She is darker than everyone in her family. She is darker than anyone in her school. Sulwe just wants to be beautiful and bright, like her mother and sister. Then a magical journey in the night sky opens her eyes and changes everything.In this stunning debut picture book, actress Lupita Nyong’o creates a whimsical and heartwarming story to inspire children to see their own unique beauty.

    From silhouette-cinching corsets and combustible combs to lethal hair dyes and flammable flannel, this nonfiction book looks back at the times people have suffered pain, injury, and worse, all in the name of style. Historical examples like the tragic "Radium Girl" watchmakers and mercury-poisoned "Mad Hatters," along with more recent factory accidents, raise discussion of unsafe workplaces--where those who make the clothes are often fashion's first victims.Co-authored by a scholar in the history of textiles and dress with the founder of WORN Fashion Journal, this book is equal parts fab and frightening: a stylishly illustrated mash-up of STEAM content, historical anecdotes, and chilling stories. Nonfiction features including sidebars, sources, an index, and a list of further reading will support critical literacy skills and digging deeper with research on this topic.

    Then one day she was told she could never come back. She didn't belong. The Otis School was for white children only.Sarah deserved an equal education, and the Roberts family fought for change. They made history. Roberts v. City of Boston was the first case challenging our legal system to outlaw segregated schools. It was the first time an African American lawyer argued in a supreme court.These first steps set in motion changes that ultimately led to equality under the law in the United States. Sarah's cause was won when people--black and white--stood together and said, No more. Now, right now, it is time for change!With gorgeous art from award-winning illustrator E. B. Lewis, The First Step is an inspiring look at the first lawsuit to demand desegregation--long before the American Civil Rights movement, even before the Civil War.Backmatter includes: integration timeline, bios on key people in the book, list of resources, and author's note.

    The boy, Leo, treasures his bicycle so much he gives it a name -- Big Red. But eventually Leo outgrows Big Red, and this is where the bicycle's story takes a turn from the everyday, because Leo decides to donate it to an organization that ships bicycles to Africa. Big Red is sent to Burkina Faso, in West Africa, where it finds a home with Alisetta, who uses it to gain quicker access to her family's sorghum field and to the market. Then, over time, it finds its way to a young woman named Haridata, who has a new purpose for the bicycle -- renamed Le Grand Rouge -- delivering medications and bringing sick people to the hospital. This book makes an excellent choice for cultural studies classes; author Jude Isabella has provided several terrific suggestions in the back of the book for projects large and small, while a map shows the distance the bicycle traveled across the Atlantic Ocean. Award-winning illustrator Simone Shin's digitally composed artwork includes evocative depictions of Alisetta's and Haridata's communities in rural Africa, creating vivid comparisons between Leo's life and their lives. Youngsters will learn how different the world is for those who rely on bicycles as a mode of transportation, and how one ordinary bicycle -- and a child's desire to make a difference -- can change lives across the world. This book also offers an excellent opportunity for expanding character education lessons on caring, compassion and empathy to include the wider world.

    That’s all it takes to turn a world upside down.Twelve-year-old Nella Sabatini’s life is changing too soon, too fast. Her best friend, Clem, doesn’t seem concerned; she’s busy figuring out the best way to spend the “leap second”—an extra second about to be added to the world’s official clock. The only person who might understand how Nella feels is Angela, but the two of them have gone from being “secret sisters” to not talking at all.Then Angela’s idolized big brother makes a terrible, fatal mistake, one that tears apart their tight-knit community and plunges his family into a whirlwind of harsh publicity and judgment. In the midst of this controversy, Nella is faced with a series of startling revelations about her parents, friends, and neighborhood. As Angela’s situation becomes dangerous, Nella must choose whether to stand by or stand up. Her heart tries to tell her what to do, but can you always trust your heart? The clock ticks down, and in that extra second, past and present merge—the future will be up to her.Tricia Springstubb’s extraordinary novel is about the shifting bonds of friendship and the unconditional love of family, the impact of class and racial divides on a neighborhood and a city, and a girl awakening to awareness of a world bigger and more complex than she’d ever imagined.

    / 'Cause whether his or hers amoeba, / They too feel like you and meba.What if a boring lesson about the food chain becomes a sing-along about predators and prey? A twinkle-twinkle little star transforms into a twinkle-less, sunshine-eating-and rhyming Black Hole? What if amoebas, combustion, metamorphosis, viruses, the creation of the universe are all irresistible, laugh-out-loud poetry? Well, you're thinking in science verse, that's what. And if you can't stop the rhymes ... the atomic joke is on you. Only the amazing talents of Jon Scieszka and Lane Smith, the team who created Math Curse, could make science so much fun.

