Phrases like ‘Let me tell you a story,’ and ‘Now listen to this,’ and ‘My story is about,’ recur in his work.” This new book of sixteen stories is his fourth collection, following Gimpel the Fool, The Spinoza of Market Street and Short Friday. Many readers will rank it with Mr. Singer’s best work.The title story, an account of an old man who regularly visits an unconvincing medium on Central Park West, exemplifies what David Boroff calls Singer’s rare ability to “transmute metaphysical ideas into pure emotion.” “Getzel the Monkey” is the story of a moneylender who mimics the town’s richest man so successfully that he becomes like him to the point of tragedy. “Zeitl and Rickel,” the story of two women who wish to marry in the next world since they cannot do so in this one, contains the sentence, “Who can tell what goes on in another’s head?” The murderer who tells his story in “The Parrot” is driven to kill his mistress-wife because she takes out her unhappiness on their bird. “The Slaughterer” is a brilliant portrait of the progressive madness of a man persuaded against his nature to become a ritual slaughterer.“The Brooch” is the story of a thief who is able to work at his profession only as long as he can rely on his wife’s probity and uprightness. “The Warehouse” recounts the bureaucratic snarl-ups that plague souls in the after-life. In “The Plagiarist” a rabbi defrauded by a young disciple is asked to pray for his recovery and when the man dies he resigns to perform penance in exile. “The Lecture,” a story set in modern Montreal, reveals the reason behind an old lady’s interest in a visiting author. “The Needle” tells how a mother in search of a wife for her son devises an infallible test for prospective brides. “The Dead Fiddler” is the story of a dybbuk that talks, sings and curses in the body of a young girl. “Yanda” and “Henne Fire” are character studies of, respectively, a goodhearted Polish slavey who is fated to work for other people all her life, and a demon-like woman who causes trouble for people even after death. “The Letter Writer,” one of the major stories in the collection, relates the world of the unseen to the harsh realities of lonely old age and sickness in an alien modern city. This and the companion stories prove the truth of Miss Hughes’ assertion: “Singer is a master story-teller, one of the very few who can faithfully re-create a time forever past and render it meaningful to a troubled present.”

    R. James wrote his ghost stories to entertain friends on Christmas Eve, and they went on to both transform and modernize a genre. James harnesses the power of suggestion to move from a recognizable world to one that is indefinably strange, and then unforgettably terrifying. Sheets, pictures, carvings, a doll's house, a lonely beach, a branch tapping on a window—ordinary things take on more than a tinge of dread in the hands of the original master of suspense. James's prescription for his ghost stories was to "let the ominous thing put out its head, unobtrusively at first, and then more insistently, until it holds the stage."

    Carnacki, the Ghost-Finder is a collection of supernatural detective short stories by author William Hope Hodgson.

    After long and tedious days on the assembly line, she returns home to care for her corpse-like husband while enduring her loathsome and hateful mother-in-law, Jo. Jo blames the entire town for her son’s mishap, and when she gives a strange piece of jewelry to the man she believes most responsible, a series of gruesome deaths is set in motion. Sarah believes the amulet has something to do with the rising body count, but no one will believe her. As the inexplicable murders continue, Sarah and her friend Becca Blair have no choice but to track down the amulet themselves, before it’s too late.

    He was a man on the move, a man who traveled light: and in the end he rode, with all of his possessions, on a rented horse into the Mexican desert to join Pancho Villa -- never to return.Can Such Things Be?Once William Randolph Hearst -- Bierce's employer, who was bragging about his own endless collections of statuary, art, books, tapestries, and, of course real estate like Hearst Castle -- once William Randolph Hearst asked Bierce what he collected. Bierce responded, smugly: "I collect words. And ideas. Like you, I also store them. But in the reservoir of my mind. I can take them out and display them at a moment's notice. Eminently portable, Mr. Hearst. And I don't find it necessary to show them all at the same time." Such things can be. (jacketless library hardcover)

    From the battlefields of a Vietnam veteran's memory to an old-time movie hero's search for a serial killer, from Halloween in a special town--where the rules of trick-or-treat are written in blood--to a Texas road where a wrong turn leads to a nest of evil, horror master McCammon is at his terrifying best in this collection of stories.

