Beginning with the turn-of-the-century writings of Angelina Welde Grimke and Alice Dunbar Nelson, it charts the evolution of black lesbian and gay fiction into the Harlem Renaissance of Langston Hughes and Countee Cullen and the later postwar era, in which works by Audre Lorde and James Baldwin signal the emerging sexual liberation movements. The 40 authors featured also include Alice Walker, E. Lynn Harris, Audre Lorde, April Sinclair, Jewelle Gomez, Thomas Glave, and Jacqueline Woodson.

    These poems bear witness to survival in the face of brutality, while also elegizing two brothers haunted by shame, two lovers hounded by death, and an America wounded by war and numbered by religion. Brown summons myth, fable, and fairytale not to merely revise the Bible—more so to write the kind of lyric poetry we find at the source of redemption—for the profane and for the sacred.

    Douglas examines the function of sexuality in White culture and the denigration and exploitation of Black sexuality through a discussion of White cultural myths, stereotypes, laws and customs concerning Black women and men. Part Two studies how Blacks have responded to sexual myths and stereotypes by retreating into silence on the subject of sexuality. In this section, Douglas discusses the function and role of sexuality in the Black church and community, homophobia/heterosexuality and how Black sexuality is portrayed in Black fictional literature. Finally, she explores the importance of sexuality and sexual discourse to the Christian theological mandate and to Black churches.

    But when he realized he was gay, those hopes were called into question. The Bible, he’d been taught, condemned gay relationships. Feeling the tension between his understanding of the Bible and the reality of his same-sex orientation, Vines devoted years of intensive research into what the Bible says about homosexuality. With care and precision, Vines asked questions such as: • Do biblical teachings on the marriage covenant preclude same-sex marriage or not? • How should we apply the teachings of Jesus to the gay debate? • What does the story of Sodom and Gomorrah really say about human relationships? • Can celibacy be a calling when it is mandated, not chosen? • What did Paul have in mind when he warned against same-sex relations? Unique in its affirmation of both an orthodox faith and sexual diversity, God and the Gay Christian is likely to spark heated debate, sincere soul searching, even widespread cultural change. Not only is it a compelling interpretation of key biblical texts about same-sex relations, it is also the story of a young man navigating relationships with his family, his hometown church, and the Christian church at large as he expresses what it means to be a faithful gay Christian.

    Nicknamed "God Boy" by his peers, he knew that he was called to a life in the evangelical Christian ministry. But Lee harbored a secret: He also knew that he was gay. In this groundbreaking book, Lee recalls the events—his coming out to his parents, his experiences with the "ex-gay" movement, and his in-depth study of the Bible—that led him, eventually, to self-acceptance. But more than just a memoir, TORN provides insightful, practical guidance for all committed Christians who wonder how to relate to gay friends or family members—or who struggle with their own sexuality. Convinced that "in a culture that sees gays and Christians as enemies, gay Christians are in a unique position to bring peace," Lee demonstrates that people of faith on both sides of the debate can respect, learn from, and love one another.

    Formerly incarcerated, he is now a black preacher in the whitest denomination in the United States: the Evangelical Lutheran Church in America (ELCA). Shifting demographics and shrinking congregations make all the headlines, but Duncan sees something else at work--drawing a direct line between the church's lack of diversity and the church's lack of vitality. The problems the ELCA faces are theological, not sociological. But so are the answers.Part manifesto, part confession, and all love letter, Dear Church offers a bold new vision for the future of Duncan's denomination and the broader mainline Christian community of faith. Dear Church rejects the narrative of church decline and calls everyone--leaders and laity alike--to the front lines of the church's renewal through racial equality and justice.It is time for the church to rise up, dust itself off, and take on forces of this world that act against God: whiteness, misogyny, nationalism, homophobia, and economic injustice. Duncan gives a blueprint for the way forward and urges us to follow in the revolutionary path of Jesus.

    This unique resource presents short pieces from some of the nation's most prominent church leaders - Protestant and Catholic, mainline and evangelical - who address the fundamental moral imperatives about homosexuality. Together they invite the reader to open his or her heart to the Spirit, to tolerance, and to Gospel values. Through personal testimony, factual clarification, and moral suasion, they provide much-needed clarity on the biblical witness and biblical authority, the nature or character of homosexuality and sexual orientation, and many related topics. Contributors include Elise Boulding, Ignacio Castuera, John B. Cobb Jr., William Sloane Coffin, Peggy Campolo, Bishop Paul Egertson, James A. Forbes Jr., Maria Harris, Barbara Kelsey, Morton Kelsey, Gabriel Moran, David G. Myers, Richard Rohr, O.F.M., Ken Sehested, Carole Shields, Donald W. Shriver Jr., M. Mahan Siler Jr., Lewis B. Smedes, and Walter Wink.

