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    He first made his presence known in October 1966, and since then he has continued, at irregular and infrequent intervals, to clump down the hall, slam doors, rock in a chair, frighten the family cat (now deceased, through no fault of Jeffrey), move heavy pieces of furniture, cause electronic equipment to malfunction, and hide objects. He frequently accompanies Mrs. Windham on her travels, and tales of Jeffrey's antics are widely recounted.

    Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, " The Original Folk and Fairy Tales of the Brothers Grimm" makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezso.From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.A delight to read, "The Original Folk and Fairy Tales of the Brothers Grimm" presents these peerless stories to a whole new generation of readers."

    The figure hangs for a moment then disappears and the officer is changed forever. Suddenly, a world that made sense has been turned upside down and the terrified family who first called the police remains uncomforted. This family is not alone though, for all over the world, police officers come in contact with the strange and the paranormal. If it were anyone else, we would dismiss these tales as falsehoods by most. But the people in these stories are not unreliable witnesses or fanciful con artists; they are the men and women who serve our communities when terrifying forces seek to harm us. Our patrollers are trained to observe, to remember details, and to never assume things are as they seem; the officers involved in these stories have never been able to find rational explanations for their experiences. These accounts come from officers across the globe, from devout Catholics to staunch Atheists and everyone in between who could not have imagined what they would come across when they took their calls, and many of them wish they could forget their experiences after they did. Delve into these eighteen stories and discover that even those charged with protecting us witness things they were never equipped to deal with. If you are a non-believer, withhold your judgment until you have read the chillingly convincing evidence for yourself. If you already believe, you will know the fear these officers faced. When your job is to confront the evils that people can do to each other, to protect those who are unable to against harm, it is inevitable you will one day find something that you cannot protect. After all, as Nietzsche once said, “And if thou gaze long into an abyss, the abyss will also gaze into thee.” Ready to scare yourself senseless? Scroll to the top of the page and hit buy!

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    Ghost stories as we know them did not develop until the late nineteenth century, but the restless dead haunted the premodern imagination in many forms, as recorded in historical narratives, theological texts, and personal letters. The Penguin Book of the Undead teems with roving hordes of dead warriors, corpses trailed by packs of barking dogs, moaning phantoms haunting deserted ruins, evil spirits emerging from burning carcasses in the form of crows, and zombies with pestilential breath.Spanning from the Hebrew scriptures to the Roman Empire, the Scandinavian sagas to medieval Europe, the Protestant Reformation to the Renaissance, this beguiling array of accounts charts our relationship with spirits and apparitions, wraiths and demons over fifteen hundred years, showing the evolution in our thinking about the ability of dead souls to return to the realm of the living--and to warn us about what awaits us in the afterlife.

    And when a face in the mirror confronts her with a dire warning, she realizes her life is at risk. Has she awakened a curse—or been struck by madness? “Queen Joanna” presents a haunting twist on the legend of Bloody Mary. This short story originally appeared in the From the Indie Side anthology.

    In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    Wherever we go, there will always be stories that the person telling you has heard from someone else or from their ancestors. Due to the passing down of these stories from one person to the other, the true story often changes and becomes rather distant from the original.Over the last 300 years, there have been a lot of cases and stories that have been passed from generation to generation. Some of these stories are not traceable anymore. One cannot possibly trace the true root of the story and why it actually happened. Sometimes, one cannot even know for sure if it really happened.One thing is sure though, over these 300 years, 7 stories made up our top list. Ever watched Blair Witch Project? Well that movie was based on a supposed true story and that story is the first one in our list. Find out what happens when a family gets haunted by a witch.I’m sure you have watched the viral video of Elisa Lam in the elevator. This ranks first in our unexplained stories, simply because there are still no explanations of how she got to where she died.Grab it now for some of the weirdest and creepiest stories from the last 300 years of our history! * Scroll Up and Get Now! *

