Enter a new world or return to see old friends in four Powder Mage Universe novellas featuring Erika, Tamas, Adamat, Taniel, Ka-poel, and Ben Styke.ForswornServant of the CrownMurder at the Kinnen HotelGhosts of the Tristan Basin.

    So enter it prepared! Here are vivid tales about possible tomorrows, from the keen eye and colorful pen of David Brin, a modern master of speculative fiction. Visit a chillingly plausible tomorrow, when prisoners may be sent to asteroidal gulags. Or might prisons vanish and felons roam, seeing only what society allows? Suppose, amid lavish success, we gain the superpower to fly! Will we even appreciate it or will we find new reasons to complain? In "Mars Opposition," you'll experience an alien invasion like no other, confronting humanity with a stark and terrible choice followed by several more tales of conquest from beyond, each of them wildly different. On the other hand, might fantastically potent new beings emerge out of ourselves, as revealed in "Chrysalis ? Featuring guest appearances by Gregory Benford, Jules Verne, and Galileo, this adventure takes you beyond the very singularity in Stones of Significance, pondering what could happen after humans are like gods. And Reality Check asks one of you readers just one of you to wake up! Tomorrow awaits. We can face it and prevail. So long as our stance is brave INSISTENCE OF VISION."

    In these and other thought-provoking stories, legendary author Harlan Ellison dissects the primal fears and inherent frailties common to all people and gives voice to the thoughts and feelings human beings bury deep within their souls. Unflinching and unapologetic, Ellison depicts men and women in all their ugliness and beauty, and humanity in all its fury and glory. Stories include “Introduction: Mortal Dreads,” “Jeffty Is Five,” “How’s the Night Life on Cissalda?,” “Flop Sweat,” “Would You Do it For a Penny?” (written in collaboration with Haskell Barkin), “The Man Who Was Heavily Into Revenge,” “Shoppe Keeper,” “All the Lies That Are My Life,” “Django,” “Count the Clock That Tells the Time,” “In the Fourth Year of the War,” “Alive and Well on a Friendless Voyage,” “All the Birds Come Home to Roost,” “Opium,” “The Other Eye of Polyphemus,” “The Executioner of the Malformed Children,” and “Shatterday.”

    Or a backyard tale from the 1001 American Nights. Macbeth re-imagined as a screwball comedy. Three extraordinary economic tasks performed by a small expert in currency exchange that risk first career and then life and then soul.From the disturbing beauty of 'Flat Diane' (Nebula-nominee, International Horror Guild award-winner) to the idiosyncratic vision of 'The Cambist and Lord Iron' (Hugo- and World Fantasy-nominee), Daniel Abraham has been writing some of the most enjoyable and widely admired short fiction in the genre for over a decade.Ranging from high fantasy to hard science fiction, screwball comedy to gut-punching tragedy, Daniel Abraham's stories never fail to be intelligent, compassionate, thoughtful, and humane. Leviathan Wept and Other Stories is the first collection of his short works, including selections from both the well-known and the rare.Contents:The Cambist and Lord Iron (2007)Flat Diane (2004)The Best Monkey (2009)The Support Technician Tango (2007)A Hunter in Arin-Quin (2010)Leviathan Wept (2004)Exclusion (2001)As Sweet (2001)The Curandero and the Swede (2010)

    It has had a passionate following for years. On its twentieth anniversary, Subterranean Press will release this novel as part of its Signature Series, in a volume that also contains stories that were inspired by, or drawn from, the novel while Lansdale waited for it to sell. The novel and stories have influenced numerous writers over the years, and are now gathered for the first time (with a new, never-before-published tale) in this unique tribute volume celebrating one of the most influential and award-winning writers of the last two decades. The God of the Razor will be designed as a companion volume to the Lansdale tribute anthology, Lords of the Razor, featuring a full color cover by TimothyTruman, and twenty full page black-and-white illustrations for the short stories and novel by Glenn Chadborne.

