Jacqueline "Jack" Daniels thrilller series (Whiskey Sour, Bloody Mary, Rusty Nail, Dirty Martini, Fuzzy Navel, Cherry Bomb, Shaken, Stirred, Rum Runner, Last Call) offers a gigantic 180,000 word collection of sixty-five previously published short stories from the thriller, horror, and comedy genres, including many from his award-winning series.Stories to make you laugh, scream, cringe, think, scratch your head, and roll your eyes. This collection has something to please every type of Kindle reader, and is an inexpensive way to get introduced to the author and his work.Contents include:INTRODUCTION by JA KonrathJACK DANIELS AND FRIENDSOn the Rocks - Jack Daniels solves a locked room mysteryWhelp Wanted - Harry McGlade becomes a dognapperStreet Music - Phineas Troutt hunts a prostituteThe One That Got Away - The Gingerbread Man's last victimWith a Twist - Jack Daniels solves an impossible crimeEpitaph - Phineas Troutt avenges a deathTaken to the Cleaners - Harry McGlade goofs offBody Shots - Jack Daniels at a school shootingSuffer - Phineas Troutt as a hitmanOverproof - Jack Daniels discovers what is stopping trafficBereavement - Phineas Troutt as hitmanPot Shot - Herb Benedict gets shot atLast Request - Phineas Troutt meets his matchPlanter's Punch - Jack Daniels meets Tom Schreck's Duffy DomborwskiTruck Stop - Jack Daniels meets Taylor from AFRAID and Donaldson from SERIALCRIME STORIESThe Big Guys - flash fictionThe Agreement - very nasty noirA Fistful of Cozy - a satire of the cozy genreCleansing - a crime of biblical proportionsLying Eyes - solve it yourselfPerfect Plan - solve it yourselfPiece of Cake - solve it yourselfAnimal Attraction - solve it yourselfBasketcase - hardboiled horrorUrgent Reply Needed - how to deal with spammersBlaine's Deal - parody of hardboiled noirThe Confession - horrific noirHORROR STORIESFinicky Eater - nuclear holocaust and cannibalsThe Screaming - Van Helsing livesMr. Pull Ups - body modification horrorThe Shed - some losers find the door to hellThem's Good Eats - rednecks vs. aliensFirst Time - a tender coming of age storyForgiveness - the genesis of evilRedux - ghost story noirThe Bag - what's in the bag?Careful, He Bites - lyncanthrope flash fictionSymbios - sci-fi horrorA Matter of Taste - zombie flash fictionEmbrace - gothic fictionTrailer Sucks - gross out goreMarkey - psychological horrorPunishment Room - horrific suspenseShapeshifter's Anonymous - funny paranormalSERIAL - with Blake CrouchDear Diary - a dip into madnessThe Eagle - early horrorA Sound of Blunder - with F. Paul WilsonFUNNY STUFFLight Drizzle - parody of hitman storiesMr. Spaceman - science fiction satireDon't Press That Button! - essay on James BondPiranha Pool - comedy about writingWell Balanced Meal - gross out humorA Newbie's Guide to Thrillerfest - essay on writing conventionsInspector Oxnard - parody of mysteriesAppalachian Lullaby - radioactive monkeysOne Night Only - humorous sto

    Now, in What the Dog Saw, he brings together, for the first time, the best of his writing from The New Yorker over the same period. Here you'll find the bittersweet tale of the inventor of the birth control pill, and the dazzling creations of pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the "dog whisperer" who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and why it was that employers in Silicon Valley once tripped over themselves to hire the same college graduate.

    These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    In this exhilarating followup, Nafisi has written the book her fans have been waiting for: an impassioned, beguiling and utterly original tribute to the vital importance of fiction in a democratic society. What Reading Lolita in Tehran was for Iran, The Republic of Imagination is for America. Taking her cue from a challenge thrown to her in Seattle, where a skeptical reader told her that Americans don’t care about books the way they did back in Iran, she challenges those who say fiction has nothing to teach us. Blending memoir and polemic with close readings of her favorite American novels—from Huckleberry Finn to The Heart Is a Lonely Hunter—she invites us to join her as citizens of her "Republic of Imagination," a country where the villains are conformity and orthodoxy, and the only passport to entry is a free mind and a willingness to dream.

