For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    The first story in this collection has been adapted to film (Dark Water, Walter Salles), and another, "Adrift" is currently in production with Dimension Films.

    In the title story, on a murky evening in a warmly lit club off St James, a bishop listens closely as a paranormal detective recounts his most memorable case, one whose horrifying denouement took place in that very building. In 'The Front Room', a devoutly Christian mother tries to protect her children from the evil influence of their grandmother, both when she is alive and when she is dead. A lonely boy finds a friend in 'Boy Number 21', but years later he is forced to question the nature of that friendship, and to ask whether ghosts can perish in fires.This is Susan Hill at her best, telling characteristically flesh-creeping and startling tales of thwarted ambition, terrifying revenge and supernatural stirrings that will leave readers wide-awake long into the night.

    That's what Harriet and Arthur Bloomsbury think, but that comforting feeling is a fiction. Hiding among the stone walls, picturesque barns, and hay bales is a horror they can't imagine. It's deadly, impossible -- maybe even paranormal. This short story isn’t your average murder mystery, because this time, the threat isn’t quite so clear. Is it the serial killers hunting you? Your own paranoia? Or the very laws of nature? The suspense is free.

    Hamantaschen’s third collection of short stories delivers more inimitable dark fiction. These are eleven tales of macabre horror, filled with estrangement, honor, wonder, terror, delusion, pity, desperation and perseverance.

    His stories are powerfully charged explorations of psychical violence, their effects heightened by detailed character studies graced with a powerful poetic elegance. In simple terms Oliver Onions goes for the cerebral rather than the jugular. However, make no mistake, his ghost stories achieve the desired effect. They draw you in, enmeshing you in their unnerving and disturbing narratives.This collection contains such masterpieces as The Rosewood Door, The Ascending Dream, The Painted Face and The Beckoning Fair One, a story which both Algernon Blackwood and H. P. Lovecraft regarded as one of the most effective and subtle ghost stories in all literature. Long out of print, these classic tales are a treasure trove of nightmarish gems.

    . . someone you don't know. Would you still push the button?"Button, Button," Richard Matheson's chilling tale of greed and temptation, is now the basis of The Box, the new film from the director of Donnie Darko. In addition, this outstanding collection also contains many other unforgettable stories by Matheson, the award-winning author of I Am Legend and What Dreams May Come."The inventive plots and spare but convincing portraits of ordinary men and women caught up in forces beyond their control demonstrate why Stephen King has called Matheson his most significant influence."--Publishers Weekly

    Thousands are entombed in golden books (urns) shelved from floor to ceiling in a glowing labyrinth of nearly countless rooms. The stories within The Library of the Dead represent a few of those golden books, and when opened, reveal the stories of those inside.

    Beneath the Moors and Darker Places, a companion to The Whisperer and Other Voices, collects nine of Lumley's best long short works, many of them unavailable for decades in any form.The Cthulhu Mythos of the immortal H. P. Lovecraft provides inspiration for much of Lumley's work, including "Dagon's Bell" and "Big C," both included here. The explosive creation of a new volcanic island off Iceland in 1967 led to "Rising with Surtsey," an homage not just to Lovecraft but to the great August Derleth. "David's Worm"-which takes an interesting view of "you are what you eat"-was published in a Year's Best Horror Stories and later adapted for radio in Europe.The collection also includes the macabre "The Second Wish," published here for the first time with the author's original, intended ending, and "The Fairground Horror," first published in The Disciples of Cthulhu twenty-five years ago and not seen since save for a small press edition.The title tale, Beneath the Moors, a complete short novel, has been unavailable in the US since its first publication by Arkham House in the early 1970s. It is considered to be one of Lumley's strongest short works; Tor is proud to restore this and the other pieces in this volume to Lumley's growing readership.

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    A hundred pages of dark fiction, featuring T.L. Morganfield, David Niall Wilson, Jennifer Pelland, Kurt Newton, Don D’Ammassa, Mercedes M. Yardley, and more. Conversations with William Ollie, Alan Robert (Life of Agony, Spoiler NYC), and the legendary John Skipp.

    P. Lovecraft, this stylish new collection of adventure stories fizzes with wit and invention. They can be enjoyed separately, but read them in one sitting and the pieces fit horribly together into a larger and more terrible nightmare. †These tales constitute David Hambling’s initial foray into the realm of Lovecraftian fiction. The fertility of imagination, the crisp character delineations, and the smooth-flowing prose that we find in these seven tales leave us wishing for more of the same, and Hambling will no doubt oblige in the coming years. For now, we can sit back and relish a brace of stories that not only evoke the shade of the dreamer from Providence, but which that dreamer himself would have enjoyed to the full. —S. T. Joshi(from his foreword)

    A disused London Underground lift goes way beyond the bottom floor.A psychic boy discovers what terrors are buried in the fallow field.A handshake seals a midnight fate in an old farming dispute.A corpse must be buried by dawn.BLACK GATE TALES: Fourteen short stories of dread, hope, death and wonder.

    It includes stories by Charles Dickens, Wilkie Collins, M. R. James, W. W. Jacobs, and L. P. Hartley, among other masters of the fine art of making the flesh creep, all accompanied by Gorey's inimitable illustrations.ALGERNON BLACKWOOD, "The Empty House"W.F. HARVEY, "August Heat"CHARLES DICKENS, "The Signalman"L.P. HARTLEY, "A Visitor from Down Under"R.H. MALDEN, "The Thirteenth Tree"ROBERT LOUIS STEVENSON, "The Body-Snatcher"E. NESBIT, "Man-Size in Marble"BRAM STOKER, "The Judge's House"TOM HOOD, "The Shadow of a Shade"W.W. JACOBS, "The Monkey's Paw,"WILKIE COLLINS, "The Dream Woman"M.R. JAMES, "Casting the Runes"

    In the big white house on the hill angels are said to appear. A forgotten tenant in an isolated building becomes addicted to milk. A strange goddess is worshipped by a home-invading disciple. The least remembered gods still haunt the oldest forests. Cannibalism occurs in high society at the end of the world. The sainted undead follow their prophet to the Great Dead Sea. A confused and vengeful presence occupies the home of a first-time buyer . . . In ghastly harmony with the nightmarish visions of the award-winning writer's novels, these stories blend a lifelong appreciation of horror culture with the grotesque fascinations and childlike terrors that are the author's own. Adam Nevill's best early horror stories are collected here for the first time.