This landmark collection brings together the best of his verse, including many pieces that have never before appeared in English.   These poems span the whole of Nabokov’s career, from the newly discovered “Music,” written in 1914, to the short, playful “To Véra,” composed in 1974. Many are newly translated by Dmitri Nabokov, including The University Poem, a sparkling novel in verse modeled on Pushkin’s Eugene Onegin that constitutes a significant new addition to Nabokov’s oeuvre. Included too are such poems as “Lilith”, an early work which broaches the taboo theme revisited nearly forty years later in Lolita, and “An Evening of Russian Poetry”, a masterpiece in which Nabokov movingly mourns his lost language in the guise of a versified lecture on Russian delivered to college girls. The subjects range from the Russian Revolution to the American refrigerator, taking in on the way motel rooms, butterflies, ice-skating, love, desire, exile, loneliness, language, and poetry itself; and the poet whirls swiftly between the brilliantly painted facets of his genius, wearing masks that are, by turns, tender, demonic, sincere, self-parodying, shamanic, visionary, and ingeniously domestic.

    Always a Reckoning sets a precedent since no other president has published a book of poetry. Gift packaged with ribbon marker. A portion of the proceeds from sales will be donated to charity.

    Her last collection, Mysteries of Small Houses, was a finalist for both the Pulitzer Prize in poetry and the Los Angeles Times Book Prize. Structured as a long series of interconnected poems in which one of the main elements is an ongoing dialogue with a seedy detective, Disobedience sets out to explore the visible as well as the unconscious. These poems, composed during a fifteen-month period, also deal with being a woman in France, with turning fifty, and with being a poet, and thus seemingly despised or at least ignored. Author Biography: Alice Notley was born in Bisbee, Arizona, in 1945 and grew up in Needles, California. After a period of peripatetic traveling, she married poet Ted Berrigan. She has published more than twenty books and has been an important force in the eclectic second generation of the so-called New York School of poetry.

    Ephemeral, vivid and therapeutic poems infused with mysticism and female sexuality are accompanied by intimate self-portraits and nude photographs of the artist's closest friends. Taken on black and white film, these pictures were created especially for this book of poetry making it both a visual and written account of the author's personal journey through a difficult time in her life. By diving deep into her individual and intimate experiences, Neringa creates a work of art where everyone can find themselves by immersing themselves in her honest storytelling.

    Delightfully nonsensical, they in fact make the best of sense, accomplishing what only real poetry can -- allowing the reader to discover what he didn't know he already knew or felt.

    Authors who have appeared within the pages of Sword and Sorceress represent the full spectrum of some of the brightest talent working today -- from C.J. Cherryh, Charles de Lint, and Emma Bull . . . to Deborah J. Ross, Diana L. Paxson, and Laurell K. Hamilton.We are proud to continue the classic and vibrant feminist tradition with this twenty-fourth volume of new magical adventures edited by Elisabeth Waters, secretary and co-editor to Mrs. Bradley.Here are seventeen original stories of remarkable women of power, swashbuckling and magic, spells and duels, arcane sorcery and fabled heroism, written by familiar word-weavers of excitement and adventure, and bright newcomers who are sure to become favorites.Enter a wondrous universe . . .Marion Zimmer Bradley's Sword and SorceressSword and Sorceress 24 includes stories by Deborah J. Ross, Helen E. Davis, Elisabeth Waters & Michael Spence, Brenta Blevins, K.D. Wentworth, Teresa Howard, Catherine Soto, Josepha Sherman, Cate McBride, Cynthia Ward, Jonathan Moeller, Dave Smeds, Therese Arkenberg, Michael H. Payne, Annclaire Livoti, Julia H. West, and Melissa Mead.

    

    These lively and provocative lectures function as a gloss to Spicer's own poetry, a general discourse on poetics, and a cautionary handbook for young poets. This thorough documentation of Spicer's unorthodox poetic vision is an authoritative edition of an underground classic.

    The first multicultural poetry anthology to give voice to the lives and experiences of ethnic Americans.

    This latest edition includes new notes and exercises, and has a freshly designed, learning-friendly format that makes it more relevant and accessible to students of poetry in Southern Africa.

    But you are more than just a hero ora villain, cursed or charmed. You are everything in between. You are everything. In fifty poems Christine Heppermann places fairy tales side by side with the modern teenage girl. Powerful and provocative, deadly funny and deadly serious, this collection is one to read, to share, to treasure, and to come back to again and again.

    All contributing authors and business partners are donating their share to The Book Industry Charitable Foundation, a nonprofit organization that coordinates charitable programs to strengthen the bookselling community. The roster of diverse voices includes Faith Adiele, Kwame Alexander, Jenna Blum, Andre Dubus III, Jamie Ford, Nikki Giovanni, Pam Houston, Jean Kwok, Major Jackson, Devi S. Laskar, Caroline Leavitt, Ada Limón, Dani Shapiro, David Sheff, Garth Stein, Luis Alberto Urrea, Steve Yarbrough, and Lidia Yuknavitch. ALONE TOGETHER is divided into five sections: What Now?, Grieve, Comfort, Connect, And Don't Stop. The overarching theme is how this age of isolation and uncertainty is changing us as individuals and a society.

