Laing explains how we all exist in the world as beings, defined by others who carry a model of us in their heads, just as we carry models of them in our heads. In later writings he often takes this to deeper levels, laboriously spelling out how "A knows that B knows that A knows that B knows..."! Our feelings and motivations derive very much from this condition of "being in the world" in the sense of existing for others, who exist for us. Without this we suffer "ontological insecurity", a condition often expressed in terms of "being dead" by people who are clearly still physically alive.This watershed work aimed to make madness comprehensible, and in doing so revolutionized the way we perceive mental illness. Using case studies of patients he had worked with, psychiatrist R. D. Laing argued that psychosis is not a medical condition, but an outcome of the 'divided self', or the tension between the two personas within us: one our authentic, private identity, and the other the false, 'sane' self that we present to the world. Laing's radical approach to insanity offered a rich existential analysis of personal alienation and made him a cult figure in the 1960s, yet his work was most significant for its humane attitude, which put the patient back at the centre of treatment. R.D. Laing (1927-1989), one of the best-known psychiatrists of modern times, was born in Glasgow, Scotland.This work is available on its own or as part of the 7 volume set iSelected Works of R. D. Laing

    . . no better guide for learning about and clinically assessing the phenomenology of suicidal states. Penned with a compelling elegance and charm, The Practical Art of Suicide Assessment is brimming with clinical wisdom, enlightening case illustrations, and a vibrant sense of compassion."-David A. Jobes, PhD, past president, American Association of Suicidology "If I were asked to recommend only one book to equip clinicians to conduct the best possible suicide risk assessments, The Practical Art of Suicide Assessment would be it."-Thomas E. Ellis, PsyD, ABPP, past director, Clinical Division of the American Association of Suicidology "A concise, carefully conceptualized, well-written book . . . highly recommended for all psychiatric residents and all other mental health students."-Journal of Clinical Psychiatry "This outstanding book is informative, interesting, and clinically useful."-American Journal of Psychiatry The Practical Art of Suicide Assessment covers all the critical elements of suicide assessment-from risk factor analysis to evaluating clients with borderline personality disorders or psychotic process. This highly acclaimed text provides mental health professionals with the tools they need to assess a client's suicide risk and assign appropriate levels of care using the highly acclaimed interview strategy for eliciting suicidal ideation-the Chronological Assessment of Suicide Events (the CASE Approach). Now available in paperback, the leading book on suicide assessment also contains three important new appendices: * How to Document a Suicide Assessment * Safety Contracting Revisited: Pros, Cons, and Documentation * A Quick Guide to Suicide Prevention Web Sites

    Manson...It started with a college course assignment, then escalated into a dangerous obsession. Eighteen-year-old honor student Jason Moss wrote to men whose body counts had made criminal history: men named Dahmer, Manson, Ramirez, and Gacy.Dear Mr. Dahmer...Posing as their ideal victim, Jason seduced them with his words. One by one they wrote him back, showering him with their madness and violent fantasies. Then the game spun out of control. John Wayne Gacy revealed all to Jason -- and invited his pen pal to visit him in prison...Dear Mr. Gacy...It was an offer Jason couldn't turn down. Even if it made him...The book that has riveted the attention of the national media, this may be the most revealing look at serial killers ever recorded and the most illuminating study of the dark places of the human mind ever attempted.

    In my case, blinking my left eyelid is my only means of communication.’In December 1995, Jean-Dominique Bauby, editor-in-chief of French ‘Elle’ and the father of two young children, suffered a massive stroke and found himself paralysed and speechless, but entirely conscious, trapped by what doctors call ‘locked-in syndrome’. Using his only functioning muscle – his left eyelid – he began dictating this remarkable story, painstakingly spelling it out letter by letter.His book offers a haunting, harrowing look inside the cruel prison of locked-in syndrome, but it is also a triumph of the human spirit.

    Written with a diamond-sharp precision that lends it an eerie power, it tells the story of Renee's long sojourn in what she calls the "Land of Enlightenment" or "The Country of Tibet," and of her gradual and painstaking return to "wonderful reality." Renee moves in and out of hospitals, sometimes able to eat only tea and spinach, or apples and spinach, because "'The System' forbade anything else." She regresses to a state resembling infancy, and she experiences intense despair, although she always describes her experiences with a pitiless and remarkable calm, as though she has observed herself from a great distance. And all the while she is sustained by the attention and understanding of her analyst, Maguerite Sechehaye, who has contributed an illuminating Afterward to her story. This harrowing and unforgettable work is a classic in the literature of mental illness.

