Haunted by illness and obsessed with death, he moves to Mumbai from his village Udali, breaking away from his feudal roots. He encounters young men frustrated by the system but refuses to become one of them. Suddenly, he takes a fancy to education and pursues masters in Arts, without his family knowing about it.Bidhar is the story of a pessimist who struggles to move on in life.

    Their first encounter is in 1944 at theirworkplace, an office in Senate House, Bloomsbury, London, where Juneworks as a linguist doing “… translation work for a project involving theadaptation of treadle sewing machines to power generation” (p. 135)and Bernard, originally a Cambridge science graduate, has “… a deskjob peripherally connected with the intelligence services.” (p. 135).Two years later, the newly-weds sign up as members of the CommunistParty, leave their jobs and travel to the former battlefields of Europewith the intention of building a new Europe. During their honeymoonthey also spend some time in the south of France where June is(almost) attacked by two huge black dogs. She manages to drive themaway but is deeply frightened. She sees them as an encounter with evil.Nevertheless June really enjoys the countryside of this area and buys ahouse there. Unfortunately, hers andBernard's worldviews are too different to combine and they live moreand more often apart from each other. Their children grow up partly inEngland and partly in France. Whereas June leaves the CommunistParty after a few months, due to the difference between Communistideas and the way these ideas were put into practice, Bernard stays forapproximately 10 years. [...]

    He spent many years there as director of the Italian Cultural Institute in Lisbon. He even wrote Requiem in Portuguese; it had to be translated into Italian for publication in his native Italy.Requiem's narrator has an appointment to meet someone on a quay by the Tagus at twelve. But, it turns out, not twelve noon, twelve midnight, so he has a long time to while away. As the day unfolds, he has many encounters—a young junky, a taxi driver who is not familiar with the streets, several waiters, a gypsy, a cemetery keeper, the mysterious Isabel, an accordionist, in all almost two dozen people both real and illusionary. Finally he meets The Guest, the ghost of the long dead great poet Fernando Pessoa. Part travelog, part autobiography, part fiction, and even a bit of a cookbook, Requiem becomes an homage to a country and its people, and a farewell to the past as the narrator lays claim to a literary forebear who, like himself, is an evasive and many-sided personality.

    

    He is all alone in the airplane, which will crash shortly into the vast Australian outback. Before it does, he will unfold the tale of his journey from an obedient Creedish child and humble domestic servant to an ultra-buffed, steroid- and collagen-packed media messiah, author of a best-selling autobiography, Saved from Salvation, and the even better selling Book of Very Common Prayer (The Prayer to Delay Orgasm, The Prayer to Prevent Hair Loss, The Prayer to Silence Car Alarms). He'll reveal the truth of his tortured romance with the elusive and prescient Fertility Hollis, share his insight that "the only difference between suicide and martyrdom is press coverage," and deny responsibility for the Tender Branson Sensitive Materials Sanitary Landfill, a 20,000-acre repository for the nation's outdated pornography. Among other matters both bizarre and trenchant.Not since Kurt Vonnegut's Mother Night and Jerzy Kosinski's Being There has there been as dark and telling a satire on the wages of fame and the bedrock lunacy of the modern world. Unpredictable, compelling, and unforgettable, Survivor is Chuck Palahniuk at his deadpan peak; and it cements his place as one of the most original writers in fiction today.

    Rich in descriptions of the corruption and decadence of the International Zone in the last days before Moroccan independence, Bowles's second novel is an alternately comic and horrific account of a descent into nihilism.

    Symptoms include:*Acute embarrassment at the mere notion of making a fuss;*Extreme awkwardness when faced with any social greeting beyond a brisk handshake;*An unhealthy preoccupation with meteorology.Doctors have also reported several cases of unnecessary apologising, an obsessive interest in correct queuing etiquette and dramatic sighing in the presence of loud teenagers on public transport. If you have experienced any of these symptoms, you may be suffering from VERY BRITISH PROBLEMS. VERY BRITISH PROBLEMS are highly contagious. There is no known cure.Rob Temple's hilarious new book reveals all the ways in which we are a nation of socially awkward but well-meaning oddballs, struggling to make it through every day without apologising to an inanimate object. Take comfort in misfortunes of others. You are not alone.

    This remarkable volume gathers all of his work, from his earliest poems (published only in journals) through the ground-breaking volumes Crow (1970), Gaudete(1977), and Tales from Ovid (1997). It includes poems Hughes composed for fine-press printers, poems he wrote as England's Poet Laureate, and the children's poems that he meant for adults as well. This omnium-gatherum of Hughes's poetry is animated throughout by a voice that, as Seamus Heaney remarked, was simply "longer and deeper and rougher" than those of his contemporaries.

    he see the importance of taking time out to smell the roses, and the benefits of going offline for a day to get back in touch with the real world.So follow in Llama's hoof-steps and you'll soon be on the fast track to finding your own inner zen ... or slow track, you know, no rush.

    Rock Springs is a masterpiece of taut narration, cleanly chiseled prose, and empathy so generous that it feels like a kind of grace.

    The essays were written during a difficult time in Twain's life; he was deep in debt and had lost his wife and one of his daughters. The book consists of a series of short stories, many of which deal with God and Christianity. Twain penned a series of letters from the point-of-view of a dejected angel on Earth. This title story consists of letters written by the archangel Satan to archangels, Gabriel and Michael, about his observations on the curious proceedings of earthly life and the nature of man's religions. By analyzing the idea of heaven and God that is widely accepted by those who believe in both, Twain is able to take the silliness that is present and study it with the common sense that is absent. Not so much an attack as much as a cold dissection. Other short stories in the book include a bedtime story about a family of cats Twain wrote for his daughters, and an essay explaining why an anaconda is morally superior to Man. Twain's writings in Letters From the Earth find him at perhaps his most quizzical and questioning state ever.

    Some call it morality. Others call it religion. But Bros in the know call this holy grail the Bro Code.Historically a spoken tradition passed from one generation to the next, the official code of conduct for Bros appears here in its published form for the first time ever. By upholding the tenets of this sacred and legendary document, any dude can learn to achieve Bro-dom.

    'Where I'm Calling From', his last collection, encompasses classic stories from 'Cathedral', 'What We Talk About When We Talk About Love' and earlier Carver volumes, along with seven new works previosly unpublished in book form. Together, these 37 stories give us a superb overview of Carver's life work and show us why he was so widely imitated but never equaled.

    D. Salinger's novel, The Catcher in the Rye celebrated its fiftieth anniversary of publication in 2001. The Catcher in the Rye: New Essays presents a variety of new approaches to this extremely popular and intensely influential novel, ranging from the examination of the intertextual relationship between The Catcher in the Rye and Cormac McCarthy's All the Pretty Horses, to the evaluation of Salinger's mythic place in American film and popular culture, to the interrogation of what it means for a reader to claim that a novel such as The Catcher in the Rye has changed his or her life. These essays provide new commentary and new insights, and demonstrate the continuing relevance of Salinger, The Catcher in the Rye, and Holden Caulfield to American culture and literature and, in turn, to American cultural and literary studies.

    The dreams and disappointments of the children of the author's magnificent imagination foreshadow the themes of Miss Smilla's Feeling for Snow and Borderliners