    The mythic legacy of the Scandinavians includes a cycle of stories filled with magnificent images from pre-Christian Europe. Gods, humans, and monstrous beasts engage in prodigious drinking bouts, contests of strength, greedy schemes for gold, and lusty encounters. The Norse pantheon includes Odin, the wisest and most fearsome of the gods; Thor, the thundering powerhouse; and the exquisite, magic-wielding Freyja. Their loves, wars, and adventures take us through worlds both mortal and divine, culminating in a blazing doomsday for gods and humans alike. These stories bear witness to the courage, passion, and boundless spirit that were hallmarks of the Norse world.“Kevin Crossley-Holland retells the Norse myths in clear, attractive prose . . . An excellent introduction, notes, and a glossary provide mythological and historical backgrounds and suggest parallels with myths in other parts of the world.”–The Denver Post

    He is best remembered today for his ghost stories in the classic Victorian Yuletide vein.

    He is Morpheus, the lord of story. Older than humankind itself, he inhabits -- along with Destiny, Death, Destruction, Desire, Despair, and Delirium, his Endless sisters and brothers -- the realm of human consciousness. His powers are myth and nightmare -- inspirations, pleasures, and punishments manifested beneath the blanketing mist of sleep.Surrender to him now.A stunning collection of visions, wonders, horrors, hallucinations, and revelations from Clive Barker, Barbara Hambly, Tad Williams, Gene Wolfe, Nancy A. Collins, and sixteen other incomparable dreamers -- inspired by the groundbreaking, bestselling graphic novel phenomenon by Neil Gaiman.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    First introduced into the West in 1704, the stories of The Thousand and One Nights are most familiar to American readers in sanitized children's versions. This modern edition, based on Richard F. Burton's unexpurgated translation, restores the lushness of the original Arabic. Here are the famous adventures of Sinbad, "Ali Baba and the Forty Thieves," and "Aladdin and the Magic Lamp." Here too are less familiar stories, such as "Prince Behram and the Princess Al-Datma," a delightful early version of The Taming of the Shrew, and "The Wily Dalilah and her Daughter Zaynab," a hilarious tale about two crafty women who put an entire city of men in their place. Intricate and imaginative, these stories-within-stories told over a thousand and one nights continue to captivate readers as they have for centuries. "Arabian Nights: The Marvels and Wonders of The Thousand and One Nights, Volume 2 of 2, Adapted By Jack Zipes"

    Finally, a ghost story that reminds you why the basement is so terrifying!’ Brett McNeill of Rue Morgue Magazine ‘Ashforth does Edgar Allen Poe and Bram Stoker proud delivering a solid contribution to the literary movement. It is time that the ghost story made a comeback. With writers like Benedict Ashforth writing Abbot’s Keep, a revival just might be at hand.’ Matthew J. Barbour of Horror Novel Reviews ‘A really entertaining read with a delightful frisson of fear.’ Simon Ball of Horror Hothouse ‘Ashforth builds on the tension and the feeling of unease with each page to revel in a wonderfully tense and unnerving finale.’ Jim Mcleod of Ginger Nuts of Horror ‘Reminiscent of Poe, Abbot's Keep by Benedict Ashforth is a haunting novella with unique form and beautiful prose.’ Michael Bailey (HWA Bram Stoker Award Nominee) ‘. . . an eerie, atmospheric ghost story . . . has a gentle eeriness that keeps the reader wanting to find out more.' Julie K Top 50 Reviewer ‘Perfect ghost story.’ Christine Waddington 'Ashforth successfully builds a dark and relentless dread that steadily creeps through the text. Extremely accomplished.’ L Sharif ‘A gripping read right from the beginning. Couldn't put it down.’ D Boydell ‘I just could not put this story down. I wanted to know what happened as soon as I picked up my kindle. Strongly recommend.’ Mr Tony Cordon ‘The actual writing is wonderful, beautifully descriptive.’ Fiona White ‘I could not stop reading! it was as though I was in a trance, the story is captivating and very original.’ Safa R ‘A fantastic read, lots of twists and turns. Would recommend this to all Mystery readers. A book that is hard to put down.' Ms P Frain ‘. . . great plot and a well developed storyline. It is elegantly told with well built atmosphere and tension . . . a well conceived idea and would make excellent viewing were it ever to be dramatized.’ Cate Hamilton Read over 190 more reviews on amazon.co.uk