The award-winning webcomic series comes to a close in this final laugh-filled, heart-rending installment.

    Yeah. It’s weird. When October Jones figured out he could send text messages to himself on his mobile phone, he naturally decided that the best use of this discovery was to send passive-aggressive messages to himself under the guise of his bulldog. And so the exasperating, slightly delusional, and utterly endearing Dog and his alter-ego BatDog were born.Texts from Dog features Dog’s attempts to keep the neighborhood safe from the likes of Mr. Postman and his arch-nemesis Cat-Cat—he has managed to only smash three TVs and a patio door in the process. And in between crime fighting sprees and run-ins with the squirrel mafia, there are romantic interludes with pillows, fetch sessions gone terribly awry, and the abusive banter only a bromance between man and his text-savvy dog can spawn.For those of us who have ever had a conversation with a pet in our heads, Texts from Dog will make you laugh out loud and perhaps even make you think twice about leaving your pet home alone for the day.

    Records show that at his birth the Addams' lived on Summit Ave. They moved several times before taking up permanent residence in '20 on Elm St. & stayed there until '47. He attended public school in Westfield & was fond of visiting the Presbyterian Cemetery on Mountain Ave. When he was a youngster he was caught by the police for breaking into a house on Dudley Ave. On the 2nd floor of the garage behind the main house there's a chalk drawing of a skeleton which is believed to have been drawn by him. That house on Dudley & one on Elm is said to be the inspiration for the famous Addams Family house. At Westfield HS, he became the art editor for the Weather Vane & drew many cartoons. He graduated in '29 & attended Colgate University for a year. He switched to the University of Pennsylvania & then studied at Grand Central School of Art in NY City. His dream was to work for The New Yorker Magazine. He started submitting cartoons as early as '35, his 1st was entitled "I forgot my Skates." In '40 he submitted "Downhill Skier" & that got him an offer to come on board full time for NY's premiere magazine. He continued there until his death in '88, drawing over 1300 cartoons. On occasion, his work appeared in other publications such as Colliers & TV Guide. 1937 was the 1st year that an Addams Family cartoon appeared. It featured only Morticia & Lurch. They didn't look like we know them today. Morticia's hair was styled differently & Lurch looked more like Boris Karloff in OLD DARK HOUSE than the Frankenstein monster. As years went by, other members started appearing including Wednesday, Pugsley, Grandmama & Thing.

    One day she meets Jon and it turns out he has the same ability. And sooner or later they get around to using their gifts to do what we’d ALL do: rob a couple banks. A bawdy and brazen sex comedy for comics begins here!Collecting: Sex Criminals 1-5

    But it's the fact that the duo are everyday pets, with relationships to their owners that ring true, that makes MUTTS work." -Pet LifeI Want to Be the Kitty marks the eighth collection of this award-winning strip and is the follow-up to the successful What Now. As usual, the lovable duo of Earl the dog and his feline friend Mooch can be counted on for charming adventures and out-loud laughs.The sweet and unique friendship of this special dog and kitty comes through in every strip. When Mooch decides one January morning he's going to hibernate by staying in bed all winter, Earl tries desperately to get him out of bed until he finds out himself how "toashty" it is, in the words of Mooch. Next thing you know, Mooch has a bedmate who announces "I'll see ya in March." The two snore though hibernation together-that is, until they are called for dinner.With its expressive art and clever, sometimes philosophical, pet banter, MUTTS has built a large and loyal fan base among readers and fellow cartoonists worldwide. The strip has been the discussion topic of Tonight show guests (Brooke Shields), and it's earned the National Cartoonists Society's coveted Comic Strip of the Year Award. And now, as a testament to its ever-growing popularity, fans in New Jersey can show their loyalty to the strip-and animal protection-by getting a state license plate complete with Earl and Mooch and the slogan "Animal Friendly." In MUTTS, cartoonist Patrick McDonnell has created a classic strip that not only delivers consistent laughs but often a message as well.

    To celebrate the tenth anniversary of this distinguished partnership, Bill Watterson prepared this special book, sharing his thoughts on cartooning and creating Calvin and Hobbes, illustrated throughout with favorite black-and-white and color cartoons.

    Each volume in the collection contains about 100 illustrations.

    Gorey tells the tale of 26 children (each representing a letter of the alphabet) and their untimely deaths in rhyming dactylic couplets, accompanied by the author's distinctive black and white illustrations. It is one of Edward Gorey's best-known books, and is the most notorious amongst his roughly half-dozen mock alphabets.[2] It has been described as a "sarcastic rebellion against a view of childhood that is sunny, idyllic, and instructive". The morbid humor of the book comes in part from the mundane ways in which children die, such as falling down the stairs or choking on a peach. Far from illustrating the dramatic and fantastical childhood nightmares, these scenarios instead poke fun at the banal paranoias that come as a part of parenting.

