Taken down from Gaelic story tellers, these 20 tales fall into two parts: 11 are miscellaneous stories offering Irish versions of the general European fairy tales, and 9 are stories from the Fenian cycle--tales of Fin MacCumhail and his warriors, the Fenians of Erin.The same fairy-tale elements apply to all the stories, however, including battles with giants, dead men who come back to life, people imprisoned in the bodies of animals, a wonderful land of perpetual youth, and heroes with incredible strength. The heroes in the miscellaneous tales tend to be sons of the Kings of Erin, with heroines like Yellow Lily, daughter of the Giant of Loch Léin; Trembling, the Irish Cinderella; the queen of Tubber Tintye; and various princesses who are in danger. The Fenian stories relate some of the adventures of Fin MacCumhail, his sons--Fialan, Oisin, Pogán, and Ceolán; his men--Diarmuid Duivne, Conán Maol MacMorna, the famous Cucúlin, and others; and strangers who are out to help or hurt the Fenians of Erin in such tales as "Fin MacCumhail and the Fenians of Erin in the Castle of Fear Dubh," and "Gilla na Grakin and Fin MacCumhail."Tales of legend and tales of magic, these stories transport us to a world where everything is alive and anything can happen, a world born in a time before literature, and captured in print just as the oral tradition in Ireland was dying out. Considered an essential work in the history of folk-lore, this book is also a collection of fairy tales that have fascinated young and old for hundreds of years. They will continue to fascinate you and your children.Unabridged republication of the 1890 edition, formerly titled Myths and Folk-Lore of Ireland.

    From the West African fable of Anansi the Spider, to Michabo, the magical hare who rebuilt the world and Tanuki, the sweet but troublesome raccoon-dog of Japanese folklore, Mythopedia is an encyclopedia of mythical creatures that covers legends, tales and myths from around the world.Lovingly created by the illustration duo behind popular flipbook Myth Match, Good Wives and Warriors, this book contains pages upon pages of cultural folklore from around the world.Let these weird and wonderful creatures spark your child's imagination for their own storytelling and drawing while teaching them about international cultures.

    The highly readable texts and over 800 beautiful full-color images come together in a unique way to convey hidden dimensions of meaning. Each of the ca. 350 essays examines a given symbol’s psychic background, and how it evokes psychic processes and dynamics. Etymological roots, the play of opposites, paradox and shadow, the ways in which diverse cultures have engaged a symbolic image—all these factors are taken into consideration.Authored by writers from the fields of psychology, religion, art, literature, and comparative myth, the essays flow into each other in ways that mirror the psyche’s unexpected convergences. There are no pat definitions of the kind that tend to collapse a symbol; a still vital symbol remains partially unknown, compels our attention and unfolds in new meanings and manifestations over time. Rather than merely categorize, The Book of Symbols illuminates how to move from the visual experience of a symbolic image in art, religion, life, or dreams to directly experiencing its personal and psychological resonance.The Book of Symbols sets new standards for thoughtful exploration of symbols and their meanings, and will appeal to a wide range of readers: artists, designers, dreamers and dream interpreters, psychotherapists, self-helpers, gamers, comic book readers, religious and spiritual searchers, writers, students, and anyone curious about the power of archetypal images.

    They include stories of princes and princesses who have been transformed into animals, trolls, and maneating giants who possess magical powers, and good-hearted, clever young men and women, often poor and ridiculed, who eventually come away with wealth and love beyond measure.In addition to such well-known favorites as "Dapplegrim," "Katie Woodencloak," "Tatterhood," and "Legend of Tannhäuser," this collection also brings to light many gems difficult to find elsewhere. In "The Werewolf," a cruel stepmother thwarts a beautiful princess's marriage plans by transforming her fiancé into a hunted denizen of the forest. The hilarious "Such Women Are" proves the world is never without a sufficiency of fools, while "The Three Dogs" tells of a youth whose four-legged friends defeat a serpent with the nasty habit of devouring a town's young women. Among many other hard-to-find stories are "King Gram," "The Magician's Pupil," "The Outlaw," "Temptations," "The Widow's Son," "The Three Sisters Trapped in a Mountain," and "The Goatherd" (the inspiration for Washington Irving’s story of Rip van Winkle).These stories preserve the ancient myths of Western Europe that have been passed down from generation to generation, but aside from their importance as seminal folktales, they are simply good reading — full of passion and excitement, magic, mystery, and sheer storytelling power. Popular Tales from Norse Mythology will delight any student or admirer of myths and mythology.Excerpt:The Dasent family is believed to have been originally of French extraction, the name having been traced to an ancient Norman source. It has owned property in the West Indies since the Restoration, and is repre sented in the island of St. Vincent at the present day. Some of its members were amongst the earliest colonists in St. Christopher's at a time when that island and Martinique were held jointly by the French and the English; and the highest judicial and administrative offices in St. Christopher's, in Nevis, in Antigua, and, more recently, in St. Vincent itself were filled by Sir George Dasent's ancestors.

