The essays were written during a difficult time in Twain's life; he was deep in debt and had lost his wife and one of his daughters. The book consists of a series of short stories, many of which deal with God and Christianity. Twain penned a series of letters from the point-of-view of a dejected angel on Earth. This title story consists of letters written by the archangel Satan to archangels, Gabriel and Michael, about his observations on the curious proceedings of earthly life and the nature of man's religions. By analyzing the idea of heaven and God that is widely accepted by those who believe in both, Twain is able to take the silliness that is present and study it with the common sense that is absent. Not so much an attack as much as a cold dissection. Other short stories in the book include a bedtime story about a family of cats Twain wrote for his daughters, and an essay explaining why an anaconda is morally superior to Man. Twain's writings in Letters From the Earth find him at perhaps his most quizzical and questioning state ever.

    Included here is Crown-Fire, Country Full of Swedes, The Windfall, Horse Thief, Yellow Girl and Kneel to the Rising Sun.

    The pieces come in the wake of a stroke Gilb suffered at his home in Austin, Texas, in 2009, and a majority of the stories were written over many months of recovery. The result is a powerful and triumphant collection that tackles common themes of mortality and identity and describes the American experience in a raw, authentic vernacular unique to Gilb.These ten stories take readers throughout the American West and Southwest, from Los Angeles and Albuquerque to El Paso and Austin. Gilb covers territory familiar to some of his earlier work—a mother and son’s relationship in Southern California in the story ‘Uncle Rock’ or a character looking to shed his mixed up past in ‘The Last Time I Saw Junior’—while dealing with themes of mortality and limitation that have arisen during his own illness. Confronting issues of masculinity, sexuality, and mortality, Gilb has recovered and produced what may be his most extraordinary achievement to date.

    But he may be the first to arrive in Montana with a World Series ring, a three-legged dog, and a thirst for self-destruction. High and Inside documents, with stark clarity, one man's struggle with the dark side of fame, as well as his internal battles with alcoholism and a crumbling sense of self-worth. A community of people who love him and a generous inheritance aren't enough to counterbalance Pete's apparent determination to sabotage every healthy aspect of his life. It's a downward spiral that won't end until he's forced to confront not only his own ugly past but his unfulfilled future as well. With wit and compassion, sharp humor and startling insight, author Russell Rowland gives us not only a portrait of fame and addiction, but also an indispensable glimpse into the character of the modern West. "Rowland's people are on a search, and he writes them with wit, humility, and a satisfying sense of trajectory." Leif Enger Author of Peace Like a RiverYou don t have to love baseball to love this story about one (aging) boy of summer who is brought to a bittersweet reckoning with his past. I found myself laughing, cringing, and knuckling down Kim Barnes Author of "In the Kingdom of Men"an elegant and potent investigation of community and home, of healing and forgiveness this wonderful novel is a grand slam of indelible characters and infectious drama, and a flat-out great read. Alan Heathcock Author of "Volt"

    This anthology includes the masterpieces Wise Blood. The Violent Bear it Away, and Everything that Rises Must Converge.

    Thirteen darkly comic stories, Dangerous Laughter is a mesmerizing journey that stretches the boundaries of the ordinary world.

    She portrays the MacLains, the Starks, the Moodys, and other families of the fictitious town of Morgana. “I doubt that a better book about ‘the South’-one that more completely gets the feel of the particular texture of Southern life and its special tone and pattern-has ever been written” (New Yorker).

    And despite all of the above, the absolute necessity of it, no matter its consequences. Whether it’s a college student undone by the boy who leaves her, or the boyfriend intent on leveling old scores from high school for his lover, or the husband who discovers—in the grocery store—the woman he should have been with all along, every character, no matter how off track, wants to believe in debt and credit and payback and making the messy world—and the messy world of love—turn out neatly.

    Set in Appalachia in the years before World War II, Velva Jean Learns to Drive is a poignant story of a spirited young girl growing up in the gold-mining and moonshining South. Before she dies, Velva Jean's mother urges her to "live out there in the great wide world". Velva Jean dreams of becoming a big-time singer in Nashville until she falls in love with Harley Bright, a handsome juvenile delinquent turned revival preacher. As their tumultuous love story unfolds, Velva Jean must choose between keeping her hard-won home and pursuing her dream of singing in the Grand Ole Opry.

    Always ready with an impeccable phrase or a sly wink, he shares tales of the most darkly ironic sort, including a field report from a human abattoir, a chronicle of dating Death, and, of course, the tale of the goat that ate its own legs. The thirty-one bizarre, insightful, and morbidly hilarious tales in My Goat Ate Its Own Legs: Tales for Adults will delight anyone who doesn't take life (or death) too seriously.

    As four Moroccans illegally cross the Strait of Gibraltar in an inflatable boat headed for Spain, author Laila Lalami asks, What has driven them to risk their lives? And will the rewards prove to be worth the danger? There’s Murad, a gentle, unemployed man who’s been reduced to hustling tourists around Tangier; Halima, who’s fleeing her drunken husband and the slums of Casablanca; Aziz, who must leave behind his devoted wife in hope of securing work in Spain; and Faten, a student and religious fanatic whose faith is at odds with an influential man determined to destroy her future. Sensitively written with beauty and boldness, this is a gripping book about what propels people to risk their lives in search of a better future.

    James Lasdun's great gift is his unfailing psychological instinct for the vertiginous moments when the essence of a life discloses itself. With forensic skill he exposes his characters' hidden desires and fears, drawing back the folds of their familiar self-delusions, their images of themselves, their habits and routines, to reveal their interior lives with brilliant clarity.In sharply evoked settings that range from the wilds of Northern Greece to the beaches ofCape Cod, these intensely dramatic tales chart the metamorphoses of their characters as they fall prey to the full range of human passions. They rise to unexpected heights of decency or stumble into comic or tragic folly. They throw themselves open to lust, longing, and paranoia--always recognizably mirrors of our own conflicted selves.As James Wood has written, "James Lasdun seems to be one of the secret gardens of English writing . . . When we read him we know what language is for again." This collection of haunting, richly humane pieces is further proof of the powers of an enormously inventive writer.

    "Bailey White's sketches evoke a sort of real-life Lake Wobegon."--The New York Times.

    With omniscient narration, rich detail, and lyrical prose, Matthew Neill Null brings his landscape and characters vividly to life.

    Against the backdrop of the Baltic coast, mythology and meteorology mix with the inexorable tide of political change: Kashubian folklore, Chinese mysticism and mediaeval scholarship butt up against the war in Chechnya, 9-11, and the struggle for Polish independence.Central to Huelle’s imagery is the vision of the refugee – be it the Chechen woman carrying her newborn child across the Polish border (her face emblazoned on every TV screen), the survivor of the Gulag re-appearing on his friends’ doorstep, years after being presumed dead, or the stranger who befriends the sole resident of a ghostly Mennonite village in the final days of the Second World War. Each refugee carries a clue, it seems, or is in possession or pursuit of some mysterious text or book, knowing that only it – like the Chinese ‘Book of Changes’ – can decode their story. What we do with this text, this clue, Huelle seems to say, is up to us.