Fiona Wright is a highly regarded poet and critic, and her account of her illness is informed by a keen sense of its contradictions and deceptions, and by an awareness of the empowering effects of hunger, which is unsparing in its consideration of the author’s own actions and motivations. The essays offer perspectives on the eating disorder at different stages in Wright’s life, at university, where she finds herself in a radically different social world to the one she grew up in, in Sri Lanka as a fledgling journalist, in Germany as a young writer, in her hospital treatments back in Sydney. They combine research, travel writing, memoir, and literary discussions of how writers like Christina Stead, Carmel Bird, Tim Winton, John Berryman and Louise Glück deal with anorexia and addiction; together with accounts of family life, and detailed and humorous views of hunger-induced situations of the kind that are so compelling in Wright’s poetry.

    Until one day, aged 18, she went on a diet. That didn’t stop. Then couldn’t stop. That trapped her in ‘a secret world of eating-related happiness and unhappiness’. And saw her weight swiftly drop to below six stone. A grippingly honest account of life with anorexia nervosa, Thin is Grace’s heartbreaking, shocking and, finally, inspirational story. A memoir that is in part insider’s exposé and in part survivor’s testimony, it explains the struggle for self-discovery, and chronicles the devastating battles waged for control over mind and body. Breaking secrets, Grace shatters the myths surrounding this widely misunderstood illness, helping those bound within the rules of anorexia to find a way out, and those on the outside to understand more.Thin also has resonance beyond the world of eating disorders. For in daring to tell the truth, Grace reveals her extraordinary story to be a common one, reflected in the shape of many of our lives. She draws on the universal themes of female self-image and self-determination, which have inspired such classics as The Bell Jar and A Room of One’s Own, to shatter the myths surrounding anorexia. And the powerful insights she brings to overcoming addiction make this an invaluable narrative for all those looking to find hope and renewal in the acceptance of change and growth.Thin is the most eloquent account of anorexia yet.

    Haunted by her love-deprived relationship with her late father, this once strong role model and medical student is gripped by anorexia. Holly, a track star, struggles to keep her own life in balance while coping with the mental and physical deterioration of her beloved sister. Together, they can feel themselves slipping and are holding on for dear life.  This honest look at the special bond between sisters is told from the perspective of both girls, as they alternate narrating each chapter.  Gritty and often wryly funny, Skinny explores family relationships, love, pain, and the hunger for acceptance that drives all of us.

    But seventeen-year-old Rosemary Norton knew better. She wasn't sick; the doctor and her parents were only worryworts. Jason, who said he loved her, was just like the rest of the boys; all he cared about was her looks. And Trudy and her other so-called friends at school were simply jealous, because Rosemary alone had the willpower to diet and exercise to the limit.Rosemary had never looked or felt better. she was paper-thin and brimming with energy. And she was smart- smart enough to get around the doctor's threats to put her in the hospital; to trick her parents into thinking she was eating; to beat the enemies who would like to see her fat. Rosemary thought she was smart enough to beat them all...but she didn't know she was on the brink of destroying herself.Goodbye, Paper Doll

    16-year-old Wes McCoy is not the favorite child.He does not have a wrestling scholarship to Stanford nor does he live up to the family legacy as an athlete, unlike his brother, Jason. But when Jason dies in a car accident on the way to the state high school wrestling championship, Wes turns to food to give him the control over his life he didn’t have before-- the kind of success he never tasted.Wes must take back control from his eating disorder as he learns more about himself and the mystery surrounding Jason’s accident, before he loses his life and those closest to him.

    Skin Game employs clear language and candid reflection to grant general readers as well as students an uncensored profile of a complex and unsettling disorder. "[This] mesmeric memoir examines the obsession with cutting that is believed to afflict somewhere around two million Americans, nearly all of them female," Francine Prose noted in Elle. "[Kettlewell's] language soars and its intensity deepens whenever she is recalling the lost joys and the thrilling sensation of sharp steel against her tender skin."

