It's meant to be a very easy read; not a book you read systematically from beginning to end but rather a book to read during those times you find reading a book overwhelming. How we choose to look at something is essential to our happiness, and the author, Dushka Zapata, hopes to leave readers with a little of that.

    Rather than appealing to altruism, or calling for revolution in the global economy, the Epicurean philosophy turns the developed world's credo of 'greed is good' on its head, counselling that genuine happiness comes from the quieting of desire; from less, not more. And that might just be the mindset we need to rein in unsustainable development.In this thoughtful Penguin Special, Slattery traces the radicalism of classical Epicurean thought, and its popularity despite political suppression. Along the way, he tours the archaeological sites of the ancient village of Oinoanda in Turkey and the Villa of the Papyri, buried along with Pompeii, with its ancient library of petrified scrolls. Might some of this treasure's fragments, painstakingly restored, reveal answers to the big questions faced in the twenty-first century?

    Social upheaval in early twentieth-century Europe is the historical setting for this seminal study by the Spanish philosopher José Ortega y Gasset of the 'mass man'-the phenomenon of mass culture that more than any other factor stamps the character of modern life.

    Each year, the series editor and guest editor curates a truly exceptional collection. The only shared traits among all these diverse styles, voices, and stories are the extraordinarily high caliber of writing, and the pure passion they tap into that can only come from sports.

    It is fundamental to Philosophical Taoism. Specially formatted for the Amazon Kindle, with easy navigation table of contents, and adjustable font size.

    In other words, the normal critic will at once dismiss them as too frivolous and dislike them as too serious. The rather one-sided truce of good taste, touching all religious matters, which prevailed until a short time ago, has now given place to a rather one-sided war. But the truce can still be invoked, as such terrorism of taste generally is invoked, against the minority. We all know the dear old Conservative colonel who swears himself red in the face that he is not going to talk politics, but that damning to hell all those bloody blasted Socialists is not politics. We all have a kindly feeling for the dear old lady, living at Bath or Cheltenham, who would not dream of talking uncharitably about anybody, but who does certainly think the Dissenters are too dreadful or that Irish servants are really impossible. It is in the spirit of these two very admirable persons that the controversy is now conducted in the Press on behalf of a Progressive Faith and a Broad and Brotherly Religion. So long as the writer employs vast and universal gestures of fellowship and hospitality to all those who are ready to abandon their religious beliefs, he is allowed to be as rude as he likes to all those who venture to retain them. The Dean of St. Paul's permits himself genially to call the Catholic Church a treacherous and bloody corporation; Mr. H. G. Wells is allowed to compare the Blessed Trinity to an undignified dance; the Bishop of Birmingham to compare the Blessed Sacrament to a barbarous blood-feast. It is felt that phrases like these cannot ruffle that human peace and harmony which all such humanitarians desire; there is nothing in THESE expressions that could possibly interfere with brotherhood and the sympathy that is the bond of society. We may be sure of this, for we have the word of the writers themselves that their whole aim is to generate an atmosphere of liberality and love. If, therefore, any unlucky interruption mars the harmony of the occasion, if it is really impossible for these fraternal festivities to pass off without some silly disturbance, or somebody making a scene, it is obvious that the blame must lie with a few irritable and irritating individuals, who cannot accept these descriptions of the Trinity and the Sacrament and the Church as soothing their feelings or satisfying their ideas.

    The result was a classic column full of Bombecks signature wit and warmth. Now the beloved column that has hung on hundreds of refrigerator doors has been cheerily illustrated and designed as a handsome gift book, Eat Less Cottage and More Ice Cream. In it, Bombeck gently reminds us of what is really important in life: If I had my life to live over again I would have waxed less and listened more.I would have cried and laughed less while watching television . . . and more while watching real life.But mostly, given another shot at life, I would seize every minute of it . . . look at it and really see it . . . try it on . . . live it . . . exhaust it . . . and never give that minute back until there was nothing left of it. . . . Long-time fans of Erma Bombeck will be thrilled to have this favorite column in the form of a beautiful keepsake. Readers discovering Bombeck for the first time will become fans instantly. Eat Less Cottage and More Ice Cream offers wisdom to inspire all of us.

