Gifted with water magic since she was a child, Reina is devoted to the benevolent traditions of her ancestors.After a ritual slaying in the French Quarter, police arrest a fellow vodouisant. Detective Roman Frost, Reina’s ex-boyfriend—a fierce nonbeliever—is eager to tie the crime, and half a dozen others, to the Vodou practitioners of New Orleans. Reina resolves to find the real killer and defend the Vodou practice and customs, but the motives behind the murder are deeper and darker than she imagines.As Reina delves into the city’s shadows, she untangles more than just the truth behind a devious crime. It’s a conspiracy. As a killer wields dangerous magic to thwart Reina’s investigation, she must tap into the strength of her own power and faith to solve a mystery that threatens to destroy her entire way of life.

    Inlanders may be skeptical regarding the sometimes miraculous, often horror-filled tales that make up coastal folklore, but Outer Bankers accept the incredible as fact.The phenomena of the Outer Banks range from phosphorescent lights appearing and disappearing over Pamlico Sound to the strange fate of a crewless ship marooned on deadly Diamond Shoals. Legendary heroes such as Captain Jim Baum Gaskill are often truly heroic.. or they may be scurrilous, like Old Quork and Blackbeard. But they all loom larger than life, with deeds and personalities unique to coastal Carolina. But this book is more than a collection of coastal legends. It is an affectionate portrait of the people who daily pull a living out of the treacherous waters of the Atlantic... and a tribute to the hardiness and courage that has made the Banker a rare breed... a breed whose true stories are, indeed, stranger than fiction.

    What he discovers is unimaginable: a deadly vendetta against the Catholic Church by a centuries-old underground organization -- the Illuminati. In a desperate race to save the Vatican from a powerful time bomb, Langdon joins forces in Rome with the beautiful and mysterious scientist Vittoria Vetra. Together they embark on a frantic hunt through sealed crypts, dangerous catacombs, and deserted cathedrals, and into the depths of the most secretive vault on earth...the long-forgotten Illuminati lair.(back cover)

    He first appeared in Dragonfly in Amber as a sixteen-year-old English camp tag-along/soldier who chanced upon Jamie and Claire Fraser on the eve of the battle of Prestonpans. He made subsequent appearances in Voyager, Drums of Autumn, A Breath of Snow and Ashes and An Echo in the Bone, and showed up through a series of letters to Jamie and his family in The Fiery Cross. Grey is usually described as short (about five six), slight and good-looking, with fine-boned features. He had blond hair, "large, beautiful" blue eyes and a "beautiful" mouth. Grey's background changed as the Outlander series progressed. For example, his father was only an earl in Dragonfly in Amber, but by the time John Grey's own series appeared, his father had become a duke. The following is the description of John Grey's background collected from the more recent books, consisting mostly of Lord John Grey series. Born around June 1729, John William Grey was the second child of the Duke and Duchess of Pardloe, Gerard and Benedicta Grey. The couple's first child is John's elder brother, Harold. In addition to Harold, John had two other siblings -- half brothers from his mother's earlier marriage to Captain DeVane -- Paul and Edgar DeVane. John's godfather immediately enrolled John into the Beefsteak Club after his birth

    Her skills with people, information, and technology make her the perfect new intern at megacorp Three Eleven, the company which covertly controls the world in an alternate 1985. Could this be because this is not her first lifetime? Or even her second? Or does it have more to do with the strange sequence of DNA in her cells?Find out what makes Adya tick as she and a group of elite scientists strive to prevent a global disaster.

    A dark ritual turns a woman obsessed with supernatural powers against the people who love her most. A possessed TV proves that old B-Movie monsters can still terrify an unsuspecting audience…Scare Street’s roster of authors brings you eleven new tales of supernatural horror, in one blood-chilling volume. This macabre collection of short stories is guaranteed to get your pulse racing, and send shivers down your spine.Each deliciously dark tale will haunt your dreams, and keep you reading long past the witching hour. But wait…What was that noise? Did something move in the shadows?Just keep telling yourself… it’s only a story.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    . . someone you don't know. Would you still push the button?"Button, Button," Richard Matheson's chilling tale of greed and temptation, is now the basis of The Box, the new film from the director of Donnie Darko. In addition, this outstanding collection also contains many other unforgettable stories by Matheson, the award-winning author of I Am Legend and What Dreams May Come."The inventive plots and spare but convincing portraits of ordinary men and women caught up in forces beyond their control demonstrate why Stephen King has called Matheson his most significant influence."--Publishers Weekly

    Suddenly a vortex in time and space sends you back thousands of years to a desert kingdom of glittering splendor. Your body has merged with that of a scheming, beautiful priestess, yet your sensibilities, your intelligence, your terror remains that of a modern woman who is trying to get back home, trying, in this place of strangeness and wonder, to stay alive...Rich in sensuality and authenticity, imbued with a mesmerizing "you are there" quality, J. Suzanne Frank's wonderful series makes its highly acclaimed debut. Set in the decadent Egypt of the woman pharaoh Hatshepsut, this stunning novel portrays Dallas artist Chloe Kingsley on an unforgettable journey. A twist in time has plunged her into a world of deadly politics and dark secrets that culminates with the chaos and terror of the biblical Exodus ... and challenges a modern woman to fight for her love, her beliefs, and her true destiny.

