Bob gets called out on account of a monster program called SATAN STARE, that ties back into some past work for the Laundry and others.He has to recruit, quickly, a pretty with it cop, and she helps him combat the beast, and the odd zombie.

    New York City bookstore owner Otis Parker is dead, killed by a falling bookcase. A tragic accident? Corey isn’t so sure. With deadpan humor and skeptical eye, the determined detective is on the case, and everyone who has the misfortune to be connected to Parker is a suspect—the failing mystery writer in town to sign books; the beautiful young wife, and the bookstore employee who appears to be more nervous than aggrieved. In his debut Kindle Single, DeMille deftly maneuvers through the twists and turns of this fast-moving story, delivering his legion of fans yet another gripping read.

    Carlotta Wren has always wondered what her life would've been like if her parents hadn't fled town and left her to raise her younger brother Wesley...but through a twist of fate, she's about to find out!

    What he does with them doesn’t make him proud, just quiets the demons for a little while. But his nights soon take a terrifying turn in a desert cantina, where Travis crosses paths with a mysterious pale-skinned girl in red boots. Come the morning, he wakes weak and bloodied in his cabover camper, no sign of a girl, no memory of the night before.Annabelle Gaskin spies the camper parked behind her rundown motel and offers the disheveled cowboy inside a few odd jobs to pay his board. Travis takes her up on the offer, if only to buy time, to lay low, to heal. By day, he mends the old motel, insinuating himself into the lives of Annabelle and her ten-year-old son. By night, in the cave of his camper, he fights an unspeakable hunger. Before long, Annabelle and her boy come to realize that this strange cowboy they’ve taken in is not what he seems.Half a state away, a grizzled Texas ranger is hunting Travis down for his past misdeeds, but what he finds will lead him to a revelation far more monstrous than he could ever imagine. A man of the law, he’ll have to decide how far into the darkness he’ll go for the sake of justice. When these lives converge on a dusty autumn night, an old evil will find new life—and new blood.Deftly written and utterly compelling, this is an atmospheric literary fiction debut perfect for fans of horror, psychological suspense, and Western fiction.

    You’ve been crippled and left for dead. There’s something in the woods. It’s coming. There’s only one thing you can do… CRAWL

    Omnibus collection of four early Bachman novels (Rage, The Long Walk, Roadwork, The Running Man) and the essay "Why I Was Bachman"

    Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror film director Stanislaus Cordova--a man who hasn't been seen in public for more than thirty years. For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova's dark and unsettling films, very little is known about the man himself. Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova's eerie, hypnotic world. The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more.

    The complications pile up as Cate is distracted by the coroner on the case—and by nagging memories that draw her twenty years into the past. The remains suggest eerie similarities between this victim, and Cate and Tessa’s friend Samantha, who disappeared when she was fourteen.Cate finds herself up against closemouthed locals, buried town secrets, and even her own heart. As the case unravels, will she be able to cut through the fog and find justice for the missing and the dead

    A handsome man approaches. He’s charming and sophisticated. She flirts and drinks champagne. And then nothing. Total blackness. Nothing, that is, apart from these two facts: a man is dead and her address is found in his pocket . . .

    "Number Thirteen," "The Mezzotint," "Canon Alberic's Scrapbook," and more. Renowned for their wit, erudition and suspense, these stories are each masterfully constructed and represent a high achievement in the ghost genre. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    A game of Scrabble has serious consequences.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    . . "The voice on the phone was the last voice Dr. Stephen Thorpe expected to hear. But ex-lover Mark Hardwicke is injured and in trouble -- and Stephen has always had a hard time saying no to this particular brand of trouble.His cover blown, his enemies closing in, British spy Mark is seeking sanctuary with the man he never stopped loving. But there's a new man in Stephen's life, and Stephen's not interested in hearing Mark's explanations or excuses -- let alone playing doctor with him.Something went terribly wrong on Mark's last mission. Something he can't bring himself to think about, let alone talk about. But he better start talking soon because not only is Stephen losing patience fast -- someone wants this spy left out in the cold.Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: male/male sexual practices, violence.

     In this prequel short story to Robert Dugoni’s #1 Kindle-bestselling novel, My Sister’s Grave, Tracy Crosswhite is a young patrol officer, paying her dues, keeping her head down, and hoping a solid record will get her promoted to detective. While years have passed since the disappearance of Tracy’s sister, the experience has made her one of the city’s most dedicated cops. Reporter Tevia Kushman is shadowing Tracy on a ride-along seeking to follow-up on a recent (and nasty) exposé about the Seattle PD’s treatment of female cops. Young and ambitious, Tevia is hoping for a juicy scoop on the gender politics of the PD, but may get a much bigger story than she bargained for… Neither woman expects a routine-sounding call to turn into something dangerous, until Tracy walks into a domestic dispute and finds herself looking down the barrel of a shot-gun. No stranger to high-pressure situations, Tracy must draw on more than just her academy training and lightning-fast shooting skills to find a way to talk down—or take out—the volatile man holding the gun.

    It was their dream house, and he wants to honor her with it.Lexi Ellis takes a job as his nanny and immediately falls in love with his two young daughters, especially Gaia. But something feels off in the isolated house nestled in the forest along the fjord. Lexi sees mysterious muddy footprints inside the home. Aurelia's diary appears in Lexi's room one day. And Gaia keeps telling her about seeing the terrifying Sad Lady…Soon Lexi suspects that Aurelia didn't kill herself and that they are all in danger from something far more sinister lurking around them.