Wallace, a contemporary of Charles Darwin, spent nearly a decade cataloging the plant and animal species which inhabited the unique geographical area of the Malay Archipelago, and remains to this day one of the most extensive works of natural history ever written.

    Archaeological excavations reveal numerous local and family shrines, where sacrifices and other rituals were carried out. Intrigued by this folk religion in all its variety and vitality, Dever writes about ordinary people in ancient Israel and their everyday religious lives. Did God Have a Wife? shines new light on the presence and influence of women's cults in early Israel and their implications for our understanding of Israel's official Book religion. Dever pays particular attention to the goddess Asherah, reviled by the authors of the Hebrew Bible as a foreign deity but, in the view of many modern scholars, popularly envisioned in early Israel as the consort of biblical Yahweh. His work also gives new prominence to women as the custodians of Israel's folk religion. fascinating study critically reviews virtually all of the archaeological literature of the past generation, while also bringing fresh evidence to the table. Though Dever digs deep into the past, his discussion is extensively illustrated, unencumbered by footnotes, and vivid with colourful insights. Meant for professional and general audiences alike, Did God Have a Wife? is sure to spur wide and passionate debate.

    If you want to be introduced painlessly to the fascinating debates surrounding our British past, then Britain BC is the book for you - Barry Cunliffe, New ScientistFrancis Pryor is a modern field archaeologist with a reputation second to none. He has written a book as successful and exciting as its ambition is huge...lucid and engaging - Alan Garner, The TimesSplendid...a remarkable, imaginative and persuasive account of those other Britons before that [Roman] enslavement: its enthusiastic and confident approach deserves to be very influential - Christopher Chippendale, Times Literary Supplement

    Integrating the experiential and the scholarly, as well as the emotional and intellectual dimensions of death and dying, this seventh edition provides coverage of death studies.

    In his first class at East Jersey State Prison, where students read and discussed plays by Amiri Baraka and August Wilson, among others, his class set out to write a play of their own. In writing the play, Caged, which would run for a month in 2018 to sold-out audiences at The Passage Theatre in Trenton, New Jersey, and later be published, students gave words to the grief and suffering they and their families have endured, as well as to their hopes and dreams. The class’s artistic and personal discovery, as well as transformation, is chronicled in heartbreaking detail in Our Class. This “magnificent” (Cornel West, author of Race Matters) book gives a human face and a voice to those our society too often demonizes and abandons. It exposes the terrible crucible and injustice of America’s penal system and the struggle by those trapped within its embrace to live lives of dignity, meaning, and purpose.

    A supplemental reference provides an offbeat source of unusual, obscure, and very legitimate English language terms, clearly and whimsically defined for the benefit of those needing "just the right word."

    He has the multidisciplinary smarts to deeply understand our human dilemma as we stand on the verge of the inevitable collapse of industrialism. And he wields uncommon writing skills, making his diagnosis and prescription entertaining, illuminating, and practically informative. Not to be missed.”—Richard Heinberg, Senior Fellow, Post Carbon Institute and author of Peak Everything“There is a great deal of conventional wisdom about our collective ecological crisis out there in books.  The enormous virtue of John Michael Greer’s work is that his wisdom is never conventional, but profound and imaginative.  There’s no one who makes me think harder, and The Ecotechnic Future pushes Greer’s vision, and our thought processes in important directions.” —Sharon Astyk, farmer, blogger, and author of Depletion and Abundance and A Nation of Farmers “In The Ecotechnic Future, John Michael Greer dispels our fantasies of a tidy, controlled transition from industrial society to a post-industrial milieu. The process will be ragged and rugged and will not invariably constitute an evolutionary leap for the human species. It will, however, offer myriad opportunities to create a society that bolsters complex technology which at the same time maintains a sustainable interaction with the ecosystem. Greer brilliantly inspires us to integrate the two in our thinking and to construct local communities which concretely exemplify this comprehensive vision.” —Carolyn Baker, author of Sacred Demise: Walking The Spiritual Path of Industrial Civilization’s Collapse, and publisher/editor, Speaking Truth to PowerIn response to the coming impact of peak oil, John Michael Greer helps us envision the transition from an industrial society to a sustainable ecotechnic world—not returning to the past, but creating a society that supports relatively advanced technology on a sustainable resource base.Fusing human ecology and history, this book challenges assumptions held by mainstream and alternative thinkers about the evolution of human societies. Human societies, like ecosystems, evolve in complex and unpredictable ways, making it futile to try to impose rigid ideological forms on the patterns of evolutionary change. Instead, social change must explore many pathways over which we have no control. The troubling and exhilarating prospect of an open-ended future, he proposes, requires dissensus—a deliberate acceptance of radical diversity that widens the range of potential approaches to infinity.Written in three parts, the book places the present crisis of the industrial world in its historical and ecological context in part one; part two explores the toolkit for the Ecotechnic Age; and part three opens a door to the complexity of future visions.For anyone concerned about peak oil and the future of industrial society, this book provides a solid analysis of how we got to where we are and offers a practical toolkit to prepare for the future.John Michael Greer is a certified Master Conserver, organic gardener, and scholar of ecological history. He blogs at The Archdruid Report   (www.thearchdruidreport.blogspot.com), and is the author ofThe Long Descent.

