In the crowded train car she meets happy newlyweds Patrice Hazzard, also expecting, and Hugh. They are on their way to visit Hugh’s parents, whom Patrice is meeting for the first time. After Patrice hands Helen her wedding band so she can wash her hands in the rest room, the train crashes, killing the Hazzards, but Helen survives. When she regains consciousness in the hospital, she discovers she has been mistaken for Patrice. Patrice’s wealthy in-laws send for Helen, and she decides for the sake of her son to go along with the misunderstanding. They welcome her into the fold and her “brother-in-law” Bill even shows signs of romantic interest. But when her husband tracks her down and threatens her with blackmail, her dream turns into a nightmare.

    Their Dad was the local GP and they lived in the beautiful house on the hill. Their best friend, Brinley Booth, lived next door. They would do anything for each other but everything shifted on that fateful day when Dr Richard Carter and his wife Pamela were stabbed fourteen times with a pair of scissors in what has become the most talked about double murder of the modern age.The girls were aged ten and twelve at the time. One, nicknamed the Angel of Death, spent eight years in a children’s secure unit accused of the brutal killings. The other lived in foster care out of the limelight and prying questions. Now, on the anniversary of the trial, a documentary team has tracked down one of the sisters, persuading her to speak about the events of that night for the first time.Her explosive interview sparks national headlines and Brinley Booth, now a journalist, is tasked with covering the news story which brings to light fresh evidence and triggers a chain of events which will have devastating consequences.

    Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he’ll murder Haines’s wife if Haines will murder Bruno’s father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith’s perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock’s classic 1951 film, Strangers on a Train launched Highsmith’s prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

    Until one day, she wakes up to discover that the man she thought she loved has taken everything from her, leaving her penniless. Desperate to get answers, Callie goes after the man she once trusted and discovers a world built on secrets and lies...Jack Carlisle has never heard of the man Callie Devereaux claims to have once loved, but he has a good idea who it is – his business partner and old friend, Logan Armitage. Jack can’t believe Logan would steal, but as he helps Callie to find his old friend, Jack discovers money missing too…But with Logan missing without trace, there is only option left to catch this thief – to set a trap.A gripping revenge thriller, perfect for fans of Gemma Rogers!

    The telephone on my desk had the look of something that knows it's being watched. Traffic trickled by in the street below, and there were a few pedestrians, too, men in hats going nowhere."So begins The Black-Eyed Blonde, a new novel featuring Philip Marlowe--yes, that Philip Marlowe. Channeling Raymond Chandler, Benjamin Black has brought Marlowe back to life for a new adventure on the mean streets of Bay City, California. It is the early 1950s, Marlowe is as restless and lonely as ever, and business is a little slow. Then a new client is shown in: young, beautiful, and expensively dressed, she wants Marlowe to find her former lover, a man named Nico Peterson. Marlowe sets off on his search, but almost immediately discovers that Peterson's disappearance is merely the first in a series of bewildering events. Soon he is tangling with one of Bay City's richest families and developing a singular appreciation for how far they will go to protect their fortune.Only Benjamin Black, a modern master of the genre, could write a new Philip Marlowe detective novel that has all the panache and charm of the originals while delivering a story that is as sharp and fresh as today's best crime fiction.

    So when he chases a deadbeat client out to Hollywood, Chili figures he might like to stay. This town, with its dream-makers, glitter, hucksters, and liars—plus gorgeous, partially clad would-be starlets everywhere you look—seems ideal for an enterprising criminal with a taste for the cinematic. Besides, Chili’s got an idea for a killer movie, though it could very possibly kill him to get it made.

    It meant the end.As Exeter suffers a rising count of gruesome deaths, troubled DS Imogen Grey and DS Adrian Miles must solve the case and make their city safe again.But as they’re drawn into a network of corruption, lies and exploitation, every step brings them closer to grim secrets hidden at the heart of their community.And once they learn what’s motivating this killer, will they truly want to stop him?SMART. GRIPPING. GRUESOME.This is a psychological crime thriller in a class of its own.WARNING: Most definitely not for the faint-hearted!

    Now one of Sampson's friends may have arranged his kidnapping.Lew Archer follows the clues from the canyon sanctuaries of the mega-rich to jazz joints where you get beaten up between sets.Welcome to the first Lew Archer, private investigator - a roving conscience who walks the treacherous frontier between criminal guilt and human sin. You are sure to find that Ross Macdonald's "The Moving Target" blends sex, greed, and family hatred into an explosively readable crime novel.

