El ciclo del amor marica


Gabriel J. Martín - 2017
    Advice on conflict resolution and genuine intimacy. The author doesnt forget to include treatments on couple crises, ruptures, and the mourning of heartbreak as a previous step to be prepared to fall in love again.

Dancing with Demons: The Authorized Biography of Dusty Springfield


Penny Valentine - 2000
    Her signature voice made songs such as, "I Only Want to Be With You," "Son of A Preacher Man," and "You Don't Have to Say You Love Me," international hits. In Dancing With Demons, two of her closest friends, Valentine and Wickham, capture, with vivid memories and personal anecdotes, a Dusty most people never glimpsed in this no-holds-barred yet touching portrait of one of the world's true grand dames of popular music.

Rhythms and Roads


Victoria Erickson - 2016
    While her writings in this book radiate a fresh and new wonder, they continue to showcase Erickson's unforgettable and infectious zeal for life. The reader feels called away from the mundane and inconsequential by her trademark blend of poetic grace and electrifying enthusiasm. Rhythms and Roads will do more than enchant one's soul and inspire; it promises to awaken memories long forgotten and to breathe into them a spirit of lively possibility. This exhilarating collection is the perfect companion for anyone ready to break cages and fall into a sea of deep, soulful, courageous living.

A Big Straight Wedding


Sienna Waters - 2021
    Marry her best friend George and they'll both get access to his trust fund.Okay, there are a few hitches. George's mother hates her for being Latina. She's gay, not straight. Oh, and then there's Klara. The wedding planner.Klara gives her heart to every woman she meets, so it's no surprise that she harbors a crush on Nic. But her failing business needs this wedding and she can't afford to screw it up. So why can't she keep her hands off the blushing bride?Money, business, friendship, everyone's got something to lose. But when hearts are on the line, the stakes just can't get any bigger. Or can they?A Big Straight Wedding is a new stand-alone lesbian romance from Sienna Waters, the author of The Wrong Date and the Oakview and Monday's Child series

The Dig & Hotel Fiesta


Lynn Emanuel - 1994
    A prose poem has been added as a prologue.

Blood Lyrics: Poems


Katie Ford - 2014
    Blood Lyrics is a mother's song, one seared with the knowledge that her country wages long, aching wars in which not all lives are equal. There is beauty imparted, too, but it arrives at a cost: "Don't say it's the beautiful / I praise," Ford writes. "I praise the human, / gutted and rising."

A calendar too crowded


Sagarika Chakraborty
    What makes this work of fiction different from other books that highlight the plight of women is its unique approach. There are quite a few days in the calendar that are devoted to women. The aim of remembering and commemorating such days is simple enough: they serve the purpose of spreading awareness thereby attempting to protect the rights of women.

Amy Lowell: Selected Poems


Amy Lowell - 2004
    But in the words of editor Honor Moore, what strikes the contemporary reader is not the sophistication of Lowell's feminist or antiwar stances, but the bald audacity of her eroticism. Her search for an imagist poetry that is hard and clear, never blurred nor indefinite, found its purest expression in sensual love poems that bristle with lyric intensity. This new selection explores Lowell's full formal range, including cadenced verse, polyphonic prose, narrative poetry, and adaptations from the Chinese, and gives a fresh sense of the passion and energy of her work.

"Stagecoach" Mary Fields: Montana's Legendary Pioneer


Julie McDonald - 2016
    Little is known of her during her 30 plus years as a slave in Tennessee, or her life shortly thereafter. Her arrival and subsequent life in Cascade, Montana would make her a legend. Enjoy this great, inspiring and very humorous story of one amazing woman!

