Alan has no desire to move to Spain, but his sister Cathy and brother-in-law Bernie are going regardless, so he decides to tag along. Despite his initial pessimism, he soon sees that life in their new home has more to offer than he first suspected, and by befriending a pair of local oldies he finds surprising new opportunities opening up to him. A coin dealer by trade and an idler by nature, his new, dynamic attitude surprises Cathy, Bernie and, most of all, himself, as he gets to grips with the language, tries out new activities and embraces the outdoor life. When the bar in the nearby village is reopened by two enterprising ladies, he also begins to realise that bachelorhood may not be his destiny after all. Part Two is now also available.

    Jost studied the music (not the lives) of a selection of musicians-black jazz artists who pioneered a new form of African American music-to arrive at the most in-depth look so far at the phenomenon of free jazz. Free jazz is not absolutely free, as Jost is at pains to point out. As each convention of the old music was abrogated, new conventions arose, whether they were rhythmic, melodic, tonal, or compositional, Coltrane's move into modal music was governed by different principles than Coleman's melodic excursions; Sun Ra's attention to texture and rhythm created an entirely different big bang sound then had Mingus's attention to form.In Free Jazz, Jost paints a group of ten "style portraits"-musical images of the styles and techniques of John Coltrane, Charles Mingus, Ornette Coleman, Cecil Taylor, Archie Shepp, Albert Ayler, Don Cherry, the Chicago-based AACM (which included Richard Abrams, Joseph Jarman, Roscoe Mitchell, Lester Bowie, Anthony Braxton, and the Art Ensemble of Chicago), and Sun Ra and his Arkestra. As a composite picture of some of the most compelling music of the 1960s and '70s, Free Jazz is unequalled for the depth and clarity of its analysis and its even handed approach.

    Rob and Renee's life together - they wed after graduate school, both became music journalists, and were married only five years when Renee died suddenly on Mother's Day, 1997 - is shared through the window of the mix tapes they obsessively compiled. There are mixes to court each other, mixes for road trips, mixes for doing the dishes, mixes for sleeping - and, eventually, mixes to mourn Rob's greatest loss. The tunes were among the great musical output of the early 1990s - Pearl Jam, Nirvana, Pavement, Yo La Tengo, REM, Weezer - as well as classics by The Rolling Stones, The Beatles, Aretha Franklin and more. Mixing the skilful, tragic punch of Dave Eggers and the romantic honesty of Nick Hornby, LOVE IS A MIX TAPE is a story of lost love and the kick-you-in-the-gut energy of great pop music.

    At turns shocking, provocative, and heart-wrenching, and inspired by a true story The Whole Golden World forces us to ask the question "How well do we really know our children?"To the outside Dinah and Joe have a perfect family-three lovely children, a beautiful home, and a café that's finally taking off. But their world is rocked when it's discovered that their oldest daughter, 17-year-old Morgan is having an affair with her married teacher, TJ Hill.Their town rocks with the scandal. When the case goes to trial, the family is torn further apart when Morgan sides not with her parents-as a manipulated teenage girl; but with TJ himself-as a woman who loves a 30-year-old man.Told from the perspectives of Morgan, Dinah, and TJ's wife, Rain, this is an unforgettable story that fully explores the surprising, even shocking, events that change the lives of two families.

    The Third Edition retains the elements that have made the book a classic while embracing new technology and responding to the needs of today's students and teachers.

    In this hilarious, romantic comedy, two twenty-something neighbors embark on a zany mission to meet the founder of Starbucks, and in doing so, find each other.

    The monograph vociferouslydemanded that socialism be sacrificed for a competitive market economic system, so India cangrow at 10 per cent per year, achieve self-reliance, full employment and produce nuclear weaponry.The then Prime Minister Indira Gandhi denounced the plan as dangerous.Fifty years later, Swamy redefines his path-breaking ideas on India-specific economic developmentin his seminal work, Reset. It undertakes a nuanced analysis of the manner in which the highlyprosperous Indian economy witnessed a long, accelerated decline due to persistent British imperialistaggression, and compares the distinctive manner in which Asian giants—India and China—sufferedat the hands of imperialism. He critically analyses the highs and lows of the Nehruvian model ofcentralized economic planning borrowed from the Soviet Union, and the debilitating circumstancesthat impelled him, as Commerce Minister in Prime Minister Chandra Shekhar’s government, todraw up a blueprint for economic reforms.

    He can be elegant as a slow blues." The Nick Tosches Reader is the author's own selection of his best work over the past thirty years, including fiction, poetry, interviews, rock writing, investigative journalism, and criticism. First published in major magazines, obscure underground periodicals, and his own best-selling books, many of these selections deal with rock 'n' roll and cultural icons—but there are also pieces on everything from William Faulkner to organized crime to heavyweight boxing, including the Vanity Fair feature that gave rise to Tosches's major new book on Sonny Liston, published by Little, Brown. Here is "a unique and darkly impressionistic cultural history" of the last three decades as only Nick Tosches could write it.

    17-year-old Ana has been living the privileged life of a Pure due to an error in her DNA test. When the authorities find out, she faces banishment from her safe Community, a fate only thwarted by the fact that she has already been promised to Pure-boy Jasper Taurell.Jasper is from a rich and influential family and despite Ana’s condition, wants to be with her. The authorities grant Ana a tentative reprieve. If she is joined to Jasper before her 18th birthday, she may stay in the Community until her illness manifests. But if Jasper changes his mind, she will be cast out among the Crazies. As Ana’s joining ceremony and her birthday loom closer, she dares to hope she will be saved from the horror of the City and live a ‘normal’ life. But then Jasper disappears.Led to believe Jasper has been taken by a strange sect the authorities will not interfere with, Ana sneaks out of her well-guarded Community to find him herself. Her search takes her through the underbelly of society, and as she delves deeper into the mystery of Jasper’s abduction she uncovers some devastating truths that destroy everything she has grown up to believe.

