From their interrogation of Sax (where he spoke exclusively in inhuman tongues) to a related drug raid on a seedy rock club rife with arcane symbols and otherworldly lyrics, they suspect that they are on the trail of something awful… but nothing can prepare them for the creeping insanity and unspeakable terrors they will face in the small harbor town of Innsmouth.  NEONOMICON collects Alan Moore’s 2010 comic book series for the first time in its entirety – including his original story, THE COURTYARD, which chronicled Aldo Sax’s tragic encounter with the (somewhat) mortal agents of the Old Ones!

    From the dreaded remnants of long-dead civilisations to unhallowed monstrosities scheming in the darkness, Lovecraft's stories have never lost their power to astound and unsettle. this graphic anthology breathes new life into classic works of weird fiction. Praise for The Lovecraft Anthology: Volume I:"When a graphic novel comes along representing some of Lovecraft’s greatest tales, it has a lot to live up to. I’m happy to say that the graphic novel compilation The Lovecraft Anthology, Vol. 1 provides the goods." —GeekDad.com

    1 in 1938, introduced the world to something both unprecedented and timeless: Superman, a caped god for the modern age. In a matter of years, the skies of the imaginary world were filled with strange mutants, aliens, and vigilantes: Batman, Wonder Woman, the Fantastic Four, Iron Man, and the X-Men—the list of names as familiar as our own. In less than a century, they’ve gone from not existing at all to being everywhere we look: on our movie and television screens, in our videogames and dreams. But what are they trying to tell us?For Grant Morrison, arguably the greatest of contemporary chroniclers of the “superworld,” these heroes are powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: Through them we tell the story of ourselves, our troubled history, and our starry aspirations. In this exhilarating work of a lifetime, Morrison draws on art, science, mythology, and his own astonishing journeys through this shadow universe to provide the first true history of the superhero—why they matter, why they will always be with us, and what they tell us about who we are . . . and what we may yet become.

    It shows how the deaths of two comrades compelled Tolkien to pursue the dream they had shared, and argues that Tolkien transformed the cataclysm of his generation while many of his contemporaries surrendered to disillusionment. The fruit of five years of meticulous research, this is the first substantially new biography of Tolkien since 1977, distilled from his personal wartime papers and a multitude of other sources.

    Collects nine stories including "Crouch End" by Stephen King, and stories by A.A. Attanasio, Basil Cooper, David Drake, T.E.D. Klein, Frank Belknap Long, Brian Lumley, H.P. Lovecraft and Martin S. Warnes.Contents (view Concise Listing)ix • Introduction (New Tales of the Cthulhu Mythos) • essay by Ramsey Campbell3 • Crouch End • [Cthulhu Mythos] • novelette by Stephen King33 • The Star Pools • [Cthulhu Mythos] • novelette by A. A. Attanasio73 • The Second Wish • [Cthulhu Mythos] • novelette by Brian Lumley101 • Dark Awakening • [Cthulhu Mythos] • short story by Frank Belknap Long115 • Shaft Number 247 • [Cthulhu Mythos] • novelette by Basil Copper145 • Black Man with a Horn • [Cthulhu Mythos] • novelette by T. E. D. Klein187 • The Black Tome of Alsophocus • [Cthulhu Mythos] • short story by H. P. Lovecraft and Martin S. Warnes197 • Than Curse the Darkness • [Cthulhu Mythos] • novelette by David Drake223 • The Faces at Pine Dunes • [Severn Valley] • novelette by Ramsey Campbell255 • Notes on Contributors (New Tales of the Cthulhu Mythos) • essay by uncredited

    Clarke was published in 1972 by Signet as an accompaniment to the novel 2001: A Space Odyssey.The book itself consists in part of behind-the-scenes notes from Clarke concerning scriptwriting (and rewriting), as well as production issues. The core of the book, however, is contained in excerpts from the proto-novel and an early screenplay that did not make it into the final version.Alternative settings for launch preparation, the EVA scene where astronaut Frank Poole is lost, and varying dialogues concerning the HAL 9000 unit are all featured in the book. Also included is the original short story The Sentinel on which 2001 is loosely based.