    Without warning, life as they knew it changed as paranoid schizophrenia overtook Sally. Whether it was accusing Laura’s father of trying to win her over to the side of Satan, or buying only certain products that were evil-free, glimmers of her mother’s future paranoia grew brighter as Laura’s early years passed. Once her husband left the family and filed for divorce, Sally’s symptoms bloomed in earnest, and the three girls united in flights of fancy of the sort their mother had taught them in order to deflect danger. Set in 1970s San Francisco, Swallow the Ocean is a searing, beautifully written memoir of a childhood under siege and three young girls determined to survive. In luminous prose, this memoir paints a most intimate portrait of what might have been a catastrophic childhood.

    It always gives me a good feeling to see other people happy. . . . It is so easy to achieve.” —Kim’s journal entry, May 3, 1988 On the night of April 15, 1990, Jill Bialosky’s twenty-one-year-old sister Kim came home from a bar in downtown Cleveland. She argued with her boyfriend on the phone. Then she took her mother’s car keys, went into the garage, closed the garage door. She climbed into the car, turned on the ignition, and fell asleep. Her body was found the next morning by the neighborhood boy her mother hired to cut the grass. Those are the simple facts, but the act of suicide is anything but simple. For twenty years, Bialosky has lived with the grief, guilt, questions, and confusion unleashed by Kim’s suicide. Now, in a remarkable work of literary nonfiction, she re-creates with unsparing honesty her sister’s inner life, the events and emotions that led her to take her life on this particular night. In doing so, she opens a window on the nature of suicide itself, our own reactions and responses to it—especially the impact a suicide has on those who remain behind. Combining Kim’s diaries with family history and memoir, drawing on the works of doctors and psychologists as well as writers from Melville and Dickinson to Sylvia Plath and Wallace Stevens, Bialosky gives us a stunning exploration of human fragility and strength. She juxtaposes the story of Kim’s death with the challenges of becoming a mother and her own exuberant experience of raising a son. This is a book that explores all aspects of our familial relationships—between mothers and sons, fathers and daughters—but particularly the tender and enduring bonds between sisters. History of a Suicide brings a crucial and all too rarely discussed subject out of the shadows, and in doing so gives readers the courage to face their own losses, no matter what those may be. This searing and compassionate work reminds us of the preciousness of life and of the ways in which those we love are inextricably bound to us.

    The case would become one of the most famous in modern medicine—and a total failure. As Nature Made Him tells the extraordinary story of David Reimer, who, when finally informed of his medical history, made the decision to live as a male. A macabre tale of medical arrogance, it is first and foremost a human drama of one man's—and one family's—amazing survival in the face of terrible odds.

    Includes photos and tributes to Lorde written after her death in 1992."Grief, terror, courage, the passion for survival and for more than survival, are here in the searchings of a great poet." —Adrienne Rich"This book teaches me that with one breast or none, I am still me." —Alice Walker"The forthrightness and ferocity with which Audre Lorde greeted every social injustice is in full force in this courageous exploration." —Amazon.com

    . . .a woman whose dead aunt was made into a mummy so the family could better grieve her passing and on occasion dine with her at family gatherings . . . a man wants his nose cut off to escape an annoying smell that haunts him . . . a teenage boy would only come to therapy if he could bring his pet snake."These and other fascinating and revealing stories are told by some of the most famous therapists in the world. Collected in this extraordinary book, well known practitioners recount the most memorable case histories of their illustrious careers. Engaging and surprising stories of human behavior are dramatically and often humorously portrayed. Each chapter gives a behind-the-scenes look at how therapists work with clients whose problems and behaviors aren't found in standard psychology textbooks. The book also shows how these eminent therapists often cure these apparently intractable problems and learn something about themselves in the process.1 The Man Who Wanted His Nose Cut Off / Jeffrey A. Kottler 7 --2 The Mummy at the Dining Room Table / Jon Carlson 21 --3 Buzzy Bee's Oral Fixation / Frank Pittman 32 --4 An Oedipal Dilemma / Arnold Lazarus 45 --5 The Urge to Eat from Garbage Cans / William Glasser 55 --6 The Penis That Needed Permission from the Church / Domeena Renshaw 66 --7 Therapy with a Gopher Snake and a Horned Lizard / Violet Oaklander 74 --8 Getting Rid of Old Junk / Harville Hendrix 84 --9 The Terminator Finds Himself on a Mental Ward / Scott Miller 95 --10 They Learned to Live with Ghosts / Insoo Kim Berg 105 --11 The Woman Who Should Have Been Depressed / Michael Yapko 115 --12 The Woman Who Hated Everyone and Everything / Albert Ellis 126 --13 The Medicine Man Who Never Had a Vision / Bradford Keeney 136 --14 The Woman Who Hanged Herself to Check Her Husband's Response Time / Susan Johnson 147 --15 The Hip-Nose Doctor Finds the Michael Jackson Tickets / Ernest Rossi 157 --16 The Lawyer from Hell / Arthur Freeman 166 --17 Reconstructing the Jigsaw Puzzle of a Meter Man's Memory / Robert A. Neimeyer 178 --18 An Emergency Hypnosis to Solve the Crime at the Burger Joint / Pat Love 191 --19 Beauty and the Beast / Samuel Gladding 199 --20 The Lie That Hid in His Back / Gay Hendricks 208 --21 The Client Who Wanted His Therapist to Be Someone Else / Howard Kirschenbaum 217 --22 The Bride Wore a Tuxedo, the Groom Wore a Gown / Joel Bergman 228 --23 Recovering from Recovered Memories / David Scharff 238 --24 Panic Disorder from Sewer Grates, Amusement Parks, and Sex with Ministers / Howard Rosenthal 249 --25 The Eighty-Two-Year-Old Prostitute / Jay Haley 257 --26 Saved by a Ghost / Stephen Lankton 264 --27 He'll Always Be Black / James F.T. Bugental 275 --28 "I Wouldn't Mind Being That Guy in the Mirror" / Michael Mahoney 279 --29 The Three-Year-Old Who Was an Alcoholic / Laura S. Brown 291 --30 Every Parent's Worst Nightmare / Donald Meichenbaum 299 --31 The Third Sexual Identity / Peggy Papp 305 --32 The Bird Colonel Who Turned into an Elephant / Len Sperry 316