    This superb collection contains excellent contemporary translations selected for their clarity and accessibility to today's reader, as well as an incisive introduction by Erich Segal, which reveals Plato's life and clarifies the philosophical issues examined in each dialogue. The first four dialogues recount the trial execution of Socrates--the extraordinary tragedy that changed Plato's life and so altered the course of Western though. Other dialogues create a rich tableau of intellectual life in Athens in the fourth century B.C., and examine the nature of virtue and love, knowledge and truth, society and the individual. Resounding with the humor and astounding brilliance of Socrates, the immortal iconoclast, these great works remain powerful, probing, and essential.Alternate Edition of ISBN-10: 0553213717

    First published in French in 1839 as an appendix to Jean Anthelme Brillat-Savarin’s Physiology of Taste, this Treatise was at once Balzac’s effort at addressing what he perceived to be an oversight in that cornerstone of gastronomic literature, a chapter toward his never-completed body of analytic studies (alongside such essays as Treatise on Elegant Living) that were to form an overarching “pathology of social life,” as well as a meditation on the the role pleasure and excess play in shaping society. If the science behind Balzac’s inquiry on the impact of five stimulants—tea, sugar, coffee, alcohol, and tobacco—on the human body is now outdated (“The future of the human race depends on mucus” is but one of the memorable statements to be found in this text), his thesis in which intellectual benefit requires a corollary in bodily and societal harm highlights a thread to be found throughout his work and his life.Balzac here describes his “terrible and cruel method” for brewing a coffee that can help the artist and author find inspiration (not recommended for blonds of weak constitution), explains why tobacco can be credited with having brought peace to Germany, and describes his first experience of alcoholic intoxication (which required seventeen bottles of wine and two cigars). Beyond its braggadocio and whimsy, though, this treatise ultimately speaks to Balzac’s obsession with death and decline, and attempts to confront in capsule form the broader implications of dissipating one’s vital forces, one’s energies, one’s inspiration, and, ultimately, one’s life.Honoré de Balzac (1799–1850), was a true monolith of French letters, one of the fathers of realism, and a great abuser of coffee. His Human Comedy ended up consisting of over one hundred interlinked stories and novels, and featured a cast of some two thousand characters. One of the earliest components of this enormous body of work was a never-completed four-part Pathology of Social Life. Balzac’s physiologies and nonfiction sociological studies read like the casebooks of a sociological Sherlock Holmes, and remain the least-known components to Balzac's sprawling Comedy.“An unwitting revolutionary”—Victor Hugo“[Balzac] groups a complete history of French society from which, even in economic details … I have learned more than from all the prefessional historians, economists, and statisticians of the period altogether”—Friedrich Engels

    This updated edition features new material.

    Greg Carlisle, author of the landmark Wallace study Elegant Complexity, provides an introduction that sets the scene and speculates on the future of Wallace studies. Editor David Hering provides a provocative look at the triangular symbols in Infinite Jest. Adam Kelly explores the intriguing question of why Wallace is considered to be at the forefront of a new sincerity in American fiction. Thomas Tracey discusses trauma in Oblivion. Gregory Phipps examines Infinite Jest's John "No Relation" Wayne and the concept of the ideal athlete. Daniel Turnbull compares Wallace's Kenyon College commencement address to the ethics of Iris Murdoch. These 17 essays stem from the first ever academic conference devoted the work of David Foster Wallace. Held in Liverpool, England, in 2009, the conference sparked a worldwide discussion of the place of Wallace's work in academia and popular culture. Essential for all Wallace scholars, fans of Wallace's fiction and nonfiction will also find the collection full of insights that span Wallace's career. Yes, there are footnotes.

    Mill's passionate advocacy of spontaneity, individuality, and diversity, along with his contempt for compulsory uniformity and the despotism of popular opinion, has attracted both admiration and condemnation.

    Less gear. Less anxiety. Less stress. Less fear. A Lesser Photographer is the missing guide you've always wanted to the only gear that really matters: the gear between your ears. In under an hour, you’ll be able to identify the myths you’ve been taught about photography and embrace useful creative habits that will set you apart. Praise for previous editions: “For something beautiful and well-said, check out A Lesser Photographer.” — David duChemin “Amazing read…I really recommend everyone get a copy.” — Chris Marquardt “CJ Chilvers reevaluates what it means to be a photographer in this manifesto. Most of the points apply to virtually any creative endeavor or obsession. ‘The real show is outside the viewfinder.’” — Jim Coudal “I have to say, CJ has a great attitude. If you care at all about photography, he’s a must read.” — Patrick Rhone “Every photographer should follow CJ Chilvers.” — Eric Kim

    It was not only extremely popular but also brought about pragmatic results, inspiring the movement for the eight-hour day and equal pay for men and women who perform equal work. It survives as one of the very few pieces of writing to come out of the international socialist movement of the nineteenth century that is not only readable-even enjoyable-but pertinent. This new translation by Len Bracken, fuller than previous versions in English, is supplemented by Lafargue's little-known talk on The Intellectuals.

    She asks hard questions and avoids easy answers. In this essay—now in English for the first time—she challenges the foundation of the modern liberal political order, making an argument that will have particular resonance in present-day America. Examining the dynamic of power and propaganda caused by party spirit, the increasing disregard for truth in favor of opinion, and the consequent corruption of education, journalism, and art, Weil proposes that politics can only begin where the party spirit comes to an end.This volume also reprints an admiring portrait of Weil by the Nobel laureate Czesław Miłosz and an essay about Weil’s friendship with Albert Camus by the translator Simon Leys.