    For thousands of years they have inspired plays, operas, and paintings; today they live on in movies and video games. Oh My Gods is a contemporary retelling of some of the most popular myths by Philip Freeman, a noted classicist. These tales of errant gods, fantastic creatures, and human heroes are brought to life in fresh and modern versions. Powerful Zeus; his perpetually aggrieved wife, Hera; talented Apollo; beautiful Aphrodite; fierce Athena; the dauntless heroes Theseus and Hercules; and the doomed lovers Orpheus and Eurydice still inspire awe, give us courage, and break our hearts. From the astonishing tales of the Argonauts to the immortal narrative of the Battle of Troy, these ancient tales have inspired writers from Shakespeare to J. K. Rowling. In Philip Freeman’s vibrant retelling they will doubtless inspire a new generation of readers.

    . . where nothing is as magical and terrifying as a girl.Princess Guinevere has come to Camelot to wed a stranger: the charismatic King Arthur. With magic clawing at the kingdom's borders, the great wizard Merlin conjured a solution--send in Guinevere to be Arthur's wife . . . and his protector from those who want to see the young king's idyllic city fail. The catch? Guinevere's real name--and her true identity--is a secret. She is a changeling, a girl who has given up everything to protect Camelot.To keep Arthur safe, Guinevere must navigate a court in which the old--including Arthur's own family--demand things continue as they have been, and the new--those drawn by the dream of Camelot--fight for a better way to live. And always, in the green hearts of forests and the black depths of lakes, magic lies in wait to reclaim the land.Deadly jousts, duplicitous knights, and forbidden romances are nothing compared to the greatest threat of all: the girl with the long black hair, riding on horseback through the dark woods toward Arthur. Because when your whole existence is a lie, how can you trust even yourself? *THE FIRST BOOK IN THE CAMELOT RISING TRILOGY*

    It tells the story of Loki's recruitment from the underworld of Chaos, his many exploits on behalf of his one-eyed master, Odin, through to his eventual betrayal of the gods and the fall of Asgard itself. Using her life-long passion for the Norse myths, Joanne Harris has created a vibrant and powerful fantasy novel.Loki, that’s me. Loki, the Light-Bringer, the misunderstood, the elusive, the handsome and modest hero of this particular tissue of lies. Take it with a pinch of salt, but it’s at least as true as the official version, and, dare I say it, more entertaining. So far, history, such as it is, has cast me in a rather unflattering role. Now it’s my turn to take the stage. With his notorious reputation for trickery and deception, and an ability to cause as many problems as he solves, Loki is a Norse god like no other. Demon-born, he is viewed with deepest suspicion by his fellow gods who will never accept him as one of their own and for this he vows to take his revenge. From his recruitment by Odin from the realm of Chaos, through his years as the go-to man of Asgard, to his fall from grace in the build-up to Ragnarok, this is the unofficial history of the world’s ultimate trickster.

    She appears in traditional Russian folktales as a monstrous and hungry cannibal, or as a canny inquisitor of the adolescent hero or heroine of the tale. In new translations and with an introduction by Sibelan Forrester, Baba Yaga: The Wild Witch of the East in Russian Fairy Tales is a selection of tales that draws from the famous collection of Aleksandr Afanas'ev, but also includes some tales from the lesser-known nineteenth-century collection of Ivan Khudiakov. This new collection includes beloved classics such as "Vasilisa the Beautiful" and "The Frog Princess," as well as a version of the tale that is the basis for the ballet "The Firebird."The preface and introduction place these tales in their traditional context with reference to Baba Yaga's continuing presence in today's culture--the witch appears iconically on tennis shoes, tee shirts, even tattoos. The stories are enriched with many wonderful illustrations of Baba Yaga, some old (traditional "lubok" woodcuts), some classical (the marvelous images from Victor Vasnetsov or Ivan Bilibin), and some quite recent or solicited specifically for this collection

    As the only daughter of the leader of Potomac, she knows her duty is to find the perfect match, a partner who will help secure the future of her people. Now that day has finally come.But after an excruciatingly public rejection from her closest childhood friend, Selah’s stepmother suggests an unthinkable solution: Selah must set sail across the Atlantic, where a series of potential suitors awaits—and if she doesn’t come home engaged, she shouldn’t come home at all.From English castle gardens to the fjords of Norge, and under the eye of the dreaded Imperiya Yotne, Selah’s quest will be the journey of a lifetime. But her stepmother’s schemes aren’t the only secrets hiding belowdecks…and the stakes of her voyage may be higher than any happy ending.

