Love shouldn’t be an uphill struggle. Verity Lawton’s fortieth birthday surprise from her husband, Tony isn’t quite what she’s expecting and she needs to get away. Is joining daughter Lucy as a chalet girl in France a step too far? Verity’s cooking is more ‘bleurgh’ than cordon bleu but how difficult can it be to make crème brûlée? Chalet Marianne looks like a dream and so does the owner, Josh Calder. But being a chalet girl involves more than sitting by a fire watching snowflakes fall or dancing the night away. Josh has several rules – and they don’t include Verity snapping at him every time he opens his mouth, taking in a stray dog that seems to have forgotten its job description, or setting the kitchen on fire. Verity’s on a slippery slope – and it’s about to get much worse. When her own mother arrives, along with a repentant Tony, it’s time to make a choice. But is it really hers to make? And will things work out for the best, or is it all downhill from here? Also by EMILY HARVALE Highland Fling Lizzie Marshall's Wedding The Golf Widows' Club Sailing Solo Carole Singer's Christmas Christmas Wishes

    . .Gray Everett has a heart of gold but that doesn't mean he believes in the magic of Christmas. He's got plenty else to worry about this holiday season, what with keeping his cattle ranch in the family and out of the hands of hungry real-estate investors looking to make a down-and-dirty deal. That, plus being a parent to his young and motherless daughter, equals a man who will not rest until he achieves his mission. Now, all Gray needs is the help of his lifelong neighbor. . .who happens to have grown into a lovely, spirited woman.For Abby Douglas, the chance to join forces with Gray is nothing less than a Christmas miracle. Much as the down-to-earth farmer's daughter has tried to deny it, Abby's been in love with stern, smoking-hot Gray her whole life. So when Gray proposes a marriage of convenience as a way to combine land--and work together toward a common cause—Abby can't refuse. But how can she convince Gray that sometimes life offers a man a second chance for a reason. . .and that their growing trust and mutual passion may be leading to true and lasting love?

    Once there, they've stayed to hear about the young brave with the magic moccasins, who talks with animals and uses his supernatural gifts to bring peace and enlightenment to his people. This 1855 masterpiece combines romance and idealism in an idyllic natural setting.

    Forget peace on earth, forget good will toward men, and discover the true meaning of Christmas: "Wreck the Halls," "The First Meow," "Collar Bells," and more. Each song is accompanied by a playful illustration, and all are familiar tunes, so it's easy to sing along. Selling over a quarter of a million copies to date, Catmas Carols remains the perfect stocking stuffer for cat lovers and caterwaulers alike.

    With magnificent photographs and powerful words, the Wisdomkeepers share their innermost thoughts and feelings, their dreams and visions, their jokes and laughter, their healing remedies and apocalyptic prophecies and -- above all -- their humanity, which shines through every page of Wisdomkeepers. This is their book. They are the Elders, the Old Ones, the fragile repositories of sacred ways and natural wisdom going back millennia -- yet never more relevant than today.

    Life for Breavman is made up of dazzling colour – a series of motion pictures fed through a high-speed projector: the half-understood death of his father; the adult games of love and war, with their infinite capacity for fantasy and cruelty; his secret experiments with hypnotism; the night-long adventures with Krantz, his beloved comrade and confidant. Later, achieving literary fame as a college student, Breavman does penance through manual labour, but ultimately flees to New York. And although he has loved the bodies of many women, it is only when he meets Shell, whom he awakens to her own beauty, that he discovers the totality of love and its demands, and comes to terms with the sacrifices he must make.

    It’s a world of Indian towns, white roadside cafes, and abandoned roads that swirl with the memories of the Ghost Dance and Sitting Bull. Readers meet vivid characters like Jumbo, a 400-pound mechanic, and Annie, an 80-year-old Lakota woman living in a log cabin. Threading through the book is the story of two men struggling to find a common voice. Neither Wolf nor Dog takes readers to the heart of the Native American experience. As the story unfolds, Dan speaks eloquently on the difference between land and property, the power of silence, and the selling of sacred ceremonies. This edition features a new introduction by the author. “This is a sobering, humbling, cleansing, loving book, one that every American should read.” — Yoga Journal

    Meanwhile, country songs by female artists played in the background, telling powerful stories about life, men, hard times, and surviving. In her family, she writes, “country music was foremost a language among women. It’s how we talked to each other in a place where feelings aren’t discussed.” And no one provided that language better than Dolly Parton. Smarsh challenged a typically male vision of the rural working class with her first book, Heartland, starring the bold, hard-luck women who raised her. Now, in She Come By It Natural, originally published in a four-part series for The Journal of Roots Music, No Depression, Smarsh explores the overlooked contributions to social progress by such women—including those averse to the term “feminism”—as exemplified by Dolly Parton’s life and art. Far beyond the recently resurrected “Jolene” or quintessential “9 to 5,” Parton’s songs for decades have validated women who go unheard: the poor woman, the pregnant teenager, the struggling mother disparaged as “trailer trash.” Parton’s broader career—from singing on the front porch of her family’s cabin in the Great Smoky Mountains to achieving stardom in Nashville and Hollywood, from “girl singer” managed by powerful men to leader of a self-made business and philanthropy empire—offers a springboard to examining the intersections of gender, class, and culture. Infused with Smarsh’s trademark insight, intelligence, and humanity, She Come By It Natural is a sympathetic tribute to the icon Dolly Parton and—call it whatever you like—the organic feminism she embodies.

