and credible thought' The New York Times Book Review

    Ballard has been one of Britain's most celebrated novelists. From the beginning he has been equally admired for his distinctive and highly influential short stories, the first of which - "Prima Belladonna" and "Escapement" - appeared in Science Fantasy and New Worlds in 1956. Now, all of his published stories - including four not previously featured in a collection - have been arranged in the order of original publication, providing an unprecedented opportunity to review the career of one of Britain's greatest writers.A Washington Post Best Book of 2009, Boston Globe Best Book, Los Angeles Times Favorite Book, and San Francisco Chronicle Best Book.Contents:- Prima Belladonna [Vermilion Sands] (1956)- Escapement (1956)- The Concentration City (1957, variant of Build-Up)- Venus Smiles [Vermilion Sands] (1957)- Manhole 69 (1957)- Track 12 (1958)- The Waiting Grounds (1959)- Now: Zero (1959)- The Sound-Sweep (1960)- Zone of Terror (1960)- Chronopolis (1960)- The Voices of Time (1960)- The Last World of Mr. Goddard (1960)- Studio 5, The Stars [Vermilion Sands] (1961)- Deep End (1961)- The Overloaded Man (1961)- Mr F. is Mr F. (1961)- Billennium (1961)- The Gentle Assassin (1961)- The Insane Ones (1962)- The Garden of Time (1962)- The Thousand Dreams of Stellavista [Vermilion Sands] (1962)- Thirteen to Centaurus (1962)- Passport to Eternity (1962)- The Cage of Sand (1962)- The Watch-Towers (1962)- The Singing Statues [Vermilion Sands] (1962)- The Man on the 99th Floor (1962)- The Subliminal Man (1963)- The Reptile Enclosure (1963)- A Question of Re-Entry (1963)- The Time-Tombs (1963)- Now Wakes the Sea (1963)- The Venus Hunters (1963)- End-Game (1963)- Minus One (1963)- The Sudden Afternoon (1963)- The Screen Game [Vermilion Sands] (1963)- Time of Passage (1964)- Prisoner of the Coral Deep (1964)- The Lost Leonardo (1964)- The Terminal Beach (1964)- The Illuminated Man (1964)- The Delta at Sunset (1964)- The Drowned Giant (1964)- The Gioconda of the Twilight Noon (1964)- The Volcano Dances (1964)- The Beach Murders (1966)- The Day of Forever (1966)- The Impossible Man (1966)- Storm-Bird, Storm-Dreamer (1966)- Tomorrow Is a Million Years (1966)- The Assassination of John Fitzgerald Kennedy Considered as a Downhill Motor Race (1966)- Cry Hope, Cry Fury! [Vermilion Sands] (1967)- The Recognition (1967)- The Cloud-Sculptors of Coral D [Vermilion Sands] (1967)- Why I Want to Fuck Ronald Reagan (1968)- The Dead Astronaut (1968)- The Comsat Angels (1968)- The Killing Ground (1969)- A Place and a Time to Die (1969)- Say Goodbye to the Wind [Vermilion Sands] (1970)- The Greatest Television Show on Earth (1972)- My Dream of Flying to Wake Island (1974)- The Air Disaster (1975)- Low-Flying Aircraft (1975)- The Life and Death of God (1976)- Notes Towards a Mental Breakdown (1976)- The 60 Minute Zoom (1976)- The Smile (1976)- The Ultimate City (1976)- The Dead Time (1977)- The Index (1977)- The Intensive Care Unit (1977)- Theatre of War (1977)- Having a Wonderful Time (1978)- One Afternoon at Utah Beach (1978)- Zodiac 2000 (1978)- Motel Architecture (1978)- A Host of Furious Fancies (1980)- News from the Sun (1981)- Memories of the Space Age (1982)- Myths of the Near Future (1982)- Report on an Unidentified Space Station (1982)- The Object of the Attack (1984)- Answers to a Questionnaire (1985)- The Man Who Walked on the Moon (1985)- The Secret History of World War 3 (1988)- Love in a Colder Climate (1989)- The Enormous Space (1989)- The Largest Theme Park in the World (1989)- War Fever (1989)- Dream Cargoes (1990)- A Guide to Virtual Death (1992)- The Message from Mars (1992)- Report from an Obscure Planet (1992)