    Here, the released convict and his ride pal Kelp plot to steal the $500,000 Balaboma Emerald. The former British colony has recently become independent and split. The Akinzi have the stone, the Talabwo want it back, and their UN rep will pay for retrieval.

    Four brutalized victims of a brilliant monster - a "Mr. Nobody", moving undetected through a paralyzed city, leaving behind a gruesome trail of carnage . . . but few clues. With skilled hands, an unerring eye, and the latest advances in forensic research, an unrelenting female medical examiner - Kay Scarpetta - is determined to unmask a maniac. But someone is trying to sabotage Kay's investigation from the inside. And worse yet, someone wants her dead . . .

    With a disintegrating marriage further collapsing under the strain of his night duty, Millimaki finds himself seeking counsel from a man whose troubled past shares something essential with his own. Their uneasy friendship takes a startling turn with a brazen act of violence that yokes together two haunted souls by the secrets they share, and by the rugged country that keeps them.

    Burke's newest client is a woman named Flood, who has the face of an angel, the body of a high-priced stripper, and the skills of a professional executioner.  She wants Burke to find a monster for her—so she can kill him with her bare hands.In this cauterizing thriller, Andrew Vachss's renegade investigator teams up with a lethally gifted avenger to follow a child's murderer through the catacombs of New York, where every alley is blind and the penthouses are as dangerous as the basements.  Fearfully knowing, crackling with narrative tension, and written in prose as forceful as a hollow-point slug, Flood is Burke at his deadliest—and Vachss at the peak of his form.

    On the same day that Roy Cady is diagnosed with a terminal illness, he senses that his boss, a dangerous loan-sharking bar-owner, wants him dead. Known “without affection” to members of the boss’s crew as “Big Country” on account of his long hair, beard, and cowboy boots, Roy is alert to the possibility that a routine assignment could be a deathtrap. Which it is. Yet what the would-be killers do to Roy Cady is not the same as what he does to them, which is to say that after a smoking spasm of violence, they are mostly dead and he is mostly alive.Before Roy makes his getaway, he realizes there are two women in the apartment, one of them still breathing, and he sees something in her frightened, defiant eyes that causes a fateful decision. He takes her with him as he goes on the run from New Orleans to Galveston, Texas—an action as ill-advised as it is inescapable. The girl’s name is Rocky, and she is too young, too tough, too sexy—and far too much trouble. Roy, Rocky, and her sister hide in the battered seascape of Galveston’s country-western bars and fleabag hotels, a world of treacherous drifters, pickup trucks, and ashed-out hopes. Any chance that they will find safety there is soon lost. Rocky is a girl with quite a story to tell, one that will pursue and damage Roy for a very long time to come in this powerful and atmospheric thriller, impossible to put down. Constructed with maximum tension and haunting aftereffect, written in darkly beautiful prose, Galveston announces the arrival of a major new literary talent.

    While out celebrating with a group of friends a few nights before the wedding, Michael suddenly and unexpectedly finds himself enclosed in a coffin equipped only with a flashlight, a dirty magazine, a walkie-talkie, and a tiny breathing tube. It's all in good fun — payback for the grief his mates suffered due to his own penchant for tomfoolery — that is until the four are killed in a drunk driving accident just moments after leaving Michael completely alone and buried alive.Detective Superintendent Grace—himself dealing with the pain of losing his wife—is brought on to the case when Ashley reports Michael missing. Suspicions are raised when Michael's only friend not at the bachelor party refuses to cooperate, and Ashley's faithfulness—not to mention her increasingly mysterious past—are suddenly thrown in to question. As Superintendent Grace soon discovers, one man's disaster is another man's fortune.

    Few know these characters—and their creators—better than Sarah Weinman. One of today’s preeminent authorities on crime fiction, Weinman asks: Where would bestselling authors like Gillian Flynn, Sue Grafton, or Tana French be without the women writers who came before them? In Troubled Daughters, Twisted Wives, Weinman brings together fourteen hair-raising tales by women who—from the 1940s through the mid-1970s—took a scalpel to contemporary society and sliced away to reveal its dark essence. Lovers of crime fiction from any era will welcome this deliciously dark tribute to a largely forgotten generation of women writers.