Here is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language."--Publishers WeeklyStarred Review in Booklist "[C]hoices of poems from each of Harrison's books are passionate and sharp... Of special note is a section from Letters to Yesenin, a book-length poem, and the title poem from The Theory and Practice of Rivers , which contains these echoing lines, 'I forgot where I heard that poems / are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages."Jim Harrison: The Essential Poems is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison's legendary passions and appetites, his meditations, rages, and love-songs to the natural world.The New York Times concluded a review from early in Harrison's career with a provocative quote: "This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs." That sentiment still holds true, as Jim Harrison's essential poems continue to call for our fiercest attention.Also included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.In his essay "Poetry as Survival," Jim Harrison wrote, "Poetry, at its best, is the language your soul would speak if you could teach your soul to speak." The Essential Poems is proof positive that Jim Harrison taught his soul to speak."In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...The Essential Poems demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death." --Dean Kuipers, LitHub"The Essential Poems provides a good introduction--or reintroduction--to the work of this singular writer... these pieces illustrate Harrison's range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where 'the cost of flight is landing.'" --The Washington Post"Jim Harrison's latest collection, The Essential Poems, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this."--New York Journal of Books"Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they're all there -- love and death, remorse and longing, the rocket contrails of living. There's not a lot of small talk in The Essential Poems... this book grabs you by the collar and tells you in eleven hundred ways to wake up."--John Freeman, Executive Editor, "Recommended Reading from Lit Hub Staff""Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [The Essential Poems] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns."--Alta"It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all."--Harper's

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    A Field Guide to Getting Lost draws on emblematic moments and relationships in Solnit's own life to explore the issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery.

    Part personal narrative, part documentary, part travelogue, part chapbook, and all Kalman, these brilliant, whimsical paintings, ideas, and images - which initially appear random - ultimately form an intricately interconnected worldview, an idiosyncratic inner monologue.

    These twenty-three prose poems are thoughtprovoking, witty, and thoroughly unexpected observations of a bygone era, and through the lens of Feinstein's camera they speak volumes about the faces and places that have graced the City of Angels. Images like those of Judy Garland, Marlene Dietrich, and Steve McQueen resonate with our collective memory, while photographs of hopeful starlets, movie studio backlots, and sunny, palm tree'd boulevards evoke the timeless allure of all things Hollywood."Hollywood Foto-Rhetoric" marks a unique collaboration: With his unerring eye, Barry Feinstein captured unforgettable moments in stunning black-and-white, such as Marilyn Monroe's swimming pool on the day she died, and Frank Sinatra celebrating at John F. Kennedy's Inaugural Ball. In the provocative accompanying text, Bob Dylan's quixotic, expressive lyricism redefines silver screen nostalgia.

    The Pop-Up Book of Nightmares brings them vividly to life with ten richly illustrated, over-the-top pop-ups that put the reader right in the center of a world gone mad. Which one of these nightmares did you have last night?--Being unprepared for a final exam--Going for a midnight snack and finding a refrigerator teeming with rats--Giving birth to a baby that's anything but normal--Being chased by a menace that seems to be everywhere at once--Free falling with no hope of a safe landingThe Pop-Up Book of Nightmares is the perfect gift for anyone who wants to mine the psychological riches of their deepest slumber.

    Raif is a stalled academic, as uncertain of the past as he is the future, whose girlfriend is about to move in. They meet by chance, nothing important is said, yet Iris turns away and starts to run. She is running from what this encounter has woken in her. In the City of Love's Sleep is a contemporary fable about what it means to fall in love in middle age. It charts the steps two people take towards one another and what it means to have taken those steps before.

    She was lonely and unsettled - her parents had been killed in a car accident, her boyfriend had decided to go back to his wife, and as a painter she led a solitary life in her North Yorkshire home town. But she felt immediately at home in the gracious stone house that had been bequeathed to her, and was made welcome by the local residents - in particular, by the members of the Mindon Amateur Dramatic Society (somewhat appropriately known as MADS) presided over by the formidable Ursula. Ursula liked to run things her way, and brooked no opposition when the ambitious decision was made (largely by herself) to put on A Midsummer Night's Dream as their next production. Petra , to her surprise and pleasure, was put in charge of the wardrobe. Rivalries, squabbles, love affairs and seething resentments threatened to scupper the production, and all Ursula's managerial skills were needed to prevent disaster. But Petra had more pressing things on her mind than the costumes for the cast. A mystery from her past began to haunt her - and the answer to that mystery might solve the puzzle of why she had been left such a beautiful house by a total stranger.

