Eliot himself wished to preserve than this volume, published two years before his death in 1965.Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes his verse from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as 'The Waste Land' and 'Old Possum's Book of Practical Cats'.

    

    When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript—including handwritten notes—and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever.

    . . I love you too", Robert Browning wrote in January 1845, thus initiating the most celebrated literary correspondence of the 19th century. For the next 12 months, he and Elizabeth Barrett exchanged letters and confidences. In this elegant format, the delicate interplay between the poems and the lovers' letters become vividly apparent.Elizabeth Barrett Browning was a prolific writer and reviewer in the Victorian period, and in her lifetime, her reputation as a poet was at least as great as that of her husband, poet Robert Browning. Some of her poetry has been noted in recent years for strong feminist themes, but the poems for which Elizabeth Barrett Browning is undoubtedly best know are Sonnets from the Portuguese.Written for Robert Browning, who had affectionately nicknamed her his "little Portuguese," the sequence is a celebration of marriage, and of one of the most famous romances of the nineteenth century. Recognized for their Victorian tradition and discipline, these are some of the most passionate and memorable love poems in the English language. There are forty-four poems in the collection, including the very beautiful sonnet, "How do I love thee? Let me count the ways."

    They ring with the unmistakable clarity of genius, with majesty of language, splendor and wealth of detail, and with the deep conviction of a powerful mind. Milton's masterpieces reflect the light of a many-faceted tradition; the intellectual freedom of Greek classicism, the moral passion of Hebrew prophets, the Protestant sense of an abiding religious belief.Here is the ageless art, vital throughout the centuries, of the Puritan who undertook to "explain the ways of God to man."The new annotations for this Mentor edition include the more interesting textual variations of the poems; and record, for the first time in any edition, the far-flung repetitions of phrases, and the scattered fixed epithets, within (and between) Paradise Lost and Samson Agonistes.

    Tennyson's beautiful and enigmatic poem of unrequited love, set in Arthurian England, has enthralled artists for well over a century. With her luminous illustrations, Genevi?ve C?t? weaves a refreshingly modern interpretation of this beloved poem -- one that will enchant readers of all ages.' to 'This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    Poems: Whitman contains forty-two of the American master's poems, including "Crossing Brooklyn Ferry," "Song of Myself," "I Hear America Singing," "Halcyon Days," and an index of first lines.

    Though he earned his central place in our culture as an essayist and philosopher, since his death his reputation as a poet has grown as well.Known for challenging traditional thought and for his faith in the individual, Emerson was the chief spokesman for the Transcendentalist movement. His poems speak to his most passionately held belief: that external authority should be disregarded in favor of one’s own experience. From the embattled farmers who “fired the shot heard round the world” in the stirring “Concord Hymn,” to the flower in “The Rhodora,” whose existence demonstrates “that if eyes were made for seeing, / Then Beauty is its own excuse for being,” Emerson celebrates the existence of the sublime in the human and in nature. Combining intensity of feeling with his famous idealism, Emerson’s poems reveal a moving, more intimate side of the man revered as the Sage of Concord.

    In this compelling poetic form, he sought to reveal his subjects' true natures in their own, often self-justifying, accounts of their lives and affairs. A number of these vivid monologues, including the famed "Fra Lippo Lippi," "How It Strikes a Contemporary," and "The Bishop Orders His Tomb at Saint Praxed's Church," are included in this selection of forty-two poems.Here, too, are the famous "My Last Duchess," dramatic lyrics such as "Memorabilia" and "Love among the Ruins," and well-known shorter works: "The Pied Piper of Hamelin," "Home-Thoughts, from Abroad," "Soliloquy of the Spanish Cloister," and more. Together these poems reveal Browning's rare gifts as both a lyric poet and a monologist of rare psychological insight and dramatic flair.

    

    Born in 1759 into miserable rustic poverty, by the age of eighteen Burns had acquired a good knowledge of both classical and English literature.In June 1786 his first collection of verse, Poems Chiefly in the Scottish Dialect, which included 'To a Mouse' and 'The Cotter's Saturday Night', was greeted with huge acclaim by all classes of society. His later poems and ballads include 'Auld Lang Syne', the beautiful song 'My Love is like a Red Red Rose', 'Highland Mary', 'Scots Wha Hae' and his masterpiece, 'Tam o'Shanter'.

     It's you I love, perfect man, Greek God, my own; but I know you'll go, betray me, strayfrom home.So better by far for me if you were stone.—from "Medusa"Stunningly original and haunting, the voices of Mrs. Midas, Queen Kong, and Frau Freud, to say nothing of the Devil's Wife herself, startle us with their wit, imagination, and incisiveness in this collection of poems written from the perspectives of the wives, sisters, or girlfriends of famous—and infamous—male personages. Carol Ann Duffy is a master at drawing on myth and history, then subverting them in a vivid and surprising way to create poems that have the pull of the past and the crack of the contemporary.

    Thomas Hardy started composing poetry in the heyday of Tennyson and Browning. He was still writing with unimpaired power sixty years later, when Eliot and Yeats were the leading names in the field. His extraordinary stamina and a consistent individuality of style and vision made him a survivor, immune to literary fashion. At the start of the twenty-first century his reputation stands higher than it ever did, even in his own lifetime. He is now recognised not only as a great poet, but as one who is widely loved. He speaks with directness, humanity and humour to scholarly or ordinary readers alike.

    H. Auden’s Selected Poems adds twenty poems to the hundred in the original edition, broadening its focus to better reflect the enormous wealth of form, rhetoric, tone and content in Auden’s work. Newly included are such favorites as “Funeral Blues” and other works that represent Auden’s lighter, comic side, giving a fuller picture of the range of his genius. Also new are brief notes explaining references that may have become obscure to younger generations of readers and a revised introduction that draws on recent additions to knowledge about Auden.As in the original edition, the new Selected Poems makes available the preferred original versions of some thirty poems that Auden revised later in life, making it the best source for enjoying the many facets of Auden’s art in one volume.

    It still startles, and is just as iconoclastic as ever.These poems occupy all at once the intimate, the political, and the mythic. Here Atwood makes us realize that we may think our own personal dichotomies are unique, but really they are multiple, universal. Clear, direct, wry, unrelenting -- Atwood's poetic powers are honed to perfection in this important early work.