It's about living simply – finding the essence of what makes you happy at home and creating spaces that reflect your needs and style. Filled with clever ideas and creative spaces it shows that you don't need a huge budget to create a beautiful home. This is Home provides examples and case studies of places with a global and timeless feel that haven't always been renovated in the traditional sense but are true homes.Featuring eight case studies from Australia, the US and Europe, and nearly 200 color photographs, This is Home will inspire you with beautiful, authentic places you want to be – today.Chapters include:The big picture: how to determine your decorating personality, and what's authentic for you.Starting over: let go of the past and create a home for the person you are today, with a focus on decision-making and the art of editing.Living for now: Work out a budget for your time and money using your values as a guide. Where you can spend and save when it comes to creating lasting interiors.The Art of ingenuity: Think creatively, not expensively, when it comes to making changes at home. Going beyond the usual suspects can help you to create a home that's distinctively yours.The poetry of space: Successful spaces are all about addition and subtraction, positive and negative. How to create balance within a room while reflecting your decorating style.The feel of a home: Create interiors that make you feel, and have an emotional connection. How to introduce decorative elements that make for authentic interiors.Surrounding spaces: Key ideas to consider when creating your place in relation to its environment - from the surrounding landscape to local community.Maintaining the focus: Ways to evolve what's important for you and keep focussed on your aesthetic and lifestyle.Happy renewal: How to keep your home fresh without exhausting or expensive overhauls.Rest and revive: How our homes can function as a place to rest our bodies, rejoice in our relationships and restore our values.

    Each spread is devoted to a distinct architectural movement and explains when it first emerged, the historical period to which it applies, the principal disputes over its applicability, and illustrates important structures, practitioners, key words, and distinctive features. From Hellenic Classicism and Expressionism to Brutalism and Blobism, with many stops along the way, these sixty well illustrated and clearly defined "isms" help put all of the "built environments" of the world into context.

    By reading the guide you'll understand the steps that will need to be taken and know where and how to start building your own tiny house.

    When her father's dies, she's left as the guardian to her younger brother, Sholto Grant, who, through his drinking and gambling, loses the family property to the infamous Devil Fallon. Griselda devises a scheme to regain the family estate, but she must first win a wager between her and the most notorious gamester in London . . . and not fall in love with him.THE KING’S DOLLThe Duke of Landsdale and his mother are sent a written request from the King of England to take in and support the Comtesse and her beautiful daughter, Tiri. The Duke's mother is enraged by the inconvenience and endeavors to make life as difficult as possible for her unwanted houseguests. To be rid of them once and for all, she begins by searching for the first available bachelor to marry off Tiri, but she's horrified to discover that the young tart has caught the eye of her son the Duke.LADY DEARBORN’S DEBUTClea Bradford’s Aunt, Lady Floss Dearborn, intends on marrying off her niece, though it’s no easy deed finding a suitable parti for a young lady who stands six feet of height, not counting the golden halo of blond hair. Lady Floss goes so far as to announce her niece’s engagement to Glendon, though he couldn't be more wrong for her niece and more right for her! When Lord Ranulf gets wind of a Dearborn entering the Ton, he believes he’s been given a chance at revenge for a wrong committed against him by Lady Floss Dearborn. But he mistakes Clea for the Lady, and suddenly there’s a lot more at stake than Clea’s reputation . . . it just may be her life.LORD RANDAL’S TIGERLord Randal found Chloe living in a horse’s stable, dressed in rags. Despite her impoverished appearance, she claims to have an affinity with horses and will one day teach children to ride and care for them properly—as soon as she can get away from her abusive half-brother. Lord Randal is charmed by the big beautiful cat eyes and devises a plan to masquerade her as his servant, to have her become his “tiger”. After she’s cleaned up, he finds himself besot by her beauty, and as the young girl grows into a capable woman, she attracts more attention than just that of Lord Randal.

    It is also a very funny account of looking after an adored yet maddening parent and a piercing portrait of the grief that followed his death.Shelley Klein grew up in the Scottish Borders, in a house designed on a modernist open-plan grid; with colourful glass panels set against a forest of trees, it was like living in a work of art.Shelley’s father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and 70s style. As a child, Shelley and her siblings adored both the house and the fashion shows that took place there, but as she grew older Shelley also began to rebel against her father’s excessive design principles.Thirty years on, Shelley moves back home to care for her father, now in his eighties: the house has not changed and neither has his uncompromising vision. As Shelley installs her pots of herbs on the kitchen windowsill, he insists she take them into her bedroom to ensure they don’t ‘spoil the line of the house’.Threaded through Shelley’s book is her father’s own story: an Orthodox Jewish childhood in Yugoslavia; his rejection of rabbinical studies to pursue a life of art; his arrival in post-war Britain and his imagining of a house filled with light and colour as interpreted by the architect Peter Womersley.A book about the search for belonging and the pain of letting go, The See-Through House is a moving memoir of one man's distinctive way of looking at the world, told with tenderness and humour and a daughter’s love.

    Progressing from the basics into more sophisticated techniques, this guide offers clear instruction on graphic language and the design process, the basics of drafting, lettering, freehand drawing and conceptual diagramming, perspective drawing, section elevations, and more. It also features carefully sequenced exercises, a complete file of graphic symbols for sections and perspectives, and a handy appendix of conversions and equivalents.