    Strong females smack of the unfeminine. They have been called wicked, wanton, and willful. Sometimes that is a just designation, but just as often it is not. "Well-behaved women seldom make history," is the frequently quoted statement by historian and feminist Laurel Thatcher Ulrich. But what makes these misbehaving women "bad"? Are we idolizing the wicked or salvaging the strong?In BAD GIRLS, readers meet twenty-six of history’s most notorious women, each with a rotten reputation. But authors Jane Yolen and Heidi Stemple remind us that there are two sides to every story. Was Delilah a harlot or hero? Was Catherine the Great a great ruler, or just plain ruthless? At the end of each chapter, Yolen and Stemple appear as themselves in comic panels as they debate each girl’s badness—Heidi as the prosecution, Jane for context.This unique and sassy examination of famed, female historical figures will engage readers with its unusual presentation of the subject matter. Heidi and Jane’s strong arguments for the innocence and guilt of each bad girl promotes the practice of critical thinking as well as the idea that history is subjective. Rebecca Guay’s detailed illustrations provide a rich, stylized portrait of each woman, while the inclusion of comic panels will resonate with fans of graphic novels.

    She stretches her hands up high like a plane's wings and whizzes down a hill so fast on her bike with her hands way up. As she grows, she lives through everyday moments of joy, love, and sadness. And when she gets a little older, she joins together with her family and her community in a protest march, where they lift their hands up together in resistance and strength.

    Birthday: February 18Sex: Female Where she lives: In the house, on the couch, underfootHer favorite pastime: Blogging, sleepingHer best feature: Her toe beans Her favorite food: All of themPusheen is a pleasantly plump cat who has warmed hearts and tickled funny bones of millions worldwide with her signature GIF animated bops, bounces, and tail wiggles. Now, Pusheen is ready to make the leap from digital to print in her first comic collection! Learn what makes her purr and find out why millions of people have already fallen in love with this naughty, adorable kitty. Featuring some of the most popular stories from Pusheen’s Tumblr and Facebook pages (plus a healthy serving of never-before-seen material), I Am Pusheen the Cat is a treat for cat lovers and comics fans alike.

    We found it very difficult to pronounce his name correctly, but he didn’t mind. He told us to just call him ‘Eric’.”As charming as he is curious, by the end of his stay this intriguing house guest will capture your heart. This story is from Shaun Tan’s award-winning collection Tales from Outer Suburbia.

     Follow one African-American boy through the course of his day as the harsh reality of segregation and racial prejudice comes into vivid focus. But the boy dreams of a different life--one full of freedom, hope, and wild possibility, where he can fling his arms wide in the face of the sun.

    All she wants to do is to follow the rules. (Oh, and she’d also like to make it through seventh grade with her best friendships intact, learn to run track, and have a cute boy see past her giant forehead.)But in junior high, it’s like all the rules have changed. Now she’s suddenly questioning who her best friends are and some people at school are saying she’s not black enough. Wait, what?Shay’s sister, Hana, is involved in Black Lives Matter, but Shay doesn't think that's for her. After experiencing a powerful protest, though, Shay decides some rules are worth breaking. She starts wearing an armband to school in support of the Black Lives movement. Soon everyone is taking sides. And she is given an ultimatum.Shay is scared to do the wrong thing (and even more scared to do the right thing), but if she doesn't face her fear, she'll be forever tripping over the next hurdle. Now that’s trouble, for real.

    Twelve-year-old Maya is the only one in her South Side Chicago neighborhood who witnesses weird occurrences like werehyenas stalking the streets at night and a scary man made of shadows plaguing her dreams. Her friends try to find an explanation—perhaps a ghost uprising or a lunchroom experiment gone awry. But to Maya, it sounds like something from one of Papa’s stories or her favorite comics.When Papa goes missing, Maya is thrust into a world both strange and familiar as she uncovers the truth. Her father is the guardian of the veil between our world and the Dark—where an army led by the Lord of Shadows, the man from Maya’s nightmares, awaits. Maya herself is a godling, half orisha and half human, and her neighborhood is a safe haven. But now that the veil is failing, the Lord of Shadows is determined to destroy the human world and it’s up to Maya to stop him. She just hopes she can do it in time to attend Comic-Con before summer’s over.

    So when Ben and the rest of his family make their way to America, Ben brings both his sharp artistic eye and his desire to fight for what’s right. As he grows, he speaks for justice through his art—by disarming classmates who bully him because he’s Jewish, by defying his teachers’ insistence that he paint beautiful landscapes rather than true stories, by urging the US government to pass Depression-era laws to help people find food and jobs.

    His dad is a fork. And he's a bit of both. He's Spork! Spork sticks out in the regimented world of the cutlery drawer. The spoons think he's too pointy, while the forks find him too round. He never gets chosen to be at the table at mealtimes until one day a very messy ... thing arrives in the kitchen who has never heard of cutlery customs. Will Spork finally find his place at the table? This "multi-cutlery" tale is a humorous and lively commentary on individuality and tolerance. Its high-spirited illustrations capture the experience and emotions of anyone who has ever wondered about their place in the world.