In this emotionally acute debut novel, Michèle Forbes immerses the reader in a colourful tapestry of life. Throughout the book’s care­fully woven story, the bonds of family are tested and forgiveness is made possible through two parents’ indomitable love for their children.An exploration of memory, childhood, illicit love, and loss, Ghost Moth portrays ordinary experiences as portals to rich internal landscapes: a summer fair held by children in a backyard garden exposes the pangs and confusion of a first crush; a lonely tailor who is hired by an amateur theatre production of Bizet’s Carmen puts so much careful attention into the creation of a costume for his lover that it’s as if his desire for her can be seen sewn into the fabric. All the while, Northern Ireland moves to the brink of civil war. As Catholic Republicans and Protestant Loyalists clash during the “Troubles,” the lines between private anguish and public outrage disintegrate in this exceptional tale about a family—and country—seeking freedom from ghosts of the past.

    The book's chapters include Advance and Use Our Liberties, Alternative to the Treaty, The Proof of Success, Four Historic Years, Collapse of the Terror, Partition Act's Failure, Why Britain Sought Irish Peace, Distinctive Culture, Building up Ireland, and Freedom within Grasp. Also included are notes by General Michael Collins, 1922.

    The strain of his disappearance breaks his already fragile family.Ten years later, with his mother deceased and siblings scattered across the globe, Adam turns up unannounced at the family home. His siblings return reluctantly to Spanish Cove, but Adam's reappearance poses more questions than answers. The past is a tangled web of deceit.And, as tension builds, it's apparent somebody has planned murderous revenge for the events of ten years ago.

    One Irish family – One hundred turbulent years: 1916 to 2016 Betty O’Fogarty is proud and clever. Spurred on by her belief in her husband Seamus’s talent as a violin-maker and her desire to escape rural life, they elope to Dublin. She expects life there to fulfil all her dreams. To her horror, she discovers that they can only afford to live in the notorious poverty-stricken tenements. Seamus becomes obsessed with republican politics, neglecting his lucrative craft. And, as Dublin is plunged into chaos and turmoil at Easter 1916, Betty gives birth to her first child to the sound of gunfire and shelling. But Betty vows that she will survive war and want, and move her little family out of the tenements.Nothing will stand in her way. One hundred years later, secrets churn their way to the surface and Betty’s grandchildren and great-grandchildren uncover both Betty’s ruthlessness and her unique brand of heroism.

    Now her mother, Alice, is dying and Beth has returned to the shabby grandeur of her childhood home to keep vigil by her bedside.

    In the strangers’ house, she finds a warmth and affection she has not known before and slowly begins to blossom in their care. And then a secret is revealed and suddenly, she realizes how fragile her idyll is.Winner of the Davy Byrnes Memorial Prize, Foster is now published in a revised and expanded version. Beautiful, sad and eerie, it is a story of astonishing emotional depth, showcasing Claire Keegan’s great accomplishment and talent.

    As the Irish people prepare to welcome President John F. Kennedy to the land of his ancestors, a German national is murdered in a seaside guesthouse. Lieutenant Albert Ryan, Directorate of Intelligence, is ordered to investigate. The German is the third foreigner to die within a few days, and Minister for Justice Charles Haughey wants the killing to end lest a shameful secret be exposed: the dead men were all Nazis granted asylum by the Irish government in the years following World War II.A note from the killers is found on the dead German's corpse, addressed to Colonel Otto Skorzeny, Hitler's favorite commando, once called the most dangerous man in Europe. The note simply says: "We are coming for you."As Albert Ryan digs deeper into the case he discovers a network of former Nazis and collaborators, all presided over by Skorzeny from his country estate outside Dublin. When Ryan closes in on the killers, his loyalty is torn between country and conscience. Why must he protect the very people he fought against twenty years before? Ryan learns that Skorzeny might be a dangerous ally, but he is a deadly enemy.