    insatiate, tenebrous monsters, whose ultimate throne is Chaos.Greatest of all is he called Cthulhu. Only in ancient, blasphemous manuscripts can that name be found... and those who decipher it are left pale and numb, aware that in the very act of decipherment they have become both pawn and prey of an ultra-worldly power that renders human existence both tenuous and trite.The Old Ones were, the Old Ones are, and the Old Ones shall remain... long after they have devoured us.Contents:"Introduction" by David Drake "Arkham" (poem) "The Black Stone" "The Fire of Asshurbanipal" "The Thing on the Roof" "Dig Me No Grave" "Silence Falls on Mecca's Walls" (poem) "The Valley of the Worm" "The Shadow of the Beast" "Old Garfield's Heart" "People of the Dark" "Worms of the Earth" "Pigeons From Hell" "An Open Window" (poem)

    / My journey to your depths begins tonight / To serve immortal till the stars turn right."These lines from a poem by Ann K. Schwader are the coda for this fine collection of tales about H.P. Lovecraft's Innsmouth--that decadent, smugly rotting New England town where half-human creatures with forbidding batrachian faces follow the arcane practices of the Esoteric Order of Dagon. In his erudite and witty introduction, Robert M. Price calls Innsmouth "the most effective, most evocative ... example of Lovecraft's full-blown alien civilizations." The Innsmouth Cycle includes 13 stories and 3 poems, including the three tales by Lord Dunsany, Robert W. Chambers, and Irvin S. Cobb that inspired Lovecraft's "The Shadow over Innsmouth." This collection is planned as the first of a pair, the second half of which will be Tales of Innsmouth, containing (according to Price) all new works of "fishy fiction."A fun detail: this book is "respectfully dedicated to Ben Chapman, the Creature from the Black Lagoon." --Fiona Webster

    The land mine is me. After the explosion, I spend the rest of the day putting the pieces back together. Now, it's your turn. Jump!"Zest. Gusto. Curiosity. These are the qualities every writer must have, as well as a spirit of adventure. In this exuberant book, the incomparable Ray Bradbury shares the wisdom, experience, and excitement of a lifetime of writing. Here are practical tips on the art of writing from a master of the craft—everything from finding original ideas to developing your own voice and style—as well as the inside story of Bradbury's own remarkable career as a prolific author of novels, stories, poems, films, and plays.Zen in the Art of Writing is more than just a how-to manual for the would-be writer: it is a celebration of the act of writing itself that will delight, impassion, and inspire the writer in you. Bradbury encourages us to follow the unique path of our instincts and enthusiasms to the place where our inner genius dwells, and he shows that success as a writer depends on how well you know one subject: your own life.

    Rainey, Henry Kuttner, Lin Carter, Ramsey Campbell, Thomas Ligotti, Richard L. Tierney, Gary Myers, Donald R. Burleson, C.J. Henderson, Stephen Studach, John Glasby, Allen Mackey and Robert M. Price. introduced and edited by Robert M. Price originals copyright 1939-1994.Contents:Contents:The Mad God: An Introduction to The Azathoth Cycle by Robert M. PriceAzathoth by Edward Pickman DerbyAzathoth in Arkham by Peter CannonThe Revenge of Azathoth by Peter CannonThe Pit of the Shoggoths by Stephen Mark RaineyHydra by Henry KuttnerThe Madness Out of Time by Lin CarterThe Insects from Shaggai by Ramsey CampbellThe Sect of the Idiot by Thomas LigottiThe Throne of Achamoth by Robert M. Price and Richard L. TierneyThe Last Night of Earth by Gary MyersThe Daemon-Sultan by Donald R. Burleson.Idiot Savant by C.J. HendersonThe Space of Madness by Stephen StudachThe Nameless Tower by John GlasbyThe Plague Jar by Allen MackeyThe Old Ones’ Promise of Eternal Life by Robert M. Price