    1916, d.1997) was a Native American medicine man. He was born into the Cherokee nation and later moved to Nevada and lived with the Western Shoshone. He essentially married into the Shoshone tribe when he united with his first wife, Spotted Fawn, who preceded him in death.

    In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher "KC" Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone, and few people were actively looking for him.Yellow Bird traces Lissa's steps as she obsessively hunts for clues to Clarke's disappearance. She navigates two worlds--that of her own tribe, changed by its newfound wealth, and that of the non-Native oilmen, down on their luck, who have come to find work on the heels of the economic recession. Her pursuit of Clarke is also a pursuit of redemption, as Lissa atones for her own crimes and reckons with generations of trauma.

    He moved in rarefied circles, a friend to presidents, vaudeville stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continent’s original inhabitants before the old ways disappeared.An Indiana Jones with a camera, Curtis spent the next three decades traveling from the Havasupai at the bottom of the Grand Canyon to the Acoma on a high mesa in New Mexico to the Salish in the rugged Northwest rain forest, documenting the stories and rituals of more than eighty tribes. It took tremendous perseverance - ten years alone to persuade the Hopi to allow him into their Snake Dance ceremony. And the undertaking changed him profoundly, from detached observer to outraged advocate. Eventually Curtis took more than 40,000 photographs, preserved 10,000 audio recordings, and is credited with making the first narrative documentary film. In the process, the charming rogue with the grade school education created the most definitive archive of the American Indian. His most powerful backer was Theodore Roosevelt, and his patron was J. P. Morgan. Despite the friends in high places, he was always broke and often disparaged as an upstart in pursuit of an impossible dream. He completed his masterwork in 1930, when he published the last of the twenty volumes. A nation in the grips of the Depression ignored it. But today rare Curtis photogravures bring high prices at auction, and he is hailed as a visionary. In the end he fulfilled his promise: He made the Indians live forever.

    Unfortunately, that’s easier said than done as his bride-to-be happens to be Jane’s younger sister.When Jane offers to swap seats with Helen Childers on their flight, neither of them could predict just where this simple act of kindness would lead them.Helen is in a rush to get home and spend the holidays with her mother but with her plans shrouded in secrecy, things may not be as simple as they seem.The women agree to accompany each other on their journeys home and soon realise that's there's more than just the warmth of Christmas spirit between them. On their trip, sparks begin to fly and an unexpected connection is struck; resulting in an unforgettable road trip, filled with enough mayhem and magic to make this a Christmas that neither of them will ever forget.Will Jane get her Christmas wish make it through the holidays in peace? Find out in a laugh-out-loud journey of self-discovery, family drama and unexpected love. A must read for fans of zany romance with small town charm.

    Manette Ansay trained to become a concert pianist. But when she was nineteen, a mysterious muscle disorder forced her to give up the piano, and by twenty-one, she couldn't grip a pen or walk across a room. She entered a world of limbo, one in which no one could explain what was happening to her or predict what the future would hold.At twenty-three, beginning a whole new life in a motorized wheelchair, Ansay made a New Year's resolution to start writing fiction, rediscovering the sense of passion and purpose she thought she had lost for good.Thirteen years later, still without a firm diagnosis or prognosis, Ansay reflects on the ways in which the unraveling of one life can plant the seeds of another, and considers how her own physical limbo has challenged—in ways not necessarily bad—her most fundamental assumptions about life and faith.Luminously written, Limbo is a brilliant and moving testimony to the resilience of the human spirit.

    As young women, all three leave their homes. Margie and Theresa go to Duluth for college and work; there Theresa gets to know a handsome Indian boy, Michael Washington, who invites her home to the Sweetgrass land allotment to meet his father, Zho Wash, who lives in the original allotment cabin. When Margie accompanies her, complicated relationships are set into motion, and tensions over “real Indian-ness” emerge.Dale Ann, Margie, and Theresa find themselves pulled back again and again to the Sweetgrass allotment, a silent but ever-present entity in the book; sweetgrass itself is a plant used in the Ojibwe ceremonial odissimaa bag, containing a newborn baby’s umbilical cord. In a powerful final chapter, Zho Wash tells the story of the first days of the allotment, when the Wazhushkag, or Muskrat, family became transformed into the Washingtons by the pen of a federal Indian agent. This sense of place and home is both tangible and spiritual, and Linda LeGarde Grover skillfully connects it with the experience of Native women who came of age during the days of the federal termination policy and the struggle for tribal self-determination.The Road Back to Sweetgrass is a novel that that moves between past and present, the Native and the non-Native, history and myth, and tradition and survival, as the people of Mozhay Point navigate traumatic historical events and federal Indian policies while looking ahead to future generations and the continuation of the Anishinaabe people.