    But if you’re mad enough to decide that you do, Wendig will be your gonzo-esque guide, from the technical advice about structure, query letters and submissions, to dealing with agents and editors and how to make your characters do as they’re damn well told, he’s full of good advice. Like a cursing, booze-soaked Virgil to your Dante, let him show you around.Buy this book, your editor will thank you.”-- Jenni Hill, Editor, Solaris BooksWant to become a novelist? A screenwriter? An all-around freelance penmonkey? Don’t know the difference between beats, scenes, sequences and acts? Not sure where to begin your edit, or how to query an agent, or what liquor goes best with the madness of being a writer? Then CONFESSIONS OF A FREELANCE PENMONKEY is all yours.CONFESSIONS is a collection of 50+ essays on the subject of writing and the writing life. It covers a wide array of subjects, from technical advice to discussions of publishing versus self-publishing to what to do if you wake up pantsless and ink-stained in the basement of a Tijuana bookstore. Equal parts hilarious, insane, profane, and profound, CONFESSIONS will take you through the many trials and tribulations of the penmonkey’s moonbat existence, offering advice every step of the way.Features popular TERRIBLEMINDS essays: …“Beware of Writer”…“Drop That Pen, Grab A Hammer: Building The Writer’s Platform”…”Exposing Yourself: Do You Write For Free?”…“No, Seriously, I’m Not F**king Around, You Really Don’t Want To Be A Writer”…“The Penmonkey’s Paean”… “Why Your Novel Won’t Get Published”…“Why You Won’t Finish That Novel”And more!(TERRIBLEMINDS has been named one of the top 101 websites for writers by WRITER’S DIGEST magazine!)What others have said:"Chuck Wendig has done what so many authors desperately need and will never admit: offered a phenomenal book about the real world of writing, and made it reachable and readable by anyone. An absolute must-read for anyone even thinking of dabbling with words for a living.”-- Karina Cooper, Author of Blood of the Wicked"Chuck Wendig's Confessions of a Freelance Penmonkey is full of the kind of writing advice I wish I'd gotten in school. Practical, brutally honest, and done with the kind of humor that will make it stick in your brain. Whether you're a veteran writer or new to the craft, you'll find something useful in here. Plus he says ‘f**k’ a lot, so, you know, there's that."-- Stephen Blackmoore, author of City of the Lost"In Confessions of a Freelance Penmonkey, Chuck Wendig hammers out writing and career advice that's always brave, profane, creative, clever, and honest. And don't forget hilarious. You'll never laugh so hard learning so much." -- Matt Forbeck, game designer and author of Vegas Knights“When a writer hits cynical, drunken, mother-hugging rock bottom, that's when they need Chuck Wendig's raw, no-holds barred advice. This is not for the faint of heart. But then again, neither is writing.”-- Mur Lafferty, host of ISBW (I Should Be Writing) podcast, editor of Escape Pod, author of Playing For Keeps"Despite being irreverent, vulgar, and funny, Chuck Wendig is also surprisingly profound. From one wordslinger about another, Chuck is the real deal and every prospective or working writer should read Confessions of a Freelance Penmonkey. Hell, the ‘Writer's Prayer’ alone is worth the price of admission."-- Jennifer Brozek, Author of The Little Finance Book That Could “If you want to be a better writer, or just want to be inspired by one of the best takes on writing I’ve ever read, do yourself a favor and buy Confessions.”-- Daniel Ames, author of Feasting at the Table of the Damned

    Included are The Gorgon’s Head, The Golden Touch, The Paradise of Children, The Three Golden Apples, The Miraculous Pitcher, and The Chimaera. In 1838, Hawthorne suggested to Henry Wadsworth Longfellow that they collaborate on a story for children based on the legend of the Pandora’s Box, but this never materialized. He wrote A Wonder Book between April and July 1851, adapting six legends most freely from Charles Anton’s A Classical Dictionary (1842). He set out deliberately to “modernize” the stories, freeing them from what he called “cold moonshine” and using a romantic, readable style that was criticized by adults but proved universally popular with children. With full-color illustrations throughout by Arthur Rackham.

    But then the feathers started sprouting beneath her skin, invading her lungs like a strange cancer, and Hermes showed up with a fever eating away his flesh. So much for living a quiet eternity in perpetual health.Desperately seeking the cause of their slow, miserable deaths, Athena and Hermes travel the world, gathering allies and discovering enemies both new and old. Their search leads them to Cassandra—an ordinary girl who was once an extraordinary prophetess, protected and loved by a god. These days, Cassandra doesn’t involve herself in the business of gods—in fact, she doesn’t even know they exist. But she could be the key in a war that is only just beginning. Because Hera, the queen of the gods, has aligned herself with other of the ancient Olympians, who are killing off rivals in an attempt to prolong their own lives. But these anti-gods have become corrupted in their desperation to survive, horrific caricatures of their former glory. Athena will need every advantage she can get, because immortals don’t just flicker out. Every one of them dies in their own way. Some choke on feathers. Others become monsters. All of them rage against their last breath.The Goddess War is about to begin.

    But she has a new mission now. In a desperate bid to keep her two youngest sisters safe from the family that nearly destroyed them all, she agrees to accompany the duchess to France, where they quickly find themselves surrounded by enemies. Their one ray of hope is Sybella’s fellow novitiates, disguised and hidden deep in the French court years ago by the convent—provided Sybella can find them.Genevieve has been undercover for so many years, she struggles to remember who she is or what she’s supposed to be fighting for. Her only solace is a hidden prisoner who appears all but forgotten by his guards. When tragedy strikes, she has no choice but to take matters into her own hands—even if it means ignoring the long awaited orders from the convent.As Sybella and Gen’s paths draw ever closer, the fate of everything they hold sacred rests on a knife’s edge. Will they find each other in time, or will their worlds collide, destroying everything they care about?