    Hit with this devastating barrage, Tig took her grief onstage. Days after receiving her cancer diagnosis, she broke new comedic ground, opening an unvarnished set with the words, “Good evening. Hello. I have cancer. How are you? Hi, how are you? Is everybody having a good time? I have cancer.” Word of the set went viral instantly. This set was ultimately released as Tig’s sophomore album, Live, which sold 100,000 units in just six weeks and was nominated for a Grammy. Now, the wildly popular star takes stock of that no good, very bad year—a difficult yet astonishing period in which tragedy turned into absurdity and despair into joy. An inspired combination of the deadpan silliness of her comedy and the open-hearted vulnerability that has emerged in the wake of that dire time, Untitled is a moving and often hilarious look at this very brave, very funny woman’s journey through the darkness and her thrilling return.

    From miraculous pregnancies to dirty protests, and from violent attacks on prisoners to heartbreaking acts of self-harm, she has witnessed it all. In this memoir, Amanda reveals the stories, the patients and the cases that have shaped a career helping those most of us would rather forget.

    Then she met Aaron, a charismatic art director and her kindred spirit. They made mix tapes (and pancakes) into the wee hours of the morning. They finished each other’s sentences. They just knew. When Aaron was diagnosed with a rare brain cancer, they refused to let it limit their love. They got engaged on Aaron’s hospital bed and married after his first surgery. They had a baby when he was on chemo. They shared an amazing summer filled with happiness and laughter. A few months later, Aaron died in Nora’s arms in another hospital bed. His wildly creative obituary, which they wrote together, touched the world.Now, Nora shares hysterical, moving, and painfully honest stories about her journey with Aaron. It’s Okay to Laugh explores universal themes of love, marriage, work, (single) motherhood, and depression through her refreshingly frank viewpoint. A love letter to life, in all of its messy glory, and what it’s like to still be kickin', It’s Okay to Laugh is like a long chat with a close friend over a cup of coffee (or chardonnay).

    For everyone who knew that girl. For everyone who wondered who that girl was.Kerry Cohen is eleven years old when she recognizes the power of her body in the leer of a grown man. Her parents are recently divorced and it doesn't take long before their lassitude and Kerry's desire to stand out--to be memorable in some way--combine to lead her down a path she knows she shouldn't take. Kerry wanted attention. She wanted love. But not really understanding what love was, not really knowing how to get it, she reached for sex instead.Loose Girl is Kerry Cohen's captivating memoir about her descent into promiscuity and how she gradually found her way toward real intimacy. The story of addiction--not just to sex, but to male attention--Loose Girl is also the story of a young girl who came to believe that boys and men could give her life meaning. It didn't matter who he was. It was their movement that mattered, their being together. And for a while, that was enough.From the early rush of exploration to the day she learned to quiet the desperation and allow herself to love and be loved, Kerry's story is never less than riveting. In rich and immediate detail, Loose Girl re-creates what it feels like to be in that desperate moment, when a girl tries to control a boy by handing over her body, when the touch of that boy seems to offer proof of something, but ultimately delivers little more than emptiness.Kerry Cohen's journey from that hopeless place to her current confident and fulfilled existence is a cautionary tale and a revelation for girls young and old. The unforgettable memoir of one young woman who desperately wanted to matter, Loose Girl will speak to countless others with its compassion, understanding, and love.

    Fiction. Translated from the French by Victor Llona. DOWN BELOW is an account of Leonora Carrington's travels to Spain after having been declared "incurably insane." Carrington wrote and painted as a defender of the Surrealist movement into the twentieth century. DOWN BELOW was first published in 1944. This recent publication includes new collages by Debra Taub.