    By experimenting with new concepts of time, integrating Eastern philosophies into Western music, and exploring multiphonics and other new sounds on his saxophone, he opened avenues of expression that influenced musicians and composers from jazz to rock to avant-garde.Bill Cole focuses on two aspects of John Coltrane in this provocative study: Coltrane the musician and Coltrane the religious person. Deeply interrelated, both aspects are bound up with Coltrane's identification as an African- American. Coltrane accepted the traditional African belief in the magical powers of sound and connected his music to its African roots via a devout religiosity. Cole shows how Coltrane's influences extended from tribal tone languages to speeches by Martin Luther King, Jr. -- he even adapted King's rhythmic inflections into a saxophone solo.Bill Cole offers a lengthy musical analysis of Coltrane's career; it also includes a detailed discography with recording data and personnel and over two dozen photographs. Cole draws on quotes from Coltrane himself, transcriptions of his improvisations, analyses of his music, research into West African religion, and his own personal reminiscences of the man, to offer a stimulating perspective on Coltrane's music, life, and thought.

    He prefers the quiet life of rural Idaho, far from his past in the fast-paced music industry. Yet, when a woman named Nicole Russell tells the amateur sleuth about her missing husband, missing Labrador, and missing $50,000, Klick’s suddenly up to his ears in mystery. Aided by former basketball star and best friend Lyel, Klick pursues Nicole’s husband, dog, and lost cash in corrupt Snow Lake. Can the two help Nicole recover her money without losing everything? Originally published under the name Wendell McCall from 1988 through 1999, author Ridley Pearson’s Dead Aim, the first installment in the three-book Chris Klick Mysteries series, retains all of its hard-boiled wit, grit, and sense of adventure today. ABOUT THE AUTHOR Ridley Pearson is a New York Times bestselling author with over 24 novels published. His work is extremely diverse, from children’s fiction to crime novels, paranormals, and adventure. His novels often incorporate a compelling combination of realistic high-tech forensic wizardry and hair-trigger suspense. One of his best-known crime novels, Undercurrents, contained cutting-edge forensic ideas that helped solve a real-life homicide case. Another, Chain of Evidence, was the first to raise the possibility of a “crime gene”—which later became the focus of a high-profile genetics conference. He has published several popular crime series featuring recurring characters, as well as standalone novels under his own name and the pseudonyms Joyce Reardon, Ph.D., and Wendell McCall. His latest thriller, The Red Room, featuring John Knox, appeared in June 2014. Pearson was the first American to receive the Raymond Chandler Fulbright Fellowship at Oxford University, the site of his research for best-selling novels No Witnesses and The Angel Maker. He was also a founding member and bass player for the Rock Bottom Remainders, a band comprised of best-selling authors including Dave Barry and Stephen King.

    Beginning with the hugely influential mid-1970s efforts of Rush and King Crimson, Wagner unfurls a huge tapestry of sounds and styles, including Queensryche, Fates Warning, and Dream Theater; extreme prog pioneers Voivod and Celtic Frost; Norway’s post-black metal avant garde acts Ulver and Arcturus; and the 1990s global movement that spawned Ayreon, Pain of Salvation, and others.Fighting a tide of tradition and conservatism, progressive metal has proven to be one of the most viable, malleable forms in all of modern music; here its preeminent scholar tells the tale.

    These efforts evolved into a general theory of expectation that will prove informative to readers interested in cognitive science and evolutionary psychology as well as those interested in music. The book describes a set of psychological mechanisms and illustrates how these mechanisms work in the case of music. All examples of notated music can be heard on the Web.Huron proposes that emotions evoked by expectation involve five functionally distinct response systems: reaction responses (which engage defensive reflexes); tension responses (where uncertainty leads to stress); prediction responses (which reward accurate prediction); imagination responses (which facilitate deferred gratification); and appraisal responses (which occur after conscious thought is engaged). For real-world events, these five response systems typically produce a complex mixture of feelings. The book identifies some of the aesthetic possibilities afforded by expectation, and shows how common musical devices (such as syncopation, cadence, meter, tonality, and climax) exploit the psychological opportunities. The theory also provides new insights into the physiological psychology of awe, laughter, and spine-tingling chills. Huron traces the psychology of expectations from the patterns of the physical/cultural world through imperfectly learned heuristics used to predict that world to the phenomenal qualia we experienced as we apprehend the world.

    In "Musimathics," Loy teaches us the tune, providing a friendly and spirited tour of the mathematics of music -- a commonsense, self-contained introduction for the nonspecialist reader. It is designed for musicians who find their art increasingly mediated by technology, and for anyone who is interested in the intersection of art and science.In Volume 1, Loy presents the materials of music (notes, intervals, and scales); the physical properties of music (frequency, amplitude, duration, and timbre); the perception of music and sound (how we hear); and music composition. Calling himself "a composer seduced into mathematics," Loy provides answers to foundational questions about the mathematics of music accessibly yet rigorously. The examples given are all practical problems in music and audio.Additional material can be found at http: //www.musimathics.com.

    Intelligent and sensitive, witty and original, beautiful and bold, their music inspires the kind of devotion not seen since the The Smiths. Their continuing desire to push the boundaries of their vision has resulted in some of the most essential and idiosyncratic records of recent times. In this, the first biography of Belle and Sebastian, Paul Whitelaw traces their unpredictable personal and creative curve. With all original interviews and personal photos from the band Belle and Sebastian: Just A Modern Rock Story is the definitive account of the clandestine world and continuing rise of the unique and fascinating musical phenomenon that is Belle and Sebastian.