    A volcanic explosion of personal memories, political rants, social commentary, environmental jeremiads and cultural analysis all tangled together in one breathless sentence that would make James Joyce proud. . .--Ron Charles, The Washington Post In this unapologetically unclassifiable work Lawrence Ferlinghetti lets loose an exhilarating rush of language to craft what might be termed a closing statement about his highly significant and productive 99 years on this planet. The Little Boy of the title is Ferlinghetti himself as a child, shuffled from his overburdened mother to his French aunt to foster childhood with a rich Bronxville family. Service in World War Two (including the D-Day landing), graduate work, and a scholar gypsy's vagabond life in Paris followed. These biographical reminiscences are interweaved with Allen Ginsberg-esque high energy bursts of raw emotion, rumination, reflection, reminiscence and prognostication on what we may face as a species on Planet Earth in the future. Little Boy is a magical font of literary lore with allusions galore, a final repository of hard-earned and durable wisdom, a compositional high wire act without a net (or all that much punctuation) and just a gas and an inspiration to read.

    Shakespeare's "Shall I Compare Thee to a Summer's Day?", Milton's "On His Blindness," Wordsworth's "The World Is Too Much with Us," many more by Spenser, Sidney, Blake, Byron, Coleridge, Longfellow, Yeats, Frost, Poe, etc. Includes 2 selections from the Common Core State Standards Initiative.

    Nature, man and human history are reflected on in the verse of English and American poets and such prose works as the Gettysburg Address and the Declaration of Independence.

    Who names their daughter Silence, and what does it imply? What is it like to grow up with this name? The answers built into the concept of a stout pioneer woman who ran an inn on the frontier, drawing the seediest criminals the land had to offer. She’d then track them after they left her inn and murder them for their bounties."Perfect State" sets God-Emperor Kairominas on a date. What happens when the most important man in the world is forced to have dinner with the most important woman in the world?This is a flip book with two covers.

    The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000 acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt.Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system.And back in Atlanta, when star Georgia Tech running back Fareek “the Canon” Fanon, a homegrown product of the city’s slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city’s delicate racial balance from blowing sky-high.Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates — Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker’s deliverance from his tribulations provides an unforgettable denouement to the most widely awaited, hilarious and telling novel America has seen in ages — Tom Wolfe’s most outstanding achievement to date.

    

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

    He first found his true voice in the epigrams and odes he wrote when transfigured by his love for the wife of a rich banker. He later embarked on an extraordinarily ambitious sequence of hymns exploring cosmology and history, from mythological times to the discovery of America and his own era. The ’Canticles of Night’, by contrast, include enigmatic fragments in an unprecedented style, which anticipates the Symbolists and Surrealists. Together the works collected here show Hölderlin’s use of Classical and Christian imagery and his exploration of cosmology and history in an attempt to find meaning in an uncertain world.

    With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape—Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain—persistently emerge and reappear with the dark energy of the inevitable, while at the same time are shot through with the bright aspect of things new-made.              From the outset (“Come here / Come here, little one”), Gluck’s voice has addressed us with deceptive simplicity, the poems in lines so clear we “do not see the intervening fathoms.”  From within the earth’sbitter disgrace, coldness and barrennessmy friend the moon rises: she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

    Here are courtships and legacies; the worlds of literature, theatre, and the popular press; the paradoxes of temperament and the constraints of custom; the clash of conscience and desire. Stylistically, the stories allowed James to experiment with tones and devices quite different from his novels—dramatic plot twists and surprise endings, swift pacing and ebullient humor. The brilliance of his technical command allowed him to transform the tiniest of suggestions—a fleetingly observed gesture, an anecdote dropped at a dinner party—into fiction remarkable for its lambent surfaces and intricate psychological counterpoint.The twenty-one stories in this volume represent James at the peak of his storytelling powers. Among them are “The Turn of the Screw,” one of his most popular works, and a terrifying exercise in psychological horror centering on the corruption of childhood innocence; “The Real Thing,” a playful consideration of the illusion of art and the paradoxes of authenticity; “The Figure in the Carpet,” “The Death of the Lion,” and “The Middle Years,” three very different expositions of the mysteries of authorship, embodying some of James’s most profound insights into the nature of his own art; “The Altar of the Dead,” a somber, ultimately wrenching meditation on the relation of the living to the dead; and “In the Cage,” an extended evocation of the inner life of a young woman trapped in a dehumanizing job at a postal-and-telegraph office.