"In the writing of Paul Celan even we readers who can hear poetry only dimly in German can sense the greatness of his invention: the cadences of a music tilted against music's complacency; words punished for their plausibility by being reinvented and fused together and broken apart; syntax chopped and stretched to crack and expose its crust of dead rhetoric Michael Hamburger has earned our gratitude for rendering these poems into a reasonably inventive English "Robert Pinsky, THE NEW REPUBLIC.Parallel German text and English translation.

    The full range of his poetry—from classical rhymed alexandrines to "cubist" modernism, and from feverish, even visionary, depression to airy good humor—offers a challenge no translator has accepted until now.Here, for the first time in English translation, is the complete poetry of a legendary twentieth-century French writer. Cendrars, born Frederick Louis Sauser in 1887, invented his life as well as his art. His adventures took him to Russia during the revolution of 1905 (where he traveled on the Trans-Siberian Railway), to New York in 1911, to the trenches of World War I (where he lost his right arm), to Brazil in the 1920s, to Hollywood in the 1930s, and back and forth across Europe.With Guillaume Apollinaire and Max Jacob he was a pioneer of modernist literature, working alongside artist friends such as Chagall, Delaunay, Modigliani, and Léger, composers Eric Satie and Darius Milhaud, and filmmaker Abel Gance. The range of Cendrars's poetry—from classical rhymed alexandrines to "cubist" modernism, and from feverish, even visionary, depression to airy good humor—offers a challenge no translator has accepted until now.

    

    O'Hara’s untimely death in 1966 at the age of forty was, in the words of fellow poet John Ashbery, "the biggest secret loss to American poetry since John Wheelwright was killed.” This collection is a reissue of a volume first published by Grove Press in 1957, and it demonstrates beautifully the flawless rhythm underlying O'Hara’s conviction that to write poetry, indeed to live, "you just go on your nerve.”

    During World War II, the Jewish orphanage he directed was relocated to the Warsaw ghetto. Although Korczak's celebrity afforded him many chances to escape, he refused to abandon the children. He was killed at Treblinka along with the children.King Matt the First, one of Korczak's most beloved tales, is the story of a boy who becomes king and sets out to reform his kingdom. He decrees that all children are to be given a piece of chocolate at the end of each day. He visits faraway lands and befriends cannibal kings. Whenever his ministers tell him something's impossible, he puts them in jail. He disguises himself as a soldier and becomes a hero. But, as in real life, fantasy is tempered by reality:Matt's fellow kings become jealous of his success--and in the end, Matt falls, although it's clear that he was the greatest king there ever was.Now this rediscovered classic is available again, and with a vibrant new cover by award-winning artist Brian Selznick. This timeless tale shows that only through the honesty and spontaneity of children can grown-ups begin to imagine and to create a better world.

    To find the bird, Mytyl and Tyltyl quest through the Land of Memory to the Palace of Night. The children get help from the good fairy Bérylune.

    His insights into the works of Dostoyevsky, Mandelstam, Platonov, as well as non-Russian poets Auden, Cavafy and Montale are brilliant. While the Western popularity of many other Third Wavers has been stunted by their inability to write in English, Brodsky consumed the language to attain a "closer proximity" to poets such as Auden. The book, which won a National Book Critics Circle Award, opens and closes with revealing autobiographical essay.

    A thin Jewish boy of few words, Weiser can hypnotize panthers, shoot a bullet through a Hitler stamp at a hundred meters, and even levitate. After staging a spectacular explosion with a hidden cache of old German munitions, Weiser and the girl, Elka, vanish without a trace, leaving the three other boys, including Pawel Heller - the novel's narrator - to explain his disappearance to the authorities. But the boys won't talk. What happened to David Weiser? And who was he - a demon, a prophet, or just a boy? Heller's quest for the answers to these questions makes for a beguiling and haunting tale.

    Following in the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his ‘American’ haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In this beautifully packaged volume, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haikus, from both published and unpublished sources. The result is a compact collection of more than five hundred poems that reveal a lesser known but important side of Jack Kerouac’s literary legacy.