    This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky's most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room's previous occupant; the fingers of a celebrated pianist's right hand run away to spend a night alone on the city streets; a man's lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.An NYRB Classics Original

    In the Daily Mail Angela Huth called "Good Evening, Mrs Craven" 'my especial find' and Ruth Gorb in the "Ham & High" contrasted the humour of some of the stories with the desolation of others: 'The mistress, unlike the wife, has to worry and mourn in secret for her man; a middle-aged spinster finds herself alone again when the camaraderie of the air-raids is over ...'

    Today, as the new worlds, alternate universes, and synthetic pleasures Sheckley foretold become our reality, his vision begins to look less absurdist and more prophetic. This retrospective selection, chosen by Jonathan Lethem and Alex Abramovich, brings together the best of Sheckley’s deadpan farces, proving once again that he belongs beside such mordant critics of contemporary mores as Bruce Jay Friedman, Terry Southern, and Thomas Pynchon.

    Like the other stories in this book (written between 1929 and 1954), it hinges on the themes that dominate Graham Greene's novels—fear, pity and violence, pursuit, betrayal and man's restless search for salvation. Some of the stories are comic—poor Mr Maling's stomach mysteriously broadcasts all sorts of sounds; others are wryly sad—a youthful indiscretion catches up with Mr Carter in 'The Blue Film'. They can be deeply shocking: in 'The Destructors' a gang of children systematically destroys a man's house. Yet others are hauntingly tragic—a strange relationship between twins that reaches its climax at a children's party. Whatever the mood, each one is a compelling entertainment and unmistakably the work of one of the finest storytellers of the century.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    Exploring natural phenomena and the origins of the universe, these beloved tales relate complex scientific concepts to our common sensory, emotional, human world.Now, The Complete Cosmicomics brings together all of the cosmicomic stories for the first time. Containing works previously published in Cosmicomics, t zero, and Numbers in the Dark, this single volume also includes seven previously uncollected stories, four of which have never been published in translation in the United States. This “complete and definitive collection” (Evening Standard) reconfirms the cosmicomics as a crowning literary achievement and makes them available to new generations of readers.

    But they are young. All life still lies ahead. Vesey heads off hopefully to pursue a career as an actor. Harriet marries and has a child, becoming a settled member of suburban society. And then Vesey returns, the worse for wear, and with him the love whose memory they have both sentimentally cherished, and even after so much has happened it cannot be denied. But things are not at all as they used to be. Love, it seems, is hardly designed to survive life.      One of the finest twentieth-century English novelists, Elizabeth Taylor, like her contemporaries Graham Greene, Richard Yates, and Michelangelo Antonioni, was a connoisseur of the modern world’s forsaken zones. Her characters are real, people caught out by their own desires and decisions, and they demand our attention. The be-stilled suburban backwaters she sets out to explore shimmer in her books with the punishing clarity of a desert mirage.

    In this landmark volume, America's preeminent storyteller offers us one hundred treasures from a lifetime of words and ideas. The stories within these pages were chosen by Bradbury himself, and span a career that blossomed in the pulp magazines of the early 1940s and continues to flourish in the new millennium. Here are representatives of the legendary author's finest works of short fiction, including many that have not been republished for decades, all forever fresh and vital, evocative and immensely entertaining.

    Munro) stands alongside Anton Chekhov and O Henry as a master of the short story. His extraordinary stories are a mixture of humorous satire, irony and the macabre, in which the stupidities and hypocrisy of conventional society are viciously pilloried. This collection includes Sredni Vastar and The Unrest Cure. 'We all know that Prime Ministers are wedded to the truth, but like other married couples they sometimes live apart'[Description from back cover]