It is one of the most appreciated works of Dinkar other than "Kurukshetra".Karna was first born son of Kunti whom she had abandoned at birth as he was an illegitimate son. Karna grew up in a lowly family, yet became one of the best warriors of his time. In the Great Mahabharata war, Karna was obliged to fight from the side of Duryodhana as Duryodhana recognizing his merits had made him a king and adopted him as a close friend. Karna fighting from Kaurava's side was a great worry of Pandavas as he was reputed to be unconquerable in war. The way Dinkar has presented the story of Karna with all hues of human emotions trapped in moral dilemmas, is simply marvelous. The rhythm and meter is lilting. Choice of words and purity of language is exhilarating. The work has a timeless relevance and is a must read.

    (Spoiler: That lasts two days.)Then it’s buttock-bruising buses and chock-a-block trains for a farcical journey around the country, across the Punjab and Uttar Pradesh and Rajasthan, through Maharashtra and Karnataka and Tamil Nadu; to super-cities like Delhi and Mumbai and Kolkata, and sacred spots like Amritsar and Varanasi and Rishikesh, and lesser-visited locations like Madurai and Madikeri and McLeod Ganj.Along the way, Mark sees the awful and the absurd and the awesome, encounters the horrors and riches of India, a country of extreme contrasts that he struggles to survive, strives to like. He has to laugh — it was either that or cry.He meets randy perverts and mystical madmen, sees bodies barbecued beside the Ganges, goes insane when he drinks bhang lassi, wears skinny jeans to a yoga class, and visits the cult of “The Mother”.For a country like no other, it’s a travel book like no other.(*Note*: If you like yoga or knitting or The Guardian, or are the sort of person that orders a korma, this book isn't for you — you'll hate it.)

    Launching a newbie into the Indian matrimonial scene is likeintroducing a new iPhone in an already saturated market – has to be sleek,overflowing with catchy features, and better than the already available versions.So when twenty-five-year-old Nitya Trivedi is forced into it by her ever soenthusiastic mother and pestering relatives, she hardly knows what she hasbargained for.In her journey to find her soul-mate (??!!), she becomes Dollarkumar’sPoundkumari, ends up fasting on party days to make peace with her horrorscope,attends hilarious ‘arranged’ meetings through various matchmakingportals and people – all under the nose of her extremely evil, but deliciouslydebonair boss Rudra Desai.With besties tying the knot and cousins ‘stealing’ prospective grooms…wonderhow Nitya’s mother will find the perfect match for her only daughter.But as always, love will find a way in the midst of The Shaadi Brouhaha..

    “ Bogged down by the pressures of a daily hospital routine, 28-year-old cancer-stricken Riddhi's life suddenly picks up pace when she starts receiving mysterious letters from an anonymous sender, who means bloody business. Riddhi finds herself in the fast lane when a renowned top cop is found murdered as mentioned in one of the letters. It is only when CBI officer Kabir Rana gets involved in solving the case, does he realize there is more to Riddhi than meets the eye. When Kabir starts decoding secret clues that would lead him to the murderer, what he comes across shakes him to the core.

    Though counted among the five supremely virtuous women, honoured as pancha sati in mythology, the name Draupadi still bears stigma and is often contemptuously uttered by people in society as the woman who brought about the greatest war of all times.Pratibha Ray makes a determined effort for a balanced portrayal of the epic character and brings to the surface the broader and deeper aspects of Draupadi's mind that lay submerged in the majestic sweep of the grand Mahabharata.

    To understand it fully, we must look beneath the surface. The positive side is that technology is making machines smarter. However, the deeper view explained in this book shows that AI is also making a growing number of people cognitively and psychologically dependent on digital networks. Whether you are a social media fanatic, a diehard AI aficionado, or a paranoid sceptic, it is impossible to escape the ubiquitous impact of AI. Artificial Intelligence is the brains bringing together quantum computing, nanotechnology, medical technology, brain-machine interface, robotics, aerospace, 5G, Internet of Things, and more. It is amplifying human ingenuity and disrupting the foundations of healthcare, military, entertainment, education, marketing and manufacturing.Artificial Intelligence and The Future of Power argues that this AI-driven revolution will have an unequal impact on different segments of humanity. There will be new winners and losers, new haves and have-nots, resulting in an unprecedented concentration of wealth and power. After analyzing society’s vulnerabilities to the impending tsunami, the book raises troubling questions that provoke immediate debate: Is the world headed toward digital colonization by USA and China? Will depopulation become eventually unavoidable?Artificial Intelligence and The Future of Power is a wakeup call to action, compelling public intellectuals to be better informed and more engaged. It educates the social segments most at risk and wants them to demand a seat at the table where policies on Artificial Intelligence are being formulated.