    Already the worthy recipient of a Pushcart Prize, a Whiting Writer's Award, and a Stegner Fellowship, Tenorio brilliantly explores the need to find connections, the melancholy of isolation, and the sometimes suffocating ties of family in tales that range from a California army base to a steamy moviehouse in Manilla, to the dangerous false glitter of Hollywood.

    In each of these stories, Davis reveals an empathic, sometimes shattering understanding of human relationships.

    Some stories have won awards; some have been included in various 'Year's Best' anthologies; some have been well reviewed by critics and readers; and some are simply Ken's personal favorites. Many of the authors collected here (with the obvious exception of Liu Cixin) belong to the younger generation of 'rising stars'.In addition, three essays at the end of the book explore Chinese science fiction. Liu Cixin's essay, The Worst of All Possible Universes and The Best of All Possible Earths, gives a historical overview of SF in China and situates his own rise to prominence as the premier Chinese author within that context. Chen Qiufan's The Torn Generation gives the view of a younger generation of authors trying to come to terms with the tumultuous transformations around them. Finally, Xia Jia, who holds the first Ph.D. issued for the study of Chinese SF, asks What Makes Chinese Science Fiction Chinese?.

    Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

    Keenly observed and written with his insightful and deadpan sense of humor, he explores enduring Southern truths about home, place, spirit, table, and the regions' varied geographies, including his native Alabama, Cajun country, and the Gulf Coast. Everything is explored, from regional obsessions from college football and fishing, to mayonnaise and spoonbread, to the simple beauty of a fish on the hook.Collected from over a decade of his writing, with many never-before-published essays written specifically for this edition, My Southern Journey is an entertaining and engaging read, especially for Southerners (or feel Southern at heart) and anyone who appreciates great writing.

     The Hugo Award-winning author of such groundbreaking and innovative novels as "Accelerando, Halting State," and "Saturn's Children" delivers a rich selection of speculative fiction- including a novella original to this volume- brought together for the first time in one collection, showcasing the limitless imagination of one of the twenty-first century's most daring visionaries.

    There's flirting and romance from Rachael Lippincott, a tale of a determined girl with a mask-making business from Erin Hahn, and a music-inspired love connection from Sajni Patel. Brittney Morris turns enemies to lovers with the help of a balcony herb garden, Jennifer Yen writes an unconventional romance that starts outside a hospital, and Natasha Preston's teens discover each other--and their love story--in a storybook oak tree.Romantic, realistic, sweet and uplifting, TOGETHER, APART is a collection of finding love in unexpected places during an unprecedented time . . . each with the one thing we all want: a guaranteed happy ending.

    "Anda's Game" is a spin on the bizarre new phenomenon of "cyber sweatshops," in which people are paid very low wages to play online games all day in order to generate in-game wealth, which can be converted into actual money. Another tale tells of the heroic exploits of "sysadmins" — systems administrators — as they defend the cyber-world, and hence the world at large, from worms and bioweapons. And yes, there is a story about zombies, too.

    Inspired by the story, Justine van der Leun, an American writer living in South Africa, decided to introduce it to an American audience. But as she delved into the case, the prevailing narrative started to unravel. Why didn’t the eyewitness reports agree on who killed Amy Biehl? Were the men convicted of the murder actually responsible for her death? And then van der Leun stumbled on another brutal crime committed on the same day, in the very same area. The story of Amy Biehl’s death, it turned out, was not the story hailed in the press as a powerful symbol of forgiveness, but was in fact more reflective of the complicated history of a troubled country. We Are Not Such Things is the result of van der Leun’s four years investigating this strange, knotted tale of injustice, violence, forgiveness, and redemption. It is a gripping journey through the bizarre twists and turns of this case and its aftermath—and the story that emerges of what happened on that fateful day in 1993 and the decades that followed provides an unsparing account of life in South Africa today. Like Katherine Boo and Tracy Kidder, van der Leun immerses herself in the lives of her subjects. With her stark, moving portrait of a township and its residents, she provides a lens through which we come to understand that the issues at the heart of her investigation—truth and reconciliation, loyalty, justice, race, and class—are universal in scope and powerful in resonance. We Are Not Such Things reveals how reconciliation is impossible without an acknowledgment of the past, a lesson just as relevant to America today as to a South Africa still struggling with the long shadow of its history.