    Lovecraft. In a comprehensive fusion of Lovecraft's fearful myth-pattern, Dr. Laban Shrewsbury pursues his arcane investigations into the unspeakable secrets of the Ancient Ones to the drowned city of R'lyeh, where the ancient god Cthulhu waits dreaming.

    And that's a scary place to be.

    These included "The Hounds of Tindalos" (the 1st Mythos story written by anyone other than Lovecraft), The Horror from the Hills (which introduced the elephantine Great Old One Chaugnar Faugn to the Mythos) & "The Space-Eaters" (featuring a fictionalized HPL as main character). The Hounds are Long's most famous 17 fictions. They're a pack of foul, incomprehensibly alien beasts "emerging from strange angles in dim recesses of non-Euclidean space before the dawn of time" to pursue travelers down the corridors of time. They can only enter our reality via angles, where they mangle & exsanguinate their victims, leaving behind only a "peculiar bluish pus or ichor". They're referenced by many later Mythos writers, including Ramsey Campbell, Lin Carter & Brian Lumley. They've inspired a number of metal & electronic music artists, such as Epoch of Unlight, Edith Byron's Group, Beowulf, Fireaxe/Brian Voth & Univers Zero, all of whom have recorded tracks based on the story.

    She has become the first mother of the Nightspawn. She will not be the last. The Nightspawn will cover the Earth. Unless three ordinary people can tap the powers within them. Unless they can learn to be Night Warriors, pursuing unstoppable evil through the nightmares of the cruel and the sweet sleep of the most innocent. The battle for humankind must be fought in dreams.

    What will begin, however, with the solemnity of marriage vows will end in the echoing screams of the damned - an ungodly spectacle of spilled blood and sobbing, throat-aching terror. There is a curse that grips the Bradwins from generation to generation, from horror to bloody horror, and that climaxes in a spine-chilling nightmare of black occultism and blood vengeance.

    Edwards is acknowledged as one of the best Victorian ghost story writers. She was one of the select band of authors invited by Charles Dickens to contribute ghost stories to the Christmas numbers of his magazine All the Year Round, and some of her tales—such as 'The Four-fifteen Express', 'Number Three', 'My Brother's Ghost Story', and the highly influential 'The Phantom Coach'—have become staples of ghost story anthologies.There was much more to Amelia Edwards than ghost stories, however, as Richard Dalby makes clear in his introduction. She was an indefatigable traveller, and she incorporated much of what she observed into her ghost stories, many of which are set in northern and central Europe. She was also an archaeologist of world renown, who was instrumental in ensuring that the treasures and antiquities of ancient Egypt were properly excavated and preserved.The Phantom Coach is the first book to collect together all of Amelia B. Edwards's supernatural fiction. In addition to all her known ghost stories, the volume also contains three additional items, including a delightful piece by Edwards herself about 'My Home Life': a fascinating look at one of the Victorian era's most fascinating women.Contents: Introduction by Richard Dalby; 'My Brother's Ghost Story'; 'The Eleventh of March'; 'Number Three'; 'The Discovery of the Treasure Isles'; 'The Phantom Coach'; 'The Recollections of Professor Henneberg'; 'An Engineer's Story'; 'The Four-fifteen Express'; 'The Story of Salome'; 'A Service of Danger'; 'The New Pass'; 'In the Confessional'; 'Sister Johanna's Story'; 'A Night on the Borders of the Black Forest'; 'Monsieur Maurice'; 'Was it an Illusion?'; Appendixes: 'Four Ghosts'; 'A Legend of Boisguilbert'; 'My Home Life'.

    Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his ghost stories, and as such is the fullest collection currently available. The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends of the Friends', a strange story of uncanny love; and 'The Private Life', which finds a shrewd, high comedy in its ghostly theme. The volume also includes James's great novella The Turn of the Screw , perhaps the most ambiguous and disturbing ghost story ever written.

    When Steadman agreed to investigate the disappearance of a young Mossad agent, he had no idea he would be drawn into a malevolent conspiracy of neo-Nazi cultists bent on unleashing an age-old unholy power on an unsuspecting world.

    This omnibus contains all the stories from Dunsany's earlier collections: Time and the Gods, The Sword of Welleran and Other Stories, A Dreamer's Tales, The Book of Wonder, The Last Book of Wonder, and The Gods of Pegāna.