The story unfolds in sweltering wood saunas, amidst chain thrashings and gang warfare, learning to play the guitar in the garage, over a traditional wedding meal, on the way to China, during drinking competitions, while learning secret languages, playing ice hockey surrounded by snow drifts, outsmarting mice, discovering girls, staging a first rock concert, peeing in the snow, skiing under a sparkling midnight sky. In the manner of David Mitchell’s Black Swan Green, Mikael Niemi tells a story of a rural Sweden at once foreign and familiar, as a magical childhood slowly fades with the seasons into adult reality.

    With the Nazi Party at the height of its power, the occupying army empties Poland’s towns and cities of their Jewish populations. As neighbor turns on neighbor and survival often demands unthinkable choices, Poland has become a moral quagmire—a place of shifting truths and blinding ambiguities.Blending folklore and fact, Helen Maryles Shankman shows us the people of Wlodawa, a remote Polish town: we meet a cold-blooded SS officer dedicated to rescuing the creator of his son’s favorite picture book, even as he helps exterminate the artist’s friends and family; a Messiah who appears in a little boy’s bedroom to announce that he is quitting; a young Jewish girl who is hidden by the town’s most outspoken anti-Semite—and his talking dog. And walking among these tales are two unforgettable figures: the enigmatic and silver-tongued Willy Reinhart, Commandant of the forced labor camp who has grand schemes to protect “his” Jews, and Soroka, the Jewish saddlemaker and his family, struggling to survive.

    When her estranged friend Karin leaves her a key to a public locker in the Copenhagen train station, Nina gets suckered into her most dangerous project yet. Inside the locker is a suitcase, and inside the suitcase is a three-year-old boy: naked and drugged, but alive.Is the boy a victim of child trafficking? Can he be turned over to authorities, or will they only return him to whoever sold him? When Karin is discovered brutally murdered, Nina realizes that her life and the boy’s are in jeopardy, too. In an increasingly desperate trek across Denmark, Nina tries to figure out who the boy is, where he belongs, and who exactly is trying to hunt him down.

    A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his windshield doesn’t match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl.In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before.

    There's nothing in the bag to indicate who it belongs to, although there's all sorts of other things in it. Laurent feels a strong impulse to find the owner and tries to puzzle together who she might be from the contents of the bag. Especially a red notebook with her jottings, which really makes him want to meet her. Without even a name to go on, and only a few of her possessions to help him, how is he to find one woman in a city of millions?The Red Notebook has already been sold in twelve different languages. French TV is making a film of The President's Hat and the movie rights of The Red Notebook have been sold to UGC.Antoine Laurain was born in Paris. He is the author of five novels, including The President's Hat.

     In Magical Mr. Goat, a young girl's imaginary friend yearns to become "more than friends." In Unprotected, an unused prophylactic recalls his years spent trapped inside a teen boy's wallet. The stories in Simon Rich's new book are bizarre, funny, and yet...relatable. Rich explores love's many complications-losing it, finding it, breaking it, and making it-and turns the ordinary into the absurd. With razor-sharp humor and illustrations, and just in time for Valentine's Day, Rich takes readers for an exhilarating, hilarious ride on the rollercoaster of love.

    "Another""What It Means When a Crowd in a Faraway Nation Takes a Soldier Representing Your Own Nation, Shoots Him, Drags Him from His Vehicle and Then Mutilates Him in the Dust""The Only Meaning of the Oil-Wet Water""On Wanting to Have Three Walls Up Before She Gets Home""Climbing to the Window, Pretending to Dance""She Waits, Seething, Blooming""Quiet""Your Mother and I""Naveed""Notes for a Story of a Man Who Will Not Die Alone""About the Man Who Began Flying After Meeting Her""Up the Mountain Coming Down Slowly""After I Was Thrown in the River and Before I Drowned"From the Trade Paperback edition.

    Twenty-year-old Maren Bergensdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Northern town of Vardø must fend for themselves. Three years later, a sinister figure arrives. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband's authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God and flooded with a mighty evil. As Maren and Ursa are pushed together and are drawn to one another in ways that surprise them both, the island begins to close in on them with Absalom's iron rule threatening Vardø's very existence. Inspired by the real events of the Vardø storm and the 1620 witch trials, The Mercies is a feminist story of love, evil, and obsession, set at the edge of civilization.

    Where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, utopian revolutionaries, and intrepid orphans solve crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