Pastoral


Carl Phillips - 2002
    Trained in classical Greek and Latin, Phillips seems to excavate as he forms words into lines, breaking images into tiny parts of thought as he digs for meaning and accuracy. As part of this excavation, Pastoral explores what flesh, wanting, and belief are made of. A finalist for both the National Book Award and the National Book Critics Circle Award, Phillips has produced four collections of accomplished verse in the past few years. In each book, the influence of classical syntax and rhythm can be heard. And with each book, Phillips refines his poetic voice, combining the prayerlike and the erotic, and often elegantly swooping from a whisper to a scream in the space of a few stanzas.This time, the poems fall along a wide range of tones, from italicized commands like "Let me" and "Now" in the poem "Lay Me Down" to a hesitant question, or a deepening well of self-doubt. Phillips is always original, and he's always remembering, even when a poem is firmly written in present tense. He is hyperaware not only of the ancient poets, but also of history, especially the great destructions.In the ominously titled "The Kill," he remembers a familiar daily scene. The speaker analyzes his own love for another in clinical detail that suddenly veers into longing. The way these lines break adds to the sense of tragic fragment, of an ache:      The last time I gave my body up,      to you, I was minded       briefly what it is made of,       what yours is, that      I'd forgotten, the flesh      which always       I hold in plenty no       little sorrow for because -- oh, do      but think on its predicament,      and weep.In just four stanzas, Phillips moves from an image of both love and surrender to a consideration of temporality -- the bald fact that his lover is mortal. This thought of "its predicament" makes him weep, even though death is not a stated issue here.In "The Kill," the last poem in the volume, the speaker anticipates the need to remember. The second poem in the book referred to Pompeii, and the shadow of Pompeii is still resonant as the speaker describes his lover's body, still current and alive despite the title's warning.He remembers a body he has felt before, and probably will feel again -- judging by the present tense of "what yours is." And yet, the speaker here feels the need to freeze that body in time, to memorialize it. The next stanza explains this strong urge to hold on:      We cleave most entirely      to what most we fear      losing. We fear loss      because we understand       the fact of it, its largeness, its      utter indifference to whether      we do, or don't,       ignore it. The "largeness" of loss is what these poems are loath to accept, even as they seek to understand. Each poem tries to break loss down into questions, confessions, prayers, or simple expressions of doubt. While the poems fight against death and inevitable loss, they also seem to seek moral guidance to help with these losses.Nowhere is the search for answers and guidance more apparent than at the endings of these poems, which are frequently questions. Phillips is fond of abrupt, mysterious dashes as conclusions. In his quest for a moral compass, he also quotes from "Lamentations" and draws on familiar Biblical stories. The wanderings of Cain, for example, seem to appear in the backgrounds of poems where man seeks. What's more, the epigraph is from George Herbert, the great poet of faith and the war between faith and flesh. The sense of struggle between opposing ideas is something Phillips incorporates and modernizes into a contemporary parable of carnal love and constant questioning of that love. There's a frequent seesawing in the book, a back-and-forth on the big questions that permeates even the simplest narrative. For example, in "Favor," the second section of a five-part poem called "And Fitful Memories of Pan," Phillips sees a man in the distance:      Even from a distance, I can tell:       a man, clearly.       Gods cast no shadow. The struggle between man and God, between flesh and faith, is hinted at in the first stanza. Man, for Phillips, is an instrument of struggle, a tortured wanderer. The poem continues:      Also, that he tires,       stops to rest, looks like      sleeping, or could use some.       How long he has been,       coming, how long it takes, just      to cross it, the lush      measure that -- all summer -- has      been these well-groomed,       well-fed grounds, the lake      unswum and gleaming, the light      catching, losing      the useless extravagancePhillips basically forms the scene of a man walking into a discussion of man's temporality, the fact that man tires. While what God makes -- "the lake unswum and gleaming" -- needs to make no effort to be beautiful, man exhausts himself just surviving. By the last two stanzas, the speaker concludes that the body must make bets with itself:      Always, the body      wagering --      up, through itself --       Give. What he wants, he shall have.In Phillips's work, man -- though mortal -- still has great power. Man can demand, man can inspire love, and man can pray. In the struggle between man and God, in that constant "wagering," man sometimes wins.&3151;Aviya Kushner

The Growing Season


Carol Lynn Pearson - 1976
    

Indigo


Ellen Bass - 2020
    Whether her subject is oysters, high heels, a pork chop, a beloved dog, or a wife's return to health, Bass pulls us in with exquisite immediacy. Her lush and precisely observed descriptions allow us to feel the sheer primal pleasure of being alive in our own "succulent skin," the pleasure of the gifts of hunger, desire, touch. In this book, joy meets regret, devotion meets dependence, and most importantly, the poet so in love with life and living begins to look for the point where the price of aging overwhelms the rewards of staying alive. Bass is relentless in her advocacy for the little pleasures all around her. Her gaze is both expansive and hyperfocused, celebrating (and eulogizing) each gift as it is given and taken, while also taking stock of the larger arc. She draws the lines between generations, both remembering her parents' lives and deaths and watching her own children grow into the space that she will leave behind. Indigo shows us the beauty of this cycle, while also documenting the deeply human urge to resist change and hang on to the life we have, even as it attempts to slip away.

One Hundred Apocalypses and Other Apocalypses


Lucy Corin - 2013
    An apocalypse might come in the form of the end of a relationship or the end of the world, but what it exposes is the tricky landscape of our longing for a clean slate.Three longer stories are equally visionary: in "Eyes of Dogs," a soldier returns from war and encounters a witch who may in fact be his mother; "Madmen" describes an America where children who reach adolescence choose the madman who will accompany them into adulthood; in "Godzilla versus the Smog Monster,” a teenager is flustered by his older, wilder neighbor while California burns on the other side of the continent.At once mournful and explosively energetic, One Hundred Apocalypses and Other Apocalypses makes manifest the troubled conscience of an uneasy time

Coma Therapy


Eric Victorino - 2007
    Important, so inspiring... Please read this book" -Sonny Moore, Recording Artist "There are very few ways to get inside the mind of a lyricist. One way is through reading their diaries, the other through sleeping with them. Eric's book is the more entertaining of the options. It's a raw look inside the heart and mind of a rock 'n' roll spiritualist whose struggles with love (Chaplin) and versus the world (Keaton) are laid out bare like an exhibitionist on a double-dare." -Mike Shea, Founder, AP Magazine "Coma Therapy" is the sound of a powerful new voice in contemporary American literature. Victorino's brand of punchy prose often draws comparisons to the likes of Charles Bukowski and Hunter S. Thompson. This debut collection of poems and short stories draws a dangerously thin line between the heartwarming and the horrifying... Eric Victorino then mischievously walks that line all the way to the last page. Defiant, triumphant, hopeful and wise.

Thirst


Mary Oliver - 2006
    Grappling with grief at the death of the love of her life and partner of over forty years, the remarkable photographer Molly Malone Cook, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the first time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades. In three stunning long poems, Oliver explores the dimensions and tests the parameters of religious doctrine, asking of being good, for example, "To what purpose? / Hope of Heaven? Not that. But to enter / the other kingdom: grace, and imagination, / and the multiple sympathies: to be as a leaf, a rose,/ a dolphin."