Any animal with sense avoids the spot,' warns Sammy's mother. But Sammy is curious - about the Field, and about his father, the fierce, wild father he's never met. Then one day Sammy discovers that his father has returned. And determined to track him down, Sammy sets off towards the strange, wild land of Quatermile Field - and into a very different and dangerous world . . .

    The Norwegian folktales, said Jacob Grimm, "surpass nearly all others."Within these captivating tales we meet witches, trolls, and ogres; sly foxes and great, mysterious bears; beautiful princesses and country-lads-turned-heroes. Collected here in a sparkling contemporary translation by Pat Shaw Iversen and Carl Norman, these tales brim with the matchless vitality and power of their original telling. Included also are the wonderfully evocative original illustrations of Erik Werenskiold and Theodor Kittelsen.

    A strange boy with red hair leads a birthday-girl and her companions on a hunt for the wishing tree which brings them many suprising and magical adventures.

    Suitable for ages 4 to 8 years, this work is illustrated so that the child easily understands the story.

    Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." The Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:Selections from Miller's writings on his most frequently performed playEssays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documentsReviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and othersExcerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd SchulbergCritical essays on the play, on Miller, and on the play in the context of Miller's oeuvreAn introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography

    It combines a poet's translation with a scholar's introduction and notes." "Among surviving Greek tragedies only Euripides' Trojan Women shows us the extinction of a whole city, an entire people. Despite its grim theme, or more likely because of the centrality of that theme to the deepest fears of our own age, this is one of the relatively few Greek tragedies that regularly finds its way to the stage. Here the power of Euripides' theatrical and moral imagination speaks clearly across the twenty-five centuries that separate our world from his." The theme is really a double one: the suffering of the victims of war, exemplified by the woman who survive the fall of Troy, and the degradation of the victors, shown by the Greeks' reckless and ultimately self-destructive behavior. It offers an enduring picture of human fortitude in the midst of despair. Trojan Women gains special relevance, of course, in times of war. It presents a particularly intense account of human suffering and uncertainty, but one that is also rooted in considerations of power and policy, morality and expedience. Furthermore, the seductions of power and the dangers both of its exercise and of resistance to it as portrayed in Trojan Women are not simply philosophical or rhetorical gambits but part of the lived experience of Euripides' day.

    The collection contains Stevenson's first published fiction, and a few of the stories are considered by some critics to be his best work, as well as pioneering works in the English short story tradition.The title is an allusion to the collection of tales known as the One Thousand and One Nights, which Stevenson had read and liked. Although Stevenson's stories were set in modern Europe, he was stylistically drawing a connection to the nested structure of the Arabian tales.New Arabian Nights is divided into two volumes.Volume 1 - The first volume contains seven stories originally called Later-day Arabian Nights and published by London Magazine in serial format from June to October 1878. It is composed of two story groups, or cycles:The Suicide ClubThe Rajah's DiamondVolume 2 - The second volume is a collection of four unconnected (standalone) stories that were previously published in magazines:The Pavilion on the Links (1880), told in 9 mini-chaptersA Lodging for the Night (1877)The Sire De Malétroits Door (1877)"Providence and the Guitar (1878)

    Demeter rules over a perpetual summer on earth, where crops, trees, and flowers grow in abundance. Persephone, young and beautiful, unknowingly attracts the attention of the lonely god of the Underworld, Hades. Hades kidnaps Persephone, and a frantic Demeter searches in vain for her daughter. Finally, Demeter retreats to her temple in mourning. The goddess's sorrow causes the crops to die and the ground to freeze. The first winter falls over Greece. As people begin to starve, the other Olympian gods and goddesses try to convince Demeter to accept a marriage between Persephone and Hades. But Demeter will not give up her daughter forever to the Underworld. Finally a compromise is struck: Persephone will stay with Hades for half a year (winter). When she comes back from the Underworld to spend half a year with her mother, spring returns to earth.

    Sure, his room's big enough, and he doesn't have to share a bathroom with his older sister... but he just can't shake the feeling that the previous owner hasn't moved out yet! But, being a fan of horror comic books, Peter actually starts to think it's cool living in a haunted house. Not only that, the ghost actually starts to like Peter! But... does it like Peter too much? So much that it wants to keep him trapped in the house... forever?!If you like Goosebumps or a light take on Tales from the Crypt, you'll love The Boy Who Cried Ghost! From the writer of My Best Friend Is a Secret Agent, this middle grade chapter book is a scary-fun mystery full of chills and thrills for any reader - children, tweens, teens... and beyond! This funny haunted house horror story is the first in the Ghost Town Mystery series, so if you like it, there's more to come!(Don't forget to look for the surprise after Chapter 1!)

    The stories recounts the life of times of the hero Domrudhar in colonial India. The protagonist Domrudhar is portrayed as a dishonest man who rises from a lowly shop-assistant to a land owner.

    

    five short novels in The World of Tiers series: 1-The Maker of the Universe; 2-the Gates of Creation; 3-A Private Cosmos; 4-Behind the Walls of Terra; 5-The Lavalite World.

    If it had come down on any other patch of ground Finn would simply have been another statistic. Death by dangerous driving. But the car hit the surface of the Earth at Exit 43. It slid through the membrane like a hot knife through butter, plunging into the darkness and catapulting Finn from its shattered windscreen as it fell. Finn Oliver knows he'll never come to terms with his father's death, but joy-riding over the moors in his mum's beat-up old car is a quick fix of freedom and forgetting. Until the accident happens - and Finn finds himself hurtling through the wafer-thin divide between the worlds of the living and the dead. Adventurous, charming and poignant by turns, "The Boy Who Fell Down Exit 43" is a quirky debut novel laced with humour and a dollop of magic.

    Includes alphabetical lists of titles and first lines.

    Taylor took John Bunyan's Pilgrim'sProgress and simplified the vocabulary and concepts for young readers, whilekeeping the storyline intact. The result was a classic in itself, which has nowsold over 600,000 copies. It's both a simple adventure story and a profound allegoryof the Christian journey through life, a delightful read with a message kids ages6 to 12 can understand and remember. A new look and fresh illustrations for today'schildren enlivens the journey to the Celestial City.