    Using a womanist methodological approach, Pamela R. Lightsey helps readers explore the impact of oppression against Black LBTQ women while introducing them to the emergent intellectual movement known as queer theology. The author privileges their narratives and experiences as she reviews several doctrines and dogma of the Christian church. Theological reflection on contemporary debates such as same-sex marriage and ordination rights make this book a valuable resource to clergy, students of theology, LGBTQ persons and allies. "Writing in the shadow of mass killings of unarmed black persons in the United States, Lightsey's Our Lives Matter: A Womanist Queer Theology is a timely publication. This valuable interdisciplinary resource provides a succinct overview of the doctrine of creation that is informed by a discussion on identity. Our Lives Matter challenges readers to move beyond theory and to acknowledge the full humanity of all persons and is a must-read for any who self-identifies as Christian." --Angela D. Sims, Dean of Academic Programs and Associate Professor of Ethics and Black Church Studies, Saint Paul School of Theology Pamela R. Lightsey is an associate dean and clinical assistant professor of contextual theology and practice at Boston University School of Theology. She is also a self-identified queer lesbian ordained elder in full connection in the United Methodist Church. A national leader among LGBTQ social justice activists, Dr. Lightsey's writings have appeared in Washington Post (online), Religion Dispatches and Black Theology Journal.

    From the Bishop of the Diocese of New Hampshire in the Episcopal Church, the first openly gay person elected (in 2003) to the historic episcopate and the world's leading religious spokesperson for gay rights and gay marriage—a groundbreaking book that lovingly and persuasively makes the case for same-sex marriage using a commonsense, reasoned, religious argument, made by someone who holds the religious text of the Bible to be holy and sacred and the ensuing two millennia of church history to be relevant to the discussion, equally familiar with the secular and political debate going on in America today, and for whom same-sex marriage is a personal issue; Robinson was married to a woman for two decades and is a father of two children and has been married to a man for the last four years of a twenty-three-year relationship.

    Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the “father of American gynecology,” to the negation of blackness that makes transnormativity possible.Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of “cross dressing” and canonical black literary works that express black men’s access to the “female within,” Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don’t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

    Raised by two attentive parents in Washington, D.C., he’s a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: he is queer—an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders—and the one person who seems not to judge him.When his father accidentally discovers Niru is gay, the fallout is brutal and swift. Coping with troubles of her own, however, Meredith finds that she has little left emotionally to offer him. As the two friends struggle to reconcile their desires against the expectations and institutions that seek to define them, they find themselves speeding toward a future more violent and senseless than they can imagine.

    the methods of Gandhi, spearheaded the 1963 March on Washington, and helped bring the struggle of African Americans to the forefront of a nation's consciousness. But despite his incontrovertibly integral role in the movement, the openly gay Rustin is not the household name that many of his activist contemporaries are. In exploring history's Lost Prophet, acclaimed historian John D'Emilio explains why Rustin's influence was minimized by his peers and why his brilliant strategies were not followed, or were followed by those he never meant to help.

    E. Patrick Johnson challenges stereotypes of the South as backward or repressive and offers a window into the ways black gay men negotiate their identities, build community, maintain friendship networks, and find sexual and life partners--often in spaces and activities that appear to be antigay. Ultimately, Sweet Tea validates the lives of these black gay men and reinforces the role of storytelling in both African American and southern cultures.

    As liberals and conservatives mobilize around this issue, no one has come forward with a more compelling, comprehensive, and readable case for gay marriage than Jonathan Rauch. In this book, he puts forward a clear and honest manifesto explaining why gay marriage is important—even crucial—to the health of marriage in America today, grounding his argument in commonsense, mainstream values and confronting social conservatives on their own turf. Marriage, he observes, is more than a bond between individuals; it also links them to the community at large. Excluding some people from the prospect of marriage not only is harmful to them but also is corrosive of the institution itself.Gay marriage, he shows, is a "win-win-win" for strengthening the bonds that tie us together and for remaining true to our national heritage of fairness and humaneness toward all.

    African American Studies. LGBT Studies. Winner of a Lambda Literary Award. BROTHER TO BROTHER, begun by Joseph Beam and completed by Essex Hemphill after Beam's death in 1988, is a collection of now-classic literary work by black gay male writers. Originally published in 1991 and out of print for several years, BROTHER TO BROTHER is a community of voices, Hemphill writes. [It] tells a story that laughs and cries and sings and celebrates...it's a conversation intimate friends share for hours. These are truly words mined syllable by syllable from the harts of black gay men. You're invited to listen in because you're family, and these aren't secrets-not to us, so why should they be secrets to you? Just listen. Your brother is speaking. This new edition includes an introduction by Jafari Allen.