    Set to inspire, this book includes some of the most stirring and eloquent addresses by Rabindranath Tagore, Swami Vivekananda, Sardar Vallabhbhai Patel, Mother Teresa, JRD Tata, Abdul Kalam, Nardendra Modi and other influential Indian leaders.This impelling selection of expressive moments of oratory would provide the reader a fresh perspective; evoke feelings of patriotism, inspiration and unbounded motivation. Nitin Aggarwal introduces each speech with relevant information, providing valuable insight.

    Hundreds and thousands of our warriors won battles and many fought until their last breath defending the motherland.Indian History text books have hardly glorified these real warriors of the soil. We have grown up reading more about the glories of our invaders. A nation’s citizens, who are ignorant about the brave feats of their ancestors, tend to deviate away from their roots, historicity, and their sense of belongingness for the motherland. Saffron Swords that contains 52 tales of valor, is a tribute to the unsung warriors of India, both men and women, from the last 1300 years. This book is the first in its series.

    T. Vasudevan Nair. It was translated into English as Second Turn in 1997. M. T. Vasudevan Nair won Vayalar Award, given for the best literary work in Malayalam, for the novel in 1985. Later, in the year 1995, Mr. Nair was awarded the highest literary award in India, Jnanpith Award, for his overall contribution to Malayalam literature.The novel is set as a retelling of the Indian epic Mahabharata, from the view of Bhima, the second Pandava.

    When he first arrives in Aayakudi to investigate a curious tip about a ghost, the place seems like an ordinary, traditional farming village. Soon, though, Rajendran finds himself entangled in a head-spinning mystery involving ancient treasure, spirit possession, and a series of grisly killings. There's also the beautiful, troubled daughter of the village panchayat president... and the notorious evil sorcerer who wants her dead. Indra Soundar Rajan, one of the stalwarts of the Tamil pulp fiction scene, has been writing his unique brand of supernatural mystery thrillers for over 30 years. He's also known for his television screenplays, such as the long-running superhit serial Marmadesam (Land of Mystery). He lives in Madurai.

    As a novelist and icon, Rushdie has embraced both 'popular' and 'high' culture; reflecting this, the Guide brings together both academic criticism and journalism to investigate the passions and preoccupations of Rushdie's many critics, steering the reader through the inflamed debates and rhetoric surrounding this much admired but controversial author.

    This is the impact of the words of Mukul Deva ... the country's first military thriller writer' - The HinduA warlord in the rugged Tribal Areas of Pakistan pushes his way to the crest of the jihadi wave, seeking to forge an alliance of terror groups to take on the American surge. One of his allies appears to be Pakistan's ISI. But are they using him to attain their own goals? Or is he using them? And for what?Facing the brunt of this deadly double game is the spirited Force 22 represented by Iqbal and Tanaz, just back from Pakistan after their search-and-destroy mission to eliminate Salim, who are catapulted into action as lethal intelligence operations begin to unfold. The third in the action thriller series from India's 'literary storm trooper', Blowback will keep you riveted with its tight plotting and heart-stopping pace.'For a land so strife-torn and terrorism plagued, Mukul Deva's books become topical, close to the hearts of millions of Indians, and offer hope and redemption.' - Eika Chaturvedi Banerjee'Gripping, well narrated action – I read the book in one go.' - Ananth Doraswamy'His in-depth knowledge of affairs military coupled with a lucid style of storytelling makes the reader crave for more.' - Brigadier Sanjeev Kanal'Mukul Deva is an extraordinary writer – his imagination and attention to detail make his characters come alive and one is almost sorry to reach the end.' - Neena Singh

    The Mahabharata story is removed from its mythological elements and the whole theme and characters are placed in the historical time of 12th century B.C in India. Bhyrappa spent five years in researching the social, economic and cultural details of the period.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    Two lives. Three generations. Four places. Chitrangda Chatterjee, 32, has been moving from one dead-end offshore job to another. Kathputli’s story begins after Chitrangda has quit her latest job and sets out in search of the perfect story for her Great Indian Novel. This takes her to a family reunion of her grandmother’s clan, where a story of the long-lost daughter of a once-powerful Zamindar family begins to take shape.  Unravelling the mystery of Mala’s disappearance a few years after the brutal murder of the boy she loved becomes an obsession for Chitrangda. One which draws Chitrangda out of her shell; and introduces her to the unaccustomed joys of getting to know new people and places.  What emerges, however, undermines the very foundation of Chitrangda’s understanding of her own family.  The novel goes back and forth between Chitrangda’s present-day search for all the missing pieces of Mala’s story and the story itself, set in 1940s Kolkata.