    Extraordinary." —Variety One night in Beirut in September 1982, while Israeli soldiers secured the area, Christian militia members entered the refugee camps of Sabra and Shatila and began to massacre hundreds, if not thousands, of Palestinians. Ari Folman was one of those Israeli soldiers, but for more than twenty years he remembered nothing of that night or of the weeks leading up to it. Then came a friend's disturbing dream, and with it Folman's need to excavate the truth of the war in Lebanon and answer the crucial question: what was he doing during the hours of slaughter? Challenging the collective amnesia of friends and fellow soldiers, Folman painfully, candidly pieces together the war and his place in it. Gradually, the blankness of his mind is filled in by scenes of combat and patrol, misery and carnage, as well as dreams and hallucinations. Soldiers are haunted by inexplicable nightmares and flashbacks - snapping, growling dogs with teeth bared and eyes glowing orange; a recurring image of three young men rising naked out of the sea to drift into the Beirut battlefield. Tanks crush cars and buildings with lethal indifference; snipers pick off men on donkeys, men in cars, men drinking coffee; a soldier waltzes through a storm of bullets; rock songs fill the air, and then yellow flares. The recollections accumulate until Ari Folman arrives at Sabra and Shatila and his investigation reaches its terrible end. The result is a gripping reconstruction, a probing inquiry into the unreliable quality of memory, and, above all, a powerful denunciation of the senselessness of all wars. Profoundly original in form and approach, Waltz with Bashir will take its place as one of the great works of wartime testimony.

    With a bright, positive outlook and a sense of humor, Super Chill tells a story that is both highly relatable and intensely personal.

    Now he wants to add one more title to the list: President of the United States! That's right, the God of Lies wants to be ruler of the free world! But is this just another scheme? One fact is certain: With Loki's winning smile and silver tongue on the campaign trail, this election just got a lot more interesting! He'll soon have the American people eating out of the palm of his hand, but can would-be President Laufeyson sway the media? And what will be his response when the heroes of Earth launch their attack ad? A crisis in Latveria offers Loki the chance to demonstrate his foreign policy...but surely he wouldn't cause a national catastrophe just for a little good press? Would he?COLLECTING: VOTE LOKI 1-4; MATERIAL FROM JOURNEY INTO MYSTERY 85, AVENGERS (1963) 300

    He weighed five pounds, six ounces at birth—that's big for a kitten!—and right from the start showed a passion for Italian food. The restaurant owner, forced to choose between Garfield and closing his doors for lack of pasta, sold Garfield to a pet store. Garfield thought he was a goner until Jon Arbuckle walked in the door. The rest is history.

    Daniel Way's hilarious, action-packed run begins here! When the Merc with a Mouth is hired to rub out Wolverine, sparks will fly! But when both men can regenerate any wound in minutes, how can either one expect to finish off his foe? And whoever wins will have to face Wolverine's murderous son, Daken! Then: The Skrulls have infiltrated Earth, but nobody warned them about Deadpool! The invaders replicate Deadpool's healing factor in a new generation of Super-Skrulls - but why is Deadpool himself leading this brigade against Earth? And when Norman Osborn double-crosses Deadpool, the maniacal merc unleashes a full-on assault against Avengers Tower! Norman must pull out all the stops - and that means deploying his new team of bloodthirsty, black-ops Thunderbolts!Collecting: Wolverine: Origins 21-25; Deadpool 1-12, Saga; Thunderbolts 130-131

    "All animals are equal, but some animals are more equal than others." In 1945, George Orwell, called "the conscience of his generation," created an enduring, devastating story of new tyranny replacing old, and power corrupting even the noblest of causes. Today it is all too clear that Orwell's masterpiece is still fiercely relevant wherever cults of personality thrive, truths are twisted by those in power, and freedom is under attack. Now, in this fully authorized edition, the artist Odyr translates the world and message of Animal Farm into a gorgeously imagined graphic novel. Old Major, Napoleon, Squealer, Snowball, Boxer, and all the animals of Animal Farm come to life in this newly envisaged classic. From his individual brushstrokes to the freedom of his page design, Odyr's adaptation seamlessly moves between satire and fable and will appeal to all ages, just as Orwell intended.

    Now, for the first time, the hilarious cartoons of Nicholas Gurewitch are being collected in this handsome hardcover edition.