Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy? As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured.  And, to her horror, compared to the other bodies strewn about, she’s the lucky one.So, of course, then she gets laid off.With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing.  And with social media and viral videos, she can control that appearance.It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

    Le Guin's Vaster Than Empires and More Slow. Including brief general essays and a separate introduction to each individual story or excerpt, Rabkin's anthology greatly illuminates the evolution of the genre.

    Now she returns with a spectacular tour de force of the college of the future, in orbit. Jennifer Ramos Kennedy, a girl from a rich and politically influential family (a distant relation descended from the famous Kennedy clan), whose twin brother has died in an accident and left her bereft, is about to enter her freshman year at Frontera College.Frontera is an exciting school built with media money, and a bit from tribal casinos too, dedicated to educating the best and brightest of this future world. We accompany Jenny as she proceeds through her early days at school, encountering surprises and wonders and some unpleasant problems. The Earth is altered by global warming, and an invasive alien species called ultraphytes threatens the surviving ecosystem. Jenny is being raised for great things, but while she's in school she just wants to do her homework, go on a few dates, and get by. The world that Jenny is living in is one of the most fascinating and creative in contemporary SF, and the problems Jenny faces will involve every reader, young and old.

    Stereotypes of Mexican identities and fictions are identified and transcended. Traditional tales rub shoulders with mindbending new worlds. Welcome to the new Mexican fantastic.Eduardo Jiménez Mayo's translations include books by Bruno Estañol, Rafael Pérez Gay, and José María Pérez Gay.Chris N. Brown lives in Austin, Texas. He is a contributor to the blog No Fear of the Future.Bruce Sterling lives in Turin, Italy, and blogs at Wired's Beyond the Beyond.

    Here begins the story of a small African nation, told by a swarm-like chorus that calls itself man’s greatest nemesis. In 1904, in a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond. As the generations pass, their lives – their triumphs, errors, losses and hopes – form a symphony about what it means to be human.From a woman covered with hair and another plagued with endless tears, to forbidden love affairs and fiery political ones, to homegrown technological marvels like Afronauts, microdrones and viral vaccines – this novel sweeps over the years and the globe.

    Set in a fictional city and small, rural town in the U.S. during a 10-year span, the novel is told in four voices: a journalist; an ink who works in a local population control office; an artist strongly tied to a specific piece of land; and a teenager whose mother runs an inkatorium (a sanitarium-internment center opened in response to public health concerns about inks). The main characters grapple with ever-changing definitions of power, home and community; relationships that expand and complicate their lives; personal magicks they don't fully understand; and perceptions of "otherness" based on ethnicity, language, class and inclusion. In this world, the protagonists' magicks serve and fail, as do all other systems - government, gang, religious organization - until only two things alone stand: love and memory.

    There is a concert pianist who defies death by uploading his soul into his piano. There is the person who draws his mother’s ghost out of the bullet hole in the wall near where she was executed. Another character has a horn growing out of the center of his forehead—punishment for an affair. But he is too weak to end it, too much in love to be moral. Another story recounts a panda breeder looking for tips. And then there’s a border patrol agent trying to figure out how to process undocumented visitors from another galaxy. Poignant by way of funny, and philosophical by way of grotesque, Hernandez’s stories are prayers for self-sovereignty.

    Carr · in 14 · He Walked Around the Horses · nv Astounding Apr ’48 39 · Police Operation [Verkan Vall] · nv Astounding Jul ’48 77 · Last Enemy [Verkan Vall] · na Astounding Aug ’50 149 · Time Crime [Verkan Vall] · n. Astounding Feb ’55 (+1) 261 · Temple Trouble [Verkan Vall] · nv Astounding Apr ’51

    This year, for the first time, the Centre has an alien student? Mavkel, from the planet Choria. And Mavkel has chosen Joss, of all people, as his roommate and study partner. Then Mavkel gets sick. Joss quickly realizes that his will to live is draining away. The only way she can help Mavkel is by breaking the Centre's strictest rules . . . and that means going back in time to change history.