    But this case changes everything. Because of it he meets Monika Grzelka, a young journalist whose charms prove difficult to resist, and he discovers the frightening power of certain esoteric therapeutic methods. The shocking videos of the sessions lead him to an array of possible scenarios. Could one of the patients have become so absorbed by his therapy role-playing that he murdered Telak? Szacki’s investigation leads him to an earlier murder, before the fall of Communism.And why is the Secret Police suddenly taking an interest in all this? As Szacki uncovers each piece of the puzzle, facts emerge that he’d be better off not knowing, for his own safety.

    Early posthumously published collections-some of them featuring liberally “edited” versions of the poems-did not fully and accurately represent Dickinson’s bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations. Not until the 1955 publication of The Complete Poems of Emily Dickinson, a three-volume critical edition compiled by Thomas H. Johnson, were readers able for the first time to assess, understand, and appreciate the whole of Dickinson’s extraordinary poetic genius.This book, a distillation of the three-volume Complete Poems, brings together the original texts of all 1,775 poems that Emily Dickinson wrote.

    Opens all the doors. You can walk through any one that suits you." -- Jim MorrisonAs the lead singer and song writer for The Doors, Jim Morrison brought the poetry of the damned to rock'n'roll. As a poet, he infused verse with the wild lyricism and mesmerizing beat of rock. By the time of his death in 1971, Morrison had become one of the most haunting voices in the collective unconscious of America, echoed by performers such as Patti Smith.This book, compiled from the Morrison literary estate by his beloved friends, presents Morrison's unpublished work for the first time--poems that celebrate the juju of sex, the touring musician's labyrinth of highways, airports, and motel corridors, and the shamanistic power of rock'n'roll, as well as photographs, drawings, facsimiles from Morrison's diaries, and a self-interview that reveals him as he has never been revealed before. A genuine literary event, Wilderness is the last testament of a writer of liberating ferocity and tenderness whose tremendous impact on an entire generation is still being felt.Cover photo by Frank LisciandroCover design by Wendy Bass

    In this gripping novel, Robert and Jacob are two down-and-out Polish con men living in Israel in the 1950s. They plan to run a scam on an American widow visiting the country. Robert, who masterminds the scheme, and Jacob, who acts it out, are tough, desperate men, exiled from their native land and adrift in the hot, nasty underworld of Tel Aviv. Robert arranges for Jacob to run into the woman, who has enough trouble with her young son to keep her occupied all day. Her heart is open though, and the men are hoping her wallet is too. What follows is a story of love, deception, cruelty and shame, as Jacob pretends to fall in love with the American. But it's not just Jacob performing a role: nearly all the characters are actors in an ugly story, complete with parts for murder and suicide. Hlasko's writing combines brutal realism with smoky, hardboiled dialogue, in a bleak world where violence is the norm and love is often only an act.

    Bilingual edition in Spanish and English. Translated by Margaret Sayers Peden. Margaret Sayers Peden, who is well known and respected for her translations of Fuentes, Neruda, Quiroga, and Paz, has made an admirable selection of poems that includes romances, redondillas, epigrams, decimas, sonnets, silvas, villancicos, and two excerpts from Sor Juana's theater. The introduction and notes provide the necessary context for those unfamiliar with the poet's life and times. "Her sprightly English versions of these technically exacting poems...would, I am sure of it, have pleased Sor Juana herself"--Alastair Reid.

    In this wise and intimate telling—which carries us through the seasons when her marriage was ending—Sharon Olds opens her heart to the reader, sharing the feeling of invisibility that comes when we are no longer standing in love’s sight; the surprising physical bond that still exists between a couple during parting; the loss of everything from her husband’s smile to the set of his hip. Olds is naked before us, curious and brave and even generous toward the man who was her mate for thirty years and who now loves another woman. As she writes in the remarkable “Stag’s Leap,” “When anyone escapes, my heart / leaps up.  Even when it’s I who am escaped from, / I am half on the side of the leaver.” Olds’s propulsive poetic line and the magic of her imagery are as lively as ever, and there is a new range to the music—sometimes headlong, sometimes contemplative and deep. Her unsparing approach to both pain and love makes this one of the finest, most powerful books of poetry Olds has yet given us.