    He is the author of such classics as Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes. Bradbury has once again pulled together a stellar group of stories sure to delight readers young and old, old and new. In One More For The Road we are treated to the best this talented writer has to offer : the eerie and strange, nostalgic and bittersweet, searching and speculative. Here are a father's regrets, a lover's last embrace, a child's dreams of the future 栬l delivered with the trademark Bradbury wit and style.First day --Heart transplant --Quid pro quo --After the ball --In memoriam --Tete-a-tete --Dragon danced at midnight --Nineteenth --Beasts --Autumn afternoon --Where all is emptiness there is room to move --One-woman show --Laurel and Hardy alpha centauri farewell tour --Leftovers --One more for the road --Tangerine --With smiles as wide as summer --Time intervening --Enemy in the wheat --Fore! --My son, Max --F. Scott/Tolstoy/Ahab accumulator --Well, what do you have to say for yourself? --Diane de Foret --Cricket on the hearth --Afterword: Metaphors, the breakfast of champions

    For almost three years, the Federation and the Klingon Empire, allied under the Khitomer Accords, have contended with the nascent coalition on a predominantly cold-war footing. But as Starfleet rebuilds itself, factions within the Typhon Pact grow restive, concerned about their own inability to develop a quantum slipstream drive to match that of the Federation. Will leaders such as UFP President Bacco and RSE Praetor Kamemor bring about a lasting peace across the Alpha and Beta Quadrants, or will the cold war between the two alliances deepen, and perhaps even lead to an all-out shooting war? Raise the Dawn After the disastrous events in the Bajoran system, Captain Benjamin Sisko must confront the consequences of the recent choices he has made in his life. At the same time, the United Federation of Planets and its Khitomer Accords allies have come to the brink of war with the Typhon Pact. While factions within the Pact unsuccessfully used the recent gestures of goodwill—the opening of borders and a joint Federation-Romulan exploratory mission—to develop quantum-slipstream drive, they have not given up their goals. Employing a broad range of assets, from Romulus to Cardassia, from Ab-Tzenketh to Bajor, they embark on a dangerous new plan to acquire the technology they need to take control of the Alpha and Beta Quadrants. While UFP President Bacco and Romulan Praetor Kamemor work feverishly to reestablish peace, Captains Sisko, Jean-Luc Picard, and Ro Laren stand on the front lines of the conflict...even as a new danger threatens the Bajoran wormhole as it once more becomes a flashpoint of galactic history. Brinkmanship The Venette Convention has always remained independent, but it is about to become the flashpoint for a tense military standoff between the two power blocs now dominating interstellar space—the United Federation of Planets and the recently formed Typhon Pact. The Venetan government turns to the Typhon Pact’s Tzenkethi Coalition for protection in the new order, and has agreed to allow three of their supply bases for Tzenkethi use. But these bases—if militarized—would put Tzenkethi weapons unacceptably close to Federation, Cardassian, and Ferengi space. While Captain Ezri Dax and the crew of the U.S.S. Aventine are sent to investigate exactly what is happening at one of the Venette bases, Captain Jean-Luc Picard and the U.S.S. Enterprise are assigned to a diplomatic mission sent to the Venette homeworld in order to broker a mutually acceptable resolution. But the Cardassian delegates don’t seem particularly keen on using diplomacy to resolve the situation, which soon spirals out of control toward all-out war. . .

    Any bounty hunter worth the title knows three rules:Collect half the money up front.Never get emotionally attached.Don’t ask nosy questions.But with a heart of gold and her companion Kubu by her side, Esper sets out to make the galaxy a better place, preferably making enough money to pay for the fuel to get from one job to the next. But just because she’s not cut out to be ruthless doesn’t mean the galaxy is going to eat her alive.After all, Esper is also a wizard.Mission 1: Wayward SaintA runaway teen needs protection and Esper takes the job. But a simple rescue and recovery turns ugly when Esper finds herself in the middle of a custody battle with a vicious pirate who’s hired a bounty hunter of his own.Mission 2: Behind Blue SkiesOn the run from troubles of her own, Esper tries to lie low on a suspiciously Utopian colony planet. Unable to keep out of other people’s troubles, Esper gets a terrifying look into justice on a world where truth is a matter of who you know.Mission 3: House of the Orion SunEsper’s mission to protect the galaxy’s most vulnerable takes a turn for the seedy when she tracks a trafficking victim. How long can she hold out when her morals are tested at every turn?Mission 4: Break the ChainEsper’s own dark past catches up with her when bounty-hunting wizards corner her. Esper has faced down the galaxy’s worst criminals. Now, she’s going to be forced to stand up to one of the galaxy’s most esteemed institutions—Convocation of Arcane Practitioners.

    She has a good life as a music teacher now, and might rekindle her relationship with her one true love. However, the number 314 haunts her, and threatens to bring her back to the day that her brother disappeared. When a reporter shows up, just days before March 14th, Alma realizes that her past is coming back to haunt her. What happened on March 14th, at 3:14, 16 years ago? No one but The Skeleton Man can remember.

    Paul Wilson.Medical examiner Laura Hanning has two charred corpses and no answers. Both bear a mysterious tattoo but exhibit no known cause of death. Their only connection to one another is a string of puzzling miracle cures. Her preliminary investigation points to a cult that possesses the fabled panacea--the substance that can cure all ills--but that's impossible.Laura finds herself enmeshed in an ancient conflict between the secretive keepers of the panacea and the equally secretive and far more deadly group known only as 536, a brotherhood that fervently believes God intended for humanity to suffer, not be cured. Laura doesn't believe in the panacea, but that doesn't prevent the agents of 536 from trying to kill her.A reclusive, terminally ill billionaire hires Laura to research the possibility that such a cure exists. The billionaire's own body guard, Rick Hayden, a mercenary who isn't who he pretends to be, has to keep her alive as they race to find the legendary panacea before the agents of 536 can destroy it.

    At 21, her age and her unladylike interest in automatons have sealed her fate as an undesirable marriage prospect. But a devastating plague sends Alice off in a direction beyond the pale—towards a clandestine organization, mad inventors, life-altering secrets, and into the arms of an intrepid fiddle-playing airship pilot.