    This was Ireland of the 1970s and 80s before the arrival of the short-lived economic riches of the Celtic Tiger.Dwyer's vivid and colorful prose describes his hard but happy life as part of a isolated but close-knit community:Early school days spent in a building with no running water or electricityAn encounter with a violent sheep that literally turned his world upside downThe days spent cutting the turf and saving the hay by handAn Irish Christmas where nearly everything on the table was sourced from the farmHis exciting family history that brought his relations to the Klondike Gold Rush in CanadaComplemented by a collection of evocative photographs, each story tells of a way of life that has now largely disappeared.Sprinkled with a selection of fitting works by some of Ireland's best-known poets such as Seamus Heaney and Patrick Kavanagh, this gem of a book is a chronicle of the simple but happy life of an Irish farmer boy.

    In a sleepy coastal village south of Dublin, eighteen-year-old Aileen Sweeney meets soldier Niall O’Rourke at a dance, and the spark between them soon ignites a powerful love.But when Niall makes a life-changing and contentious decision, Aileen’s hopes and dreams fall apart. In an instant Niall is transformed from dashing suitor to social outcast, and the fallout leaves each of them navigating the consequences alone. Putting her innocence behind her, Aileen must make her own tough choices—choices that will set the course of the rest of her life.Aileen and Niall have promised to stay true to each other while they’re apart, but in a world at war and where nothing is certain, can their relationship really survive the distance of an ocean?

    

    He is a man who appears to have everything: wealth, a beautiful wife and children, and a prestigious political career in Parliament. But his life lacks passion, and his aching emptiness drives him to an all-consuming, and ultimately catastrophic, relationship with his son’s fiancée.Chilling and brilliant, Damage is a masterpiece—a daring look at the dangers of obsession and the depth of its shattering consequences.

    His relationship is on the rocks, he's hitting the bottle, and his long-lost brother, the amoral Gonzo, is out of prison. Harry investigates the death of a politician's wife - was it the work of an unholy trinity of loyalist gunmen, a rogue Garda and Gonzo?

    In the characters and their circumstances details of Joyce's life are evident. The main character, Richard Rowan, the moody, tormented writer who is at odds with both his wife and the parochial Irish society around him, is clearly a portrait of Joyce himself. The character of Rowan's wife, Bertha, is certainly influenced by Joyce's lover and later wife, Nora Barnacle, with whom he left Ireland and lived a seminomadic existence in Zurich, Rome, Trieste, and Paris. As in real life, the play depicts the couple with a young son and, like Joyce, Rowan has returned to Ireland because of his mother's illness and subsequent death.One can also detect hints of Joyce's interest in Nietzsche in Rowan's flawed pursuit of total individual freedom despite the stifling morals of Irish society. Though wrestling with guilt over his own infidelities, Rowan insists on this personal liberty, not only for himself but for his wife as well, who he knows is tempted by his cousin's amorous overtures.Joyce's decision to express himself in the form of a play no doubt reflects his long admiration of the Norwegian playwright Henrik Ibsen. In the tense dialogue, the largely interior drama focused on the characters' relationships, the undertones of guilt, and the longing for freedom one sees similarities with Ibsen's themes. Also the spare, understated writing style - so unlike Joyce's exuberant, playful, and experimental use of language in his novels - shows the influence of Ibsen's "naked drama" (as Joyce described Ibsen's style in a published review). Above all, Joyce emulated the Scandinavian master in making the central issue of his drama the conflict between individual freedom and a demanding, judgmental society. In Exiles the protagonists struggle with the choice between living in defiance of the rigid conventions of Irish society or exile from their homeland.Though lesser-known, Exiles, written after Portrait of the Artist as a Young Man and while Joyce was working on Ulysses, provides interesting insights into the development of the creative gifts of a literary genius.

    

    She retreats from the city to the beautiful, abandoned olive grove once owned by her Italian grandparents. A 'tree change' isn't what Adrienne has in mind, however, and life in the country delivers some surprises as she confronts the past and learns the secrets of the Olive Sisters . . .Old loves, new loves, warm toast and rich traditions are all part of the delicious blend of this absorbing story.