    Featuring new fiction by Mary Robinette Kowal, E. Lily Yu, Shveta Thakrar, Charlie Jane Anders, Delilah S. Dawson, and Sarah Monette, classic fiction by Scott Lynch, essays by Natalie Luhrs, Sofia Samatar, Michael R. Underwood, and Caitlín Rosberg, poetry by C. S. E. Cooney, Bryan Thao Worra, and Sonya Taaffe, interviews with E. Lily Yu and Delilah S. Dawson by Deborah Stanish, a cover by Antonio Caparo, and an editoral by Lynne M. Thomas and Michael Damian Thomas.

    If she’s not careful, Maggie’s old junk may wreck her new life. "Hutchins’ Maggie is an irresistible train wreck—you can’t help but turn the page to see what trouble she’ll get herself into next." Robert Dugoni, #1 Amazon Best-selling Author of My Sister's Grave Live Wire (Maggie #1): Washed-up alt-country-rocker-turned-junker Maggie Killian is pulled to Wyoming by an irresistible force . . . former bull rider Hank Sibley, the man who broke her heart fifteen years before. When she unexpectedly meets his Sunday school-teaching girlfriend at a saloon, Maggie seeks liquor-fueled oblivion between the sheets of a younger man’s bed. But after her beloved vintage truck breaks down and leaves her stranded in the Cowboy State, she learns her hook-up died minutes after leaving their rendezvous. Suddenly surrounded by men with questionable motives, Maggie searches for the murderer while fighting the electricity between herself and her old beau and her new penchant for local whiskey.Sick Puppy (Maggie #2): Junker and former alt-country-rocker Maggie Killian tucks tail back to Texas with Louise, the mutt her bull-riding ex foisted on her in Wyoming after he gave another woman his heart. Maggie runs straight to Gary Fuller—her long time best friend-with-benefits and the biggest Texas country music star since George Strait—but arrives too late to save him from dying in a fire. She just wants to lick her wounds in her own bed with nothing save a bottle for comfort, but Maggie’s short term renter refuses to budge from her home. Soon her small town sanctuary is overrun with Nashville bigwigs, Gary’s trailer park family, and grief-crazed fans feeding the fires of media speculation about the bodies in her wake.Dead Pile (Maggie #3): After Maggie Killian’s junker business goes into the shitter in Texas, the former alt-country-rocker packs up her vintage truck and rescue mutt for Wyoming and a sexy reunion with her ex, Hank Sibley. When she discovers Hank’s foreman unceremoniously dumped on the ranch’s dead pile—the repository for deceased livestock—deputies look no further than the ranch for suspects, especially the young Amish hand, Andy, who received a battlefield promotion of sorts. Because the two have bonded over his guitar lessons, Maggie worries about Andy, even as she is struggling to resolve her suddenly resurrecting musical past, the demolished business in her present, and the complexity of a future with a lover who has suffered from traumatic brain injury since his bull riding days, his disapproving sister, and his Alzheimer’s-stricken mother. ˃˃˃ See why Pamela wins contests and makes best seller lists. USA Today Best Seller #1 Amazon Best Seller Top 50 Amazon Romantic Suspense and Mystery Author Silver Falchion for Best Adult Mystery USA Best Book Awards Cross-Genre Fiction Amazon Breakthrough Novel Award, Romance, Quarter-finalist ˃˃˃ Once Upon A Romance calls Hutchins an "up-and-coming powerhouse writer." If you like Sandra Brown or Janet Evanovich, you're going to love Pamela Fagan Hutchins. A former attorney and native Texan, Pamela splits her time between Nowheresville, Texas and the frozen north of Snowheresville, Wyoming. ˃˃˃ The Maggie reviews are in, and they're good. Very, very good.

    I never thought I’d end up dating a billionaire. Penelope Wells is about to start her last semester in college and dreams of working at a large tech company in San Francisco. When her best friend and roommate, Nicolette, scores her an internship interview at RandomMeetX, a multibillion-dollar singles app, she couldn’t be more thrilled. But when she goes in for her interview, her life changes forever. Blake Hunter is the CEO of RandomMeetX and a misogynistic billionaire who craves control and power. When he sees Penelope in his building, he’s strangely mystified, even though she isn’t the plastic type he usually goes for. After all, she’s a plain Jane and his usual type is pumped full of silicone. He proposes something to Penelope that she knows will change the course of her future. All her needs will be taken care of—if she takes care of all of his. With her bank account running low, she agrees, but quickly finds out Blake’s needs involve handcuffs, blindfolds, and lots of handprints on her ass. Seduced by You: Blake Hunter has never been able to take no for an answer. When Penny doesn’t return his text messages or calls, he can’t help but feel an undying, nagging urge inside of him to talk to Penny, who at this point doesn’t feel ready to say a word to him. When she goes out on a date with a new man, though, and runs into Blake on a date of his own, she can’t help but feel backed into a corner—literally. After talking to Blake and thinking it over, she decides to do something to him that she never thought was possible. She’s going to give him a piece of his own medicine and use him just like he used her. It’s only when she starts to redevelop her old feelings for him that she knows she’s in way too deep, and she knows that her lies may hurt things all over again. Loved by You: After confessing her deceit to Blake, Penny has no idea what’s going to happen to their relationship. Will he take her back and understand why she lied to him and used him, as he once used her, or will he say goodbye forever and give up on what they had? As they begin to patch things up, an opportunity to meet Blake’s parents arises, and it’s through that meeting that Penny finds out why Blake is the way he is, and discovers the story of the woman who shaped him into the emotionally distant serial playboy she first met. But can their relationship survive and stay the same after she finds out about his past?