    When he and his crew stumble upon a derelict ship, the Scopuli, they find themselves in possession of a secret they never wanted. A secret that someone is willing to kill for—and kill on a scale unfathomable to Jim and his crew. War is brewing in the system unless he can find out who left the ship and why.Detective Miller is looking for a girl. One girl in a system of billions, but her parents have money and money talks. When the trail leads him to the Scopuli and rebel sympathizer Holden, he realizes that this girl may be the key to everything.Holden and Miller must thread the needle between the Earth government, the Outer Planet revolutionaries, and secretive corporations—and the odds are against them. But out in the Belt, the rules are different, and one small ship can change the fate of the universe.

    Instead, she wants to soar, and her sights are set on securing passage aboard the smuggler airship Midnight Robber. Her ticket: earning Captain Ann-Marie’s trust using a secret about a kidnapped Haitian scientist and a mysterious weapon he calls The Black God’s Drums.But Creeper keeps another secret close to heart--Oya, the African orisha of the wind and storms, who speaks inside her head and grants her divine powers. And Oya has her own priorities concerning Creeper and Ann-Marie…

    Including stories from the 1970s to the present day, the collection seeks to expand the conversation about feminism while engaging the reader in a wealth of imaginative ideas. Sisters of the Revolution seeks to expand the ideas of both contemporary fiction and feminism to new fronts.Contents:The forbidden words of Margaret A. / L. Timmel Duchamp --My flannel knickers / Leonora Carrington --The mothers of Shark Island / Kit Reed --The palm tree bandit / Nnedi Okorafor --The grammarian's five daughters / Eleanor Arnason --And Salome danced / Kelley Eskridge --The perfect married woman / Angélica Gorodischer --The glass bottle trick / Nalo Hopkinson --Their mother's tears : the fourth letter / Leena Krohn --The screwfly solution / James Tiptree, Jr. --Seven losses of na Re / Rose Lemberg --The evening and the morning and the night / Octavia E. Butler --The sleep of plants / Anne Richter --The men who live in trees / Kelly Barnhill --Tales from the breast / Hiromi Goto --The Fall River axe murders / Angela Carter --Love and sex among the invertebrates / Pat Murphy --When it changed / Joanna Russ --The woman who thought she was a planet / Vandana Singh --Gestella / Susan Palwick --Boys / Carol Emshwiller --Stable strategies for middle management / Eileen Gunn --Northern chess / Tanith Lee --Aunts / Karin Tidbeck --Sur / Ursula K. Le Guin --Fears / Pamela Sargent --Detours on the way to nothing / Rachel Swirsky --Thirteen ways of looking at space/time / Catherynne M. Valente --Home by the sea / Elisabeth Vonaburg.

    It’s 2095 and people don’t usually die from violence. Humanity is entirely dependent on pills that not only help them stay alive, but allow them to compete with artificial intelligence in an increasingly competitive gig economy. Daily doses protect against designer diseases, flow enhances focus, zips and buffs enhance physical strength and speed, and juvers speed the healing process. All that changes when Welga’s client is killed by The Machinehood, a new and mysterious terrorist group that has simultaneously attacked several major pill funders. The Machinehood operatives seem to be part human, part machine, something the world has never seen. They issue an ultimatum: stop all pill production in one week. Global panic ensues as pill production slows and many become ill. Thousands destroy their bots in fear of a strong AI takeover. But the US government believes the Machinehood is a cover for an old enemy. One that Welga is uniquely qualified to fight. Welga, determined to take down the Machinehood, is pulled back into intelligence work by the government that betrayed her. But who are the Machinehood and what do they really want? A thought-provoking novel that asks: if we won’t see machines as human, will we instead see humans as machines?

    Some of Samatar’s weird and tender fabulations spring from her life and her literary studies; some spring from the world, some from the void.

     Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones