But Miss Clifton has met an untimely end—and Ursula is convinced it was not due to natural causes.   Archaeologist and adventurer Slater Roxton thinks Mrs. Kern is off her head to meddle in such dangerous business. Nevertheless, he seems sensible enough to Ursula, though she does find herself unnerved by his self-possession and unreadable green-gold eyes…   If this mysterious widowed beauty insists on stirring the pot, Slater intends to remain close by as they venture into the dark side of polite society. Together they must reveal the identity of a killer—and to achieve their goal they may need to reveal their deepest secrets to each other as well…

    Rebecca Ravenshaw, daughter of missionaries, spent most of her life in India. Following the death of her family in the Indian Mutiny, Rebecca returns to claim her family estate in Hampshire, England. Upon her return, people are surprised to see her… and highly suspicious. Less than a year earlier, an imposter had arrived with an Indian servant and assumed not only Rebecca’s name, but her home and incomes.That pretender died within months of her arrival; the servant fled to London as the young woman was hastily buried at midnight. The locals believe that perhaps she, Rebecca, is the real imposter. Her home and her father’s investments reverted to a distant relative, the darkly charming Captain Luke Whitfield, who quickly took over. Against her best intentions, Rebecca begins to fall in love with Luke, but she is forced to question his motives–does he love her or does he just want Headbourne House? If Luke is simply after the property, as everyone suspects, would she suffer a similar fate as the first “Rebecca”?A captivating Gothic love story set against a backdrop of intrigue and danger, Mist of Midnight will leave you breathless.

    The doctors tell her the strange and disturbing hallucinations she's been experiencing ever since her accident are all in her head, and that, with a little rest, the haunting visions will vanish. But accepting an invitation to stay with her cousin in the country may be the worst decision Meg has ever made. Here, in a remote old house miles from anywhere, the terrible sights and sounds have gotten even worse. Suddenly eerie black shapes dance in the shadows—mocking Meg, haunting her . . . threatening her. And the presence of kind, considerate Andy Brenner, the caretaker, both reassures her and terrifies her—because Andy also sees these dark specters . . .

    When financial problems force her family to sell their London home, a strange solicitor arrives with an astounding offer: the use of a distant manor house abandoned for eighteen years. The Fosters journey to imposing Pembrooke Park and are startled to find it entombed as it was abruptly left: tea cups encrusted with dry tea, moth-eaten clothes in wardrobes, a doll's house left mid-play . . . The handsome local curate welcomes them, but though he and his family seem to know something about the manor's past, the only information they offer Abigail is a warning: Beware trespassers who may be drawn by rumors that Pembrooke contains a secret room filled with treasure. Hoping to improve her family's financial situation, Abigail surreptitiously searches for the hidden room, but the arrival of anonymous letters addressed to her, with clues about the room and the past, bring discoveries even more startling. As secrets come to light, will Abigail find the treasure and love she seeks...or very real danger?

    So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.

    Alistair Gellis—rich, handsome, scarred by World War I, and obsessed with ghosts—has been summoned to investigate the spirit of nineteen-year-old maid Maddy Clare, who is haunting the barn where she committed suicide. Since Maddy hated men in life, it is Sarah's task to confront her in death. Soon Sarah is caught up in a deperate struggle. For Maddy's ghost is real, she's angry, and she has powers that defy all reason. Can Sarah and Alistair's assistant, the rough, unsettling Matthew Ryder, discover who Maddy was, where she came from, and what is driving her desire for vengeance—before she destroys them all?

    A brooding stranger seduces her from the remote island onto his yacht. Trapped in a web of intrigue, cruelty, and deceit, she flees to Italy, France, Germany, from Paris garret to mental asylum, from convent to chateau - stalked by obsessed Phillip Tempest.Two years before Little Women, serialized in a magazine under the alias A.M. Barnard in 1866, this was buried among the author's papers over a century.

    And she's determined to inform and educate the ladies of London on the nefarious-and deadly-criminals who are preying on the fairer sex. When her reporting leads to the arrest of a notorious killer, however, Katherine flees to a country house party to escape her newfound notoriety-only to witness a murder on her very first night. And when the lead detective accuses Katherine of inflaming-rather than informing-the public with her column, she vows to prove him wrong.Detective Inspector Andrew Eversham's refusal to compromise his investigations nearly cost him his own career, and he blames Katherine. To avoid bad publicity, his superiors are pressuring him to solve cases quickly rather than correctly. When he discovers she's the key witness in a new crime, he's determined to prevent the beautiful widow from once again wreaking havoc on his case. Yet as Katherine proves surprisingly insightful and Andrew impresses Katherine with his lethal competency, both are forced to admit the fire between them is more flirtatious than furious. But to explore the passion between them, they'll need to catch a killer.

    Power. An ancient heritage of pride. The Earl of Druridge wanted only for an heir. So when he learned that his wife was carrying another man’s child, he was filled with a thirst for vengeance.But he wasn’t the one who caused Katherine’s death. Or was he? To his horror, he remembers nothing of that dreadful night, when their last confrontation ended in scorching flame and cold blood.A forbidden love…Rachel McTavish, the beautiful daughter of a coal miner, knows something about the fire that took Lady Katherine’s life. In secret, the strong-willed girl strikes a bargain with the desperate earl: he must send his physician to help her dying mother or he may go to the devil—and the scaffold. He agrees, but she is still unsure that her revelation will be enough to save him when so many wish him dead.Passionately drawn to the nobleman, despite all the doubt and mystery that shrouds him, Rachel wonders if he can really be a murderer. Or if he is the only man who will ever own her heart…

    Paul's and makes a mystifying mention of murder and an oddly familiar comment about her grandmother, Kate Murray is intrigued. But she never gets to hear the rest of Andrew Deacon's tale. Shocked by his unexpected death, she wonders who this strange, old man is, and what the odd reference to her grandmother could mean. Interest piqued by the story never told, Kate becomes drawn into an investigation, uncovering secrets about the grandmother she thought she knew and a man she never did. Soon she is caught up in a dangerous whirlwind of events that takes her back into her grandmother's mysterious wartime past and across the Atlantic as she tries to retrace Deacon's footsteps. Finding out the truth is not so simple, however, as only a few people are still alive who know the story...and Kate soon realizes that her questions are putting their lives in danger. Stalked by an unknown and sinister enemy, and facing death every step of the way, Kate must use her tough journalistic instinct to find the answers from the past in order to have a future.

    Once, a family disappeared there. And now Constance Langton has inherited this dark place as well as the mysteries surrounding it. Having grown up in a house marked by the death of her sister, Constance is no stranger to mystery, secrets, and the dark magic around us. Her father was distant. Her mother was in perpetual mourning for her lost child. In a desperate attempt to coax her mother back to health, Constance took her to a seance hoping she would find supernatural comfort. But tragic consequences followed, leaving her alone in the world-- alone with Wraxford Hall. Saddled with this questionable bequest, she must find the truth at the heart of all these disappearances, apparitions, betrayal, blackmail, and villainy, even if it costs her life. John Harwood's second novel delivers on the great promise proven by his first with this gripping mystery set in the heart of Victorian England.

    It turns out the two women are identical twins, separated at birth, and raised in dramatically different circumstances. Lucy's mother quickly resolves to give her less fortunate sister the kind of life she has never known. And the transformation in Aunt Helen is indeed remarkable. But when Helen begins to imitate her sister in every way, even Lucy isn't sure at times which twin is which. Can Helen really be trusted, or does her sweet face mask a chilling agenda?Filled with shocking twists and turns, THE TWIN'S DAUGHTER is an engrossing gothic novel of betrayal, jealousy, and treacherous secrets that will keep you guessing to the very end.

    Mark Bertrand first met in a Houston critique group, they never expected where friendship would take them. She wrote romance; he wrote crime novels. But growing respect for each other's work culminated in the decision to try blending their talents into this wonderfully engaging story merging romance and mystery. Rylee Monroe walks dogs in old-money Charleston, a part of the city recently targeted by a daring thief. Logan Woods works the crime beat for the local paper but dreams of a life as a nonfiction writer. When the string of robberies takes a strange twist, Logan sees the making of a once-in-a-lifetime book that seems to circle around this charming, eye-catching dogwalker. But pursuing the truth means ignoring that he seems to be falling for her. And what is she hiding in her past that could crack the story wide open?

    But in a Jerusalem hotel room a world away from everything she knows, Dinah van der Lyn hears angry voices through the wall, followed by a crash and a brief cry in English...for help! The brutal shattering of an evening's stillness becomes a prelude to terror. Without warning, Dinah has been unwittingly pulled into something unholy transpiring in a sacred city, and she must find answers hidden in the shadows. And she must trust an enigmatic stranger as she races through ancient, twisting streets teeming with secrets and peril, a man who may be leading her to safety...or to her doom.

    But Aurelia leaves Amy with one last gift.A bundle of letters with a coded key. A treasure hunt that only Amy can unlock.A life-changing secret awaits... if only she can reach it.