    Included are works by many famous authors, such as H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Manly Wade Wellman, E. Hoffmann Price, Tennessee Williams, and many more—with an emphasis on great but less-well-known stories that readers may not have encountered before. "To Become a Sorcerer," by Darrell Schweitzer (included here) was a finalist for the World Fantasy Award.Included are:BOY BLUE, by Steve Rasnic TemTAP DANCING, by John Gregory BetancourtTO BECOME A SORCERER, by Darrell SchweitzerTHE GOLGOTHA DANCERS, by Manly Wade WellmanTHE DEATH OF ILALOTHA, by Clark Ashton SmithTHE SALEM HORROR, by Henry KuttnerTHE DISINTERMENT, by H.P. Lovecraft and D.W. RimelTHE SEA-WITCH, by Nictzin DyalhisVINE TERROR, by Howard WandreiTHE PALE MAN, by Julius LongWEREWOLF OF THE SAHARA, by G.G. PendarvesTRAIN FOR FLUSHING, by Malcolm JamesonTHE DIARY OF PHILIP WESTERLY, by Paul ComptonMASK OF DEATH, by Paul ErnstTHE GIRL FROM SAMARCAND, by E. Hoffmann PriceTHE MONKEY SPOONS, by Mary Elizabeth CounselmanTHE VENGEANCE OF NITOCRIS, by Tennessee WilliamsTHE NINTH SKELETON, by Clark Ashton SmithBIMINI, by Bassett MorganTHE CURSE OF YIG, by H.P. Lovecraft and Zealia BishopTHE HAUNTER OF THE RING, by Robert E. HowardTHE MEDICI BOOTS, by Pearl Norton SwetTHE LOST DOOR, by Dorothy QuickDOOM OF THE HOUSE OF DURYEA, by Earl Peirce, Jr.IN THE DARK, by Ronal KayserAnd don't forget to check out the other volumes in this series, covering science fiction, fantasy, horror, mystery, westerns, single author collections -- and much, much more! Search this ebookstore for "Wildside Megapack" to see the complete list.

    Not only does it describe the genre authoritatively, but it redefines it, offering an exciting new analysis of this highly diverse and hugely popular sphere of art. With more than 4,000 entries and over one million words, this volume covers every aspect of fantasy-literature, film, television, opera, art, and comics. Written and compiled by a team of editors with unparalleled collective experience in the field, it is an invaluable reference for anyone interested in the art of the fantastic. This paperback edition includes thirty-two pages of update material obtained since the hardcover when to press.

    “Taken together,” as the editor Ignacio Echevarría remarks in his introduction, they provide “a personal cartography of the writer: the closest thing, among all his writings, to a kind of fragmented ‘autobiography.’” Bolaño’s career as a nonfiction writer began in 1998, the year he became famous overnight for The Savage Detectives; he was suddenly in demand for articles and speeches, and he took to this new vocation like a duck to water. Cantankerous, irreverent, and insufferably opinionated, Bolaño also could be tender (about his family and favorite places) as well as a fierce advocate for his heroes (Borges, Cortázar, Parra) and his favorite contemporaries, whose books he read assiduously and promoted generously. A demanding critic, he declares that in his “ideal literary kitchen there lives a warrior”: he argues for courage, and especially for bravery in the face of failure. Between Parentheses fully lives up to his own demands: “I ask for creativity from literary criticism, creativity at all levels.”

    In response to the whole range of Dylan early and late (his songs of social conscience, of earthly love, of divine love, and of contemplation), this critical appreciation listens to Dylan's attentive genius, alive in the very words and their rewards. "Fools they made a mock of sin." Dylan's is an art in which sins are laid bare (and resisted), virtues are valued (and manifested), and the graces brought home. The seven deadly sins, the four cardinal virtues (harder to remember?), and the three heavenly graces: these make up everybody's world -- but Dylan's in particular. Or rather, his worlds, since human dealings of every kind are his for the artistic seizing. Pride is anatomized in "Like a Rolling Stone," Envy in "Positively 4th Street," Anger in "Only a Pawn in Their Game" ... But, hearteningly, Justice reclaims "Hattie Carroll," Fortitude "Blowin' in the Wind," Faith "Precious Angel," Hope "Forever Young," and Charity "Watered-Down Love."In The "New Yorker, Alex Ross wrote that "Ricks's writing on Dylan is the best there is. Unlike most rock critics -- 'forty-year-olds talking to ten-year-olds, ' Dylan has called them -- he writes for adults." In the "Times (London), Bryan Appleyard maintained that "Ricks, one of the most distinguished literary critics of our time, is almost the only writer to have applied serious literary intelligence to Dylan ..."Dylan's countless listeners (and even the artist himself, who knows?) may agree with W.H. Auden that Ricks "is exactly the kind of critic every poet dreams of finding."

    But above all, Amis is concerned with literature, and with the deadly cliches–not only of the pen, but of the mind and the heart. In The War Against Cliché, Amis serves up fresh assessments of the classics and plucks neglected masterpieces off their dusty shelves. He tilts with Cervantes, Dickens and Milton, celebrates Bellow, Updike and Elmore Leonard, and deflates some of the most bloated reputations of the past three decades. On every page Amis writes with jaw-dropping felicity, wit, and a subversive brilliance that sheds new light on everything he touches.