No wonder the Atlanta Journal-Constitution calls her "one of the best in the new generation of Southern writers."

    Fastidiously elegant, and brimming with originality and wit, Sarah Miano's debut novel is both touching and inventive, combining a celebration of snow with the fictional recreation of a relationship.

    Cigar-box style packaging, approximately 8 1/2 X 12 1/2 X 1"

    Defiant, funny and courageously honest, High Tide in Tucson is an engaging and immensely readable collection from one of the most original voices in contemporary literature.'Possessed of an extravagantly gifted narrative voice, Kingsolver blends a fierce and abiding moral vision with benevolent and concise humour. Her medicine is meant for the head, the heart, and the soul.' New York Times Book Review

    Divan of Shah represents an unconscious longing for union within. It is beautifully illustrated and a wonderful amalgamation of some of Shah’s brilliant work filled with the raw emotion of love as if he himself has spilled his heart onto a canvas and has painted love itself. Shah has tapped into the collective unexplored and perhaps his own realm of dreams.The book meticulously presents so many aspects of love in specific detail which harkens one’s appreciation for love even more than before and some examples of love we may have taken for granted. It shows the limitless power and ways love presents itself and how it can change one’s life for the better or worse.This one is a thoughtful collection of poetic lines that invites the reader into the dimension of love, which happens to be the idea of a reflective mirror having no color yet for all colors of the embodiment are reflected back.never make a lady crypearls are not meant to flowlet them reside within celestial eyesfor even paradise unveils its reflectionthrough the radiance of their glow

    He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)

    A rhinoceros suddely apears in a small town, tramping through its peaceful streets. Soon there are two, then three, until the "movement" is universal: a transformation of average citizens into beasts, as they learn to "move with the times." Finally, only one man remains. "I'm the last man left, and I'm staying that way until the end. I'm not capitulating!" Rhinoceros is a commentary on the absurdity of the human condition made tolerable only by self-delusion. It shows us the struggle of the individual to maintain integrity and identity alone in a world where all others have succumbed to the "beauty" of brute force, natural energy and mindlessness.

    It was originally published in 1888 under the title Stories: Oscar Wilde. Some of the short stories within include "The Sphinx Without a Secret," "The Model Millionaire," and stories from the previously-published collections "A House of Pomegranates" and "The Happy Prince and Other Tales." This book is sure to interest Oscar Wilde fans and fans of Victorian literature. OSCAR WILDE (1854-1900) was a celebrated Irish-born playwright, short story writer, poet, and personality in Victorian London. He is best known for his involvement in the aesthetic movement and his only novel, The Picture of Dorian Gray, as well as his many plays, such as Lady Windermere's Fan, The Importance of Being Ernest, A Woman of No Importance, An Ideal Husband, and Salom . During his imprisonment for gross indecency, he wrote De Profundis, and later, The Ballad of Reading Gao.

    They inspired some of the most famous productions and performances in theatrical and film history, and they continue to grip audiences all over the world. Now, in an authoritative two-volume edition, The Library of America collects the plays that define Williams’s extraordinary range and achievement.This first volume begins with the stunning rediscovered plays of Williams’s early career: Spring Storm, a tragedy of provincial longing that prefigures the mood and language of his later work, and Not About Nightingales, a stark prison drama, produced in 1998 to international acclaim, that resounds with the playwright’s outraged idealism. With the autobiographical The Glass Menagerie in 1944, Williams attained what he later called “the catastrophe of success,” a success made all the greater by A Streetcar Named Desire, his most famous play and one of the most influential works of modern American literature.Forging an idiom that uniquely blended lyricism and brutality, a tragic sense of life and a genius for comic observation, he continued to revolutionize the American theater with a series of masterpieces: the poignant and melancholy Summer and Smoke, the light-hearted erotic comedy The Rose Tattoo, the sprawling and surrealistic Camino Real, and Cat on a Hot Tin Roof, the Pulitzer Prize–winning portrayal of a ruthless family struggle. This volume also contains Battle of Angels (an early version of Orpheus Descending), and a selection of Williams’s one-act plays, including 27 Wagons Full of Cotton, The Property Is Condemned, and I Rise in Flame, Cried the Phoenix, a meditation on the life and work of D. H. Lawrence.This edition includes a newly researched chronology of Tennessee Williams’s life, explanatory notes (including cast lists of many of the original productions), and an essay on the texts.This volume is edited by Mel Gussow (1933–2005), who was a drama critic, a cultural writer at The New York Times, and author of several books, including Edward Albee: A Singular Journey, and by Kenneth Holditch, professor emeritus at the University of New Orleans, editor since 1989 of the Tennessee Williams Journal, and the author of In Old New Orleans.--front flap

    The thorn was shimmering as he knelt before it. Whispering directly to the roots of the tree, Man Donaghy said, “I want you to take Wife Donaghy.”’ Jane Talbot’s seven bewitching tales will draw you into a world of fairy tales and magick, a world of devilish debts, trysts and trades, of broken bargains and unjust trials, of quick-wittedness, of hoodwinking, of revenge. A dark, tender, dazzling collection that will make you remember why you love stories. The stories in this collection follow many conventions associated with traditional, oral storytelling. For this reason, as well as enjoying the stories in the privacy of your own head, you might also find that they’re even better when read aloud and shared with others.

    Adult readers only!

    Lured by her new playboy husband, the beautiful, trusting woman leaves her close-knit and caring family in Cuba to follow him to Spain. Once there, he reveals his true—and violent—nature, and Billie chooses the dangers of the street over the abuses of the man she once loved. Soon she finds herself with trouble to spare and nowhere to turn, but when her voice lands her a spot at the Havana Jazz Club, she discovers a new, unconventional family in a city far from the one she left behind. And with every high note and heartbreak, Billie skirts destiny to write her own song.

    In these stories Highsmith is at her most scathing as she draws out the mystery and menace of her once ordinary subject.

    When he meets golden-haired Edna in a train carriage, however, his world changes forever. But the intensity of their feelings threatens their innocence, and Edna knows she is too young to leave her childhood behind.

    It has been produced and taught all over the world. Its companion play, The Destiny of Me, is the stirring story of an AIDS activist forced to put his life in the hands of the very doctor he has been denouncing.