    

    Critics have compared his work to such diverse artists as Kafka, Goya, Swift, Klee, and Beckett. Allen Ginsberg called Michaux “genius,” and Jorge Luis Borges wrote that Michaux’s work “is without equal in the literature of our time.” This anthology contains substantial selections from almost all of Michaux’s major works, most never before published in English, and allows readers to explore the haunting verbal and pictorial landscape of a twentieth-century visionary.

    Circling themes of intimacy and time, they return to the urgency of conversation: that fragile bridge across the frozen attitudes that divide our world. But at the heart of the collection is a deeper preoccupation, with those blurry places where humans might walk with gods, where the body might touch the beyond, where the enchanted might intersect effortlessly with the everyday. Where one stumbles upon what the poet simply calls ‘love without a story’.

    This is to keep you on the edge with each turn in the alleys of the Labyrinth.Labyrinth: Short Stories is an array of fifteen tales that cover genres like adventure, romance, paranormal, fantasy, history, and many more.Summary Of The BookLabyrinth: Short Stories, published in 2012, is a collection of fifteen short stories written by various Indian authors. Each tale belongs to a different genre and era, thereby giving this book a unique and refreshing feel. Labyrinth: Short Stories starts off with The Martyr, which has been written by Mainak Dhar. It revolves around young Kemal who finds himself in the middle of a war in Afghanistan. Puppet Show, by Aditi Chincholi, explains how a doctor cannot find a way to break a spell that has been cast over the natives of a valley.Bagheera Log Huts takes readers into the heart of an Indian jungle, where the search for a wild cat turns into an unexpected adventure. Shawn Pereira’s I'll Be Back describes an out-of-body experience, which shows how things can take a downward spiral when one is caught in the wrong place, at the wrong time. Aditi Chincholi’s second story, Sym World, is set in a fantasy land which the protagonist Kyoto has willingly entered, but cannot find a way out. In Mortified, written by Jeevan Varma, readers will find themselves in a small Indian township where a mortified Sharmaji is going to be attacked. This is followed by Crashing Impacts, a tale of love and sacrifice that spans almost ten years.Rishabh Chaturvedi’s The Night Of The Wokambee describes how Revant is in a quandary when a strange creature visits his house every night. Both Mists of Time by Niharika Puri, and Russkaya Rulyetka by Shawn Pereira, illustrate how a person makes impulsive decisions when he is overcome with rage and jealousy. Candies shows readers that the pursuit of love is filled with ups and downs. Travel Through The Night, authored by Rishabh Chaturvedi, follows the protagonist into dense sugarcane plantations, where he encounters strange spirits who block his path. A Day of Battle is set during the great epic battle of the Mahabharata, and the author Abhishek Dwivedi shares stories of the bravery of some of the best warriors that this world has ever seen. The next story, Farming On Facebook by Sushant Dharwadkar, takes a huge time leap, and shows how the present generation is unaware of the real world, as their focus lies only on the screens in front of them. About The AuthorsLabyrinth: Short Stories has been written by Mainak Dhar, Richard Fernandes, Jeevan Verma, Rishabh Chaturvedi, Niharika Puri, Aditi Chincholi, Abhishek Dwivedi, Sushant Dharwadkar, Rohit Das, and Shawn Pereira. They are a part of the initiative by Litizen.com. Professionally they are accountants, chefs, media professionals, doctors, and students.

    The rubber snake might as well be a real snake—the nightmare reality—when they elicit the same response. Blind fear will make both horse and rider try to outrun lions, even when those lions are made of paper. Blind fear can send you straight over a cliff, and even if you manage to pull up before the edge, that is no way to live life. It is only through training, training, and more training, and then testing that training, that you learn to turn and face fear, find courage, and welcome the ride, wild though it promises to be. These are the rings of fire, the trials that lie ahead for all of us, whether they be taking command of a spooky horse or navigating more human problems. Once trained, with worthy companions marching with you, shoulder-to-shoulder, you are ready for the ride. Welcome to The Dressage Chronicles IV: Rings of Fire.

    In this compact volume, Koolhaas addresses the urban and architectural implications of extra-large construction, using as examples three of OMA's important large-scale projects: the Zeebrugge Ferry Terminal in Belgium, the Tres Grande Bibliotheque in Paris, and the Karlsruhe Center for Art and Media Technology in Germany.Tackling questions about the difficult state of urbanism and modernism in contemporary Europe, America, and Asia, this slim volume forms a concise and coherent explanation of the theories and polemics of Koolhaas and OMA. This beautifully designed book serves as an inexpensive alternative and companion to Koolhaas's recent "S, M, L, XL."

    A touchstone of mediaeval literature, this small volume contains three stories from the Canterbury Tales, translated into Modern English by Nevill Coghill: 'The Wife of Bath', 'The Miller' and 'The Reeve'.