    In "Fracture: Life and Culture in the West, 1918-1938", critically acclaimed historian Philipp Blom argues that, amid this uncertainty, Europeans and Americans directed their energies inwards toward aesthetic and intellectual self-discovery. Europe produced strange new brands of art, science, and spirituality—such as Surrealism and Art Deco—while flocking to exciting but dangerous new ideologies including communism and fascism. In America, the Harlem Renaissance marked the flourishing of black culture, and flappers sparked new thinking about the place of women in society. Yet undercurrents of racial and class conflict were pronounced, fueled by immigration quotas and the poverty of the Dust Bowl."Fracture: Life and Culture in the West, 1918-1938" is a sweeping evocation of the tumultuous interwar period, and the sublime cultural movements and terrifying ideologies it spawned.

    Fuller expresses what may well be his penultimate view of the human condition. Here, in a mood at once philosophical and involved, Mr. Fuller traces man's intellectual evolution and weighs his capability for survival on this magnificent craft, this Spaceship Earth, this superbly designed sphere of almost negligible dimension in the great vastness of space.Mr. Fuller is optimistic that man will survive and, through research and development and increased industrialization, generate wealth so rapidly that he can do very great things. But, he notes, there must be an enormous educational task successfully accomplished right now to convert man's tendency toward oblivion into a realization of his potential, to a universe-exploring advantage from this Spaceship Earth.It has been noted that Mr. Fuller spins ideas in clusters, and clusters of his ideas generate still other clusters. The concept spaceship earth is Mr. Fuller's, and though used by Barbara Ward as the title of a work of her own the idea was acknowledged by her there as deriving from Mr. Fuller. The brilliant syntheses of some fundamental Fuller principles given here makes of this book a microcosm of the Fuller system.

    An astonishing piece of travel writing and a timely and insightful analysis of Islamic fundamentalism"

    He demonstrates that beneath both language & myth there lies an unconscious "grammar" of experience, whose categories & canons aren't those of logical thought. He shows that this prelogical "logic" is not merely an undeveloped state of rationality, but something basically different, & that this archaic mode of thought still has enormous Power over even our most rigorous thought, in language, poetry & myth. The author analyzes such seemingly diverse (yet related) phenomena as the metaphysics of the Bhagavat Gita, the Melanesian concept of Mana, the Naturphilosophie of Schelling, modern poetry, Ancient Egyptian religion & symbolic logic. He covers a vast range of material that is all too often neglected in studies of human thought. These six essays are of great interest to the student of philosophy or the philosophy of science, the historian, or the anthropologist. They are also timely for students of literature, what with the enormous emphasis placed upon "myth" in modern literary speculation. This book isn't superficial speculation by a dabbler, but a penetrating study by one of the most profound & sensitive philosophic minds of our time.

    Original line drawings. of color photos.

    The rewarding result is a multicultural portrait in words and images that illuminates the hopes, dreams, sorrows, and joys of women around the world. 375 color photos.

    He gets to the heart of why the world's leading energy producer continues to exasperate many in the international community. And he makes clear why President Vladimir Putin remains popular even as the gap widens between the super-rich and the great majority of poor. Traversing the world's largest country from the violent North Caucasus to Arctic Siberia, Feifer conducted hundreds of intimate conversations about everything from sex and vodka to Russia's complex relationship with the world. From fabulously wealthy oligarchs to the destitute elderly babushki who beg in Moscow's streets, he tells the story of a society bursting with vitality under a leadership rooted in tradition and often on the edge of collapse despite its authoritarian power. Feifer also draws on formative experiences in Russia's past and illustrative workings of its culture to shed much-needed light on the purposely hidden functioning of its society before, during, and after communism. Woven throughout is an intimate, first-person account of his family history, from his Russian mother's coming of age among Moscow's bohemian artistic elite to his American father's harrowing vodka-fueled run-ins with the KGB. What emerges is a rare portrait of a unique land of extremes whose forbidding geography, merciless climate, and crushing corruption has nevertheless produced some of the world's greatest art and some of its most remarkable scientific advances. Russians is an expertly observed, gripping profile of a people who will continue challenging the West for the foreseeable future.

    From cute handwriting came manga, Hello Kitty, and Harajuku, and the kawaii aesthetic now affects every aspect of Japanese life. As colorful as its subject matter, this book contains numerous interviews with illustrators, artists, fashion designers, and scholars. It traces the roots of the movement from sociological and anthropological perspectives and looks at kawaii's darker side as it morphs into gothic and gloomy iterations. Best of all, it includes hundreds of colorful photographs that capture kawaii's ubiquity: on the streets and inside homes, on lunchboxes and airplanes, in haute couture and street fashion, in cafes, museums, and hotels.