    Go thee out unto the world.”Lisabeth Lewis has a black steed, a set of scales, and a new job: she’s been appointed Famine. How will an anorexic seventeen-year-old girl from the suburbs fare as one of the Four Horsemen of the Apocalypse?Traveling the world on her steed gives Lisa freedom from her troubles at home: her constant battle with hunger, and her struggle to hide it from the people who care about her. But being Famine forces her to go places where hunger is a painful part of everyday life, and to face the horrifying effects of her phenomenal power. Can Lisa find a way to harness that power — and the courage to battle her own inner demons?

     What would you be prepared to do to have everything you ever wanted? How far would you go and where would you draw the line? These are the questions facing John Kennedy in Drug Gang, as he arrives in Manchester in the summer of 2001 and finds the sinister but exciting world of The Brotherhood. If he is prepared to sell drugs, risk his life and commit vicious acts without limits, a life of luxury and huge sums of money can be his. As events spiral out of control, are the money and the glamorous lifestyle enough to keep him locked in a destructive cycle of cruelty and violence?

    Maybe that’s why it doesn’t hurt when she presses hard enough to begin bleeding: it doesn’t hurt, because she’s not real anymore.Sethie Weiss is hungry, a mean, angry kind of hunger that feels like a piece of glass in her belly. She’s managed to get down to 111 pounds and knows that with a little more hard work—a few more meals skipped, a few more snacks vomited away—she can force the number on the scale even lower. She will work on her body the same way she worked to get her perfect grades, to finish her college applications early, to get her first kiss from Shaw, the boy she loves, the boy who isn’t quite her boyfriend.Sethie will not allow herself one slip, not one bad day, not one break in concentration. Her body is there for her to work on when everything and everyone else—her best friend, her schoolwork, and Shaw—are gone.

    So why does she binge eat and then stick her fingers down her throat several times a day? That’s what the doctors and psychiatrists at Golden Slopes hope to help her discover. But first Janie must survive everyday conflicts between the Barfers and the Starvers, attempts by the head psychiatrist to fish painful memories out of her emotional waters, and shifting friendships and alliances among the kids in the ward.

    But that was before. Now things are rough at home, and they're getting confusing at school. He's losing his sense of direction, and he feels like he's a mess. Then there's a voice in his head. A friend, who's trying to help him get control again. More than that—the voice can guide him to become faster and stronger than he was before, to rid his life of everything that's holding him back. To figure out who he is again. If only Mike will listen.

    Alyssa became leader of the shallowest girls in school while Janelle got involved in activism with new, true friends.But, suddenly, Alyssa's diabetes becomes the talk of the school. It's turned life-threatening; without a kidney transplant, her chances are not good. Despite reservations, Janelle gets tested and finds that she's a rare, perfect match with Alyssa for a transplant. But organ donations aren't very common in her community, and she starts to feel pushback. When feuds and accusations push the girls further apart, Janelle doesn't know what to do. Will the match bring the girls back together, or drive them apart for good?

    It is like having a monster inside of her, one that not only dictates what she can eat, but also causes anxiety, depression, and thoughts that she doesn’t want to have. When she falls crazy-mad in love with Ben, she hides her disorder from him, pretending that she’s fine. At first, everything really does feel like it’s getting better with him around, so she stops taking her anxiety and depression medication. And that's when the monster really takes over her life. Just as everything seems lost and hopeless, Pea finds in her family, and in Ben, the support and strength she needs to learn that her eating disorder doesn’t have to control her.

    But then Cassie suffers the ultimate loss—her life—and Lia is left behind, haunted by her friend's memory, and feeling guilty for not being able to help save her.In her most powerfully moving novel since Speak, award-winning author, Laurie Halse Anderson explores Lia's struggle, her painful path to recovery, and her desperate attempts to hold on to the most important thing of all—hope.

    Sherry Shahan's SKIN AND BONES, pitched as ONE FLEW OVER THE CUCKOO'S NEST meets LOVE STORY set in an eating disorder hospital in which an aspiring ballerina and a quirky nerdboy fall desperately in love only to become each other's next deadly addiction, to Wendy McClure at Albert Whitman