    Credited with influencing the likes of Chekhov, Maugham, Babel, and O. Henry, Maupassant had, at the time of his death at the age of forty-two, written six novels and some three hundred short stories. Yet in English, Maupassant has, curiously, remained unappreciated by modern readers due to outdated translations that render his prose in an archaic, literal style.In this bold new translation, Sandra Smith—the celebrated translator of Irene Nemirovsky's Suite Francaise—brings us twenty-eight of Maupassant's essential stories and two novellas in lyrical yet accessible language that brings Maupassant into vibrant English. In addition to her sparkling translation, Smith also imposes a structure that captures the full range of Maupassant's work. Dividing the collection into three sections that reflect his predominant themes—nineteenth-century French society, the Franco-Prussian War of 1870–71, and the supernatural—Smith creates "an arrangement suggesting a culture of relation, of structure, of completion" (Richard Howard).In "Tales of French Life," we see Maupassant explore the broad swath of French society, not just examining the lives of the affluent as was customary for writers in his day. In the title story of the collection, "The Necklace," Maupassant crafts a devastating portrait of misplaced ambition and ruin in the emerging middle class.The stories in "Tales of War" emerge from Maupassant’s own experiences in the devastating Franco-Prussian War and create a portrait of that disastrous conflict that few modern readers have ever encountered. This section features Maupassant's most famous novella, "Boule de Suif."The last section, "Tales of the Supernatural," delves into the occult and the bizarre. While certain critics may attribute some of these stories and morbid fascination as the product of the author's fevered mind and possible hallucinations induced by late-stage syphilis, they echo the gothic horror of Poe as well as anticipate the eerie fiction of H. P. Lovecraft.The result takes readers from marriage, family, and the quotidian details of life to the disasters of war and nationalism, then to the gothic and beyond, allowing us to appreciate Maupassant in an idiom that matches our own times. The Necklace and Other Stories enables us to appreciate Maupassant as the progenitor of the modern short story and as a writer vastly ahead of his time.

    He asked them to take out their school edition of The Wild Duck. He was once more struck by their hostile attitude toward him. But it couldn't be helped, he had a task to perform and was going through with it. It was from them as a group that he sensed that massive dislike sent forth by their bodies. Individually they could be very pleasant, but together, positioned like now, at their desks, they constituted a structural enmity, directed at him and all that he stood for. Elias Rukla begins yet another day under the leaden Oslo sky. At the high school where he teaches, a novel insight into Ibsen's The Wild Duck grips him with a passion so intense that he barely notices the disinterest of his students. After the lesson, when a broken umbrella provokes an unpredictable rage, he barely notices the students' intense curiosity. He soon realizes, however, that this day will be the decisive day of his life.With Shyness and Dignity, Dag Solstad - praised in Norway as one of the most innovative novelists of his generation - offers an intricate and richly drawn portrait of a man who feels irrevocably alienated from contemporary culture, politics, and, ultimately, humanity.

    The tasks assigned a bookish boy lead him to fateful encounters with lizards, owls, trolls and a feisty, sarcastic cat. A bear wedding is cause for celebration, the spinning wheel and the tower in the briar hedge get to tell their own stories, and a kitchenmaid finds out that a lost princess is more than she seems. The sea witch reveals what she hoped to gain when she took the mermaid’s voice. A wiser Snow White sets out to craft herself a new tale. In these eight stories and twenty-three poems, World Fantasy Award winner Theodora Goss retells and recasts fairy tales by Charles Perrault, the Brothers Grimm, Hans Christian Andersen, and Oscar Wilde. Sometimes harrowing, sometimes hilarious, always lyrical, the works gathered in SNOW WHITE LEARNS WITCHCRAFT re-center and empower the women at the heart of these timeless narratives.

      Cutting between clear-eyed realism and tongue-in-cheek magical realism, Chen’s stories coalesce into a portrait of a people striving for openings where mobility is limited. Twins take radically different paths: one becomes a professional gamer, the other a political activist. A woman moves to the city to work at a government call center and is followed by her violent ex-boyfriend. A man is swept into the high-risk, high-reward temptations of China’s volatile stock exchange. And a group of people sit, trapped for no reason, on a subway platform for months, waiting for official permission to leave.   With acute social insight, Te-Ping Chen layers years of experience reporting on the ground in China with incantatory prose in this taut, surprising debut, proving herself both a remarkable cultural critic and an astonishingly accomplished new literary voice.Lulu --Hotline girl --New fruit --Field notes on a marriage --Flying machine --On the street where you live --Shanghai murmur --Land of big numbers --Beautiful country --Gubeikou spirit

    Four women work together for a small nonprofit in Copenhagen that disseminates information on genocide. When two of them receive death threats, they immediately believe that they are being stalked by Mirko Zigic, a Serbian torturer and war criminal, whom they have recently profiled in their articles. As the tensions mount among the women, their suspicions turn away from Zigic and toward each other. The threats increase and soon the office becomes a battlefield in which each of the women's move is suspect. Their obsession turns into a witch hunt as they resort to bullying and victimization. Yet these are people who daily analyze cases of appalling cruelty on a worldwide scale, and who are intimate with the psychology of evil. The cruelty which the women have described from a safe distance is now revealed in their own world. They discover that none of them is exactly the person she seems to be. And then they learn that Interpol has traced Mirko Zigic to Denmark. THE EXCEPTION is a unique and intelligent thriller, heralding Christian Jungersen as a gifted storyteller and keen observer of the human psyche.

    The absurdity of both life and death are on full display; in "Zombies," the best and brightest of a high school prep school become tragically addicted to the latest drug craze: electric shocks from cardiac defibrillators. In "Knock, Knock," a son hopes to tell one last off-color joke to a father in his final moments, while in "Tunnel of Love," a massage therapist runs the curious practice of providing 'relief' to dying clients. And in "Expedition," fans will be thrilled to find to see a side of Tyler Durden never seen before in a precursor story to Fight Club.Funny, caustic, bizarre, poignant; these stories represent everything readers have come to love and expect from Chuck Palahniuk. They have all the impact of a sharp blow to the solar plexus, with considerable collateral damage to the funny bone.