The year is 1986, and the strange communal life of this foursome, extending over half a year, from the end of winter to midsummer, makes up the plot,such as it is, of Plainsong, as this ersatz family finds itself growing closer, and lifecontinues—quietly—around them. Part of the generation that grew to prominence following the success of baby boomers like Haruki Murakami, KazushiHosaka’s work chronicles the small moments, the moments without conflict,that most novels work to elide. His characters talk, work, exist; their story is onewhere the tiniest occurrence takes on the proportions of a grand drama.

    For eight years, he masqueraded as a Nazi journalist and burrowed deep into the German embassy, digging for the secrets of Hitler’s invasion of Russia and the Japanese plans for the East. In a nation obsessed with rooting out moles, he kept a high profile—boozing, womanizing, and operating entirely under his own name. But he policed his spy ring scrupulously, keeping such a firm grip that by the time the Japanese uncovered his infiltration, he had done irreversible damage to the cause of the Axis.The first definitive account of one of the most remarkable espionage sagas of World War II, Target Tokyo is a tightly wound portrayal of a man who risked his life for his country, hiding in plain sight.

    The first sufferer is Harold Greensmeyer, who contracts USAC while at the supermarket. He is soon confined to a mental hospital, where he encounters a cast of curious characters – the compulsive psychiatrist who tries to treat him, a woman convinced that she and Harold are fated to marry, and a befuddled cop who believes Harold is a mystic. When USAC spreads and the hospital is quarantined, they escape together in search of answers, love, and a cure.

    Their initial contact grew into a friendship that O'Brien chronicled for the Miami News, where he began his career as a staff photographer. O'Brien's photo essays conveyed empathy for the homeless and the disenfranchised and won two Robert F. Kennedy Journalism Awards. In 2006, O'Brien reconnected with the issue of homelessness and learned the problem has grown exponentially since the 1970s, with as many as 3.5 million adults and children in America experiencing homelessness at some point in any given year.In Hard Ground, O'Brien joins with renowned singer-songwriter Tom Waits, described by the New York Times as "the poet of outcasts," to create a portrait of homelessness that impels us to look into the eyes of people who live "on the hard ground" and recognize our common humanity. For Waits, who has spent decades writing about outsiders, this subject is familiar territory. Combining their formidable talents in photography and poetry, O'Brien and Waits have crafted a work in the spirit of Let Us Now Praise Famous Men, in which James Agee's text and Walker Evans's photographs were "coequal, mutually independent, and fully collaborative" elements. Letting words and images communicate on their own terms, rather than merely illustrate each other, Hard Ground transcends documentary and presents independent, yet powerfully complementary views of the trials of homelessness and the resilience of people who survive on the streets.

    In the process, she learns how to be a woman. Based on the movie of the same name, this prestige format, lavishly illustrated hard-bound book gives fans a rare glimpse into the creative process of Academy Award-winning director Hayo Miyazaki.

    Many Japanese know the poems by heart as a result of playing the popular card game version of the anthology. Collecting one poem each from one hundred poets living from the 7th century to the 13th century, the book covers a wide array of themes and personal styles.

    As Yuki descends deeper and deeper into her own psyche, she catches glimpses of her true nature.A brisk, bristling story of survivor's guilt, treacherous sex, and unexpected redemption, Outlet opens the door to a spiritual dimension that is both new and age-old. The climax is mind-blowing.

    In her collection of brief poems, Tawara explores the fleeting emotions and momentary experiences that comprise modern life and love.

    Then open up Young Americans, seems obvious what Jordan Castro is doing is revolutionary, he expressing emotions through poetry that have never been done before. The style, the way the subject matter is portrayed, even the meter, are new." - Noah Cicero (author of The Human War, The Insurgent, and more)“If you are a person who doesn’t really know what they are doing and you would like to read about another person who doesn’t really know what they are doing either, I recommend reading this poetry book. I enjoyed reading these poems. Or something.” - Chris Killen (author of The Bird Room)“I read these poems three times in one night, then put the duvet over my head and held my knees for a while. It’s good when something makes sense. I really really liked these poems.” - Ben Brooks (author of Grow Up)

    The words haunt him as he studies the Kaiju (Japan’s giant monsters) on an island reserve, attempting to understand the beauty his wife saw.“The Return to Monsterland” opens 'Where We Go When All We Were Is Gone,' a collection of twelve fabulist and genre-bending stories inspired by Japanese folklore, historical events, and pop culture. In “Rokurokubi”, a man who has the demonic ability to stretch his neck to incredible lengths tries to save a marriage built on secrets. The recently dead find their footing in “The Inn of the Dead’s Orientation for Being a Japanese Ghost”. In “Girl Zero”, a couple navigates the complexities of reviving their deceased daughter via the help of a shapeshifter. And, in the title story, a woman instigates a months-long dancing frenzy in a Tokyo where people don’t die but are simply reborn without their memories.Every story in the collection turns to the fantastic, the mysticism of the past, and the absurdities of the future to illuminate the spaces we occupy when we, as individuals and as a society, are at our most vulnerable.

    In the months leading up to this terrible event, Ali had been in correspondence with a friend and Dutch publisher, Oscar van Gelderen, about his semi-autobiographical novel. Golden Years is that book.Set in the first decade of the 21st century in New York, Teheran and Dallas, Golden Years is a novel perfumed with excess and spirited decadence. It tells the story of a group of Iranian musicians in their twenties and our narrator, in his 30s, who is in thrall to the great American beats and has visions of Ancient Assyrian Futurism. Hungry and poor, high and hopping from bed to bed, and lover to lover, the characters in Golden Years are romantic exiles living with rock n roll as their religion.

    These are some of the things we think about when we think about Japan. This small island nation looms large in the popular imagination, in often contradictory ways: as the epitome of refinement and tradition, and as an embodiment of a shiny, soulless future. What is Japan to those who really know it? This issue includes translated work from the most exciting Japanese writers today, alongside work in English. There will be contributions from the Man Asia-shortlisted Hiromi Kawakami, the Booker-shortlisted Ruth Ozeki, David Mitchell, David Peace, Richard Lloyd Parry and more.

    Collected in this 128-page volume is the two-issue series Appleseed Databook, containing detailed descriptions of the people, places, machines, and organizations that populate this fascinating world, plus a previously unreleased twenty-five-page story featuring all of those people, places, machines, and organizations! Appleseed Databook is an absolute must for established fans of the Appleseed saga!

    

    A collection of poetic meditations by the National Book Critics Circle Award-finalist author of Leaving Saturn evaluates the solemn richness of everyday lives, from a grandfather who gardens in a tenement backyard to a teacher to renames her black students after French painters.