    Among them are his most famous works, Knight, Death and Devil; Melencolia I; and St. Jerome in His Study. Also included are portraits of his contemporaries, including Erasmus of Rotterdam and Frederick the Wise, as well as six engravings formerly attributed to Dürer.

    Although each instance of creativity is singular and specific, Kyna Leski tells us, the creative process is universal. Artists, architects, poets, inventors, scientists, and others all navigate the same stages of the process in order to discover something that does not yet exist. All of us must work our way through the empty page, the blank screen, writer's block, confusion, chaos, and doubt. In this book, Leski draws from her observations and experiences as a teacher, student, maker, writer, and architect to describe the workings of the creative process.Leski sees the creative process as being like a storm; it slowly begins to gather and take form until it overtakes us--if we are willing to let it. It is dynamic, continually in motion; it starts, stops, rages and abates, ebbs and flows. In illustrations that accompany each chapter, she maps the arc of the creative process by tracing the path of water droplets traveling the stages of a storm.Leski describes unlearning, ridding ourselves of preconceptions; only when we realize what we don't know can we pose the problem that we need to solve. We gather evidence--with notebook jottings, research, the collection of objects--propelling the process. We perceive and conceive; we look ahead without knowing where we are going; we make connections. We pause, retreat, and stop, only to start again. To illustrate these stages of the process, Leski draws on examples of creative practice that range from Paul Klee to Steve Jobs, from the discovery of continental drift to the design of Antoni Gaud�'s Sagrada Familia.Creativity, Leski tells us, is a path with no beginning or end; it is ongoing. This revelatory view of the creative process will be an essential guide for anyone engaged in creative discovery.The Creative ProcessUnlearningProblem MakingGathering and TrackingPropellingPerceiving and ConceivingSeeing AheadConnectingPausingContinuing

    For the first time in the history of humankind, more people live in cities than in the country. Yet, at the same time, more and more city dwellers are yearning for rural farms, mountain cabins, or seaside homes. These kinds of refuges offer modern men and women a promise of what urban centers usually cannot provide: quiet, relaxation, being out of reach, getting back to basics, feeling human again. Rock the Shack is a survey of such contemporary refuges from around the world--from basic to luxury. The book features a compelling range of sparingly to intricately furnished cabins, cottages, second homes, tree houses, transformations, shelters, and cocoons. The look of the included structures from the outside is just as important as the view from inside. What these diverse projects have in common is an exceptional spirit that melds the uniqueness of a geographic location with the individual character of the building's owner and architect.

    We need not walk far, because paradise is right around the corner." --Hundertwasser Friedrich Stowasser, born in Vienna in 1928, called himself Friedensreich Hundertwasser Regentag Dunkelbunt. True to the colorful variety of his names, he has pursued many activities as a painter, architect, and ecologist, and as "one who awakens identities." This presentation of Hundertwasser's work in all of its different facets is guided by the artist's own view of himself and his purpose. And, because his work is, by nature, virtually inseparable from his biography, his artistic and political actions, and equally so from the "stories" of his (ostensibly) private life, a vivid portrait of the artist takes shape before the reader's eyes. Excerpts from conversations between the author and the artist lend a sense of immediacy and authenticity to the narration.

    But Detective Kay Hunter isn’t convinced, especially when a man is found dead with the ransom money still in his possession. When a second schoolgirl is taken, Kay’s worst fears are realised. With her career in jeopardy and desperate to conceal a disturbing secret, Kay’s hunt for the killer becomes a race against time before he claims another life. For the killer, the game has only just begun… Will to Live When a packed commuter train runs over a body on a stretch of track known to locals as ‘Suicide Mile’, it soon transpires that the man was a victim of a calculated murder. As the investigation evolves and a pattern of murders is uncovered, Detective Sergeant Kay Hunter realises the railway’s recent reputation may be the work of a brutal serial killer. With a backlog of cold cases to investigate and attempting to uncover who is behind a professional vendetta against her, Kay must keep one step ahead of both the killer and her own adversaries. When a second murder takes place within a week of the first, she realises the killer’s timetable has changed, and she’s running out of time to stop him… One to Watch Sophie Whittaker shared a terrifying secret. Hours later, she was dead.Detective Kay Hunter and her colleagues are shocked by the vicious murder of a teenage girl at a private party in the Kentish countryside. A tangled web of dark secrets is exposed as twisted motives point to a history of greed and corruption within the tight-knit community. Confronted by a growing number of suspects and her own enemies who are waging a vendetta against her, Kay makes a shocking discovery that will make her question her trust in everyone she knows. One to Watch is a gripping murder mystery thriller, and the third in the Detective Kay Hunter series.

    This volume contains: CITY OF THE DEAD (BOOK #1) Gia Santella copes with her parents' death by drinking, spending money, and kicking butt when it's necessary. After an unexpected letter reveals that her loved ones' tragedy was murder, Gia changes her focus to revenge. Vowing to find the one responsible, the grieving daughter must stay one step ahead of a ruthless plot to end her family line. To avoid yet another family death, Gia has a bloody choice to make: kill or be killed. FORGOTTEN ISLAND (BOOK #2) Vigilante heiress Gia Santella is facing her most dangerous enemy yet. When a hate group infiltrates Gia's San Francisco neighborhood, a student journalist at U.C. Berkeley reporting on the group disappears. Gia's search for the missing student unravels dark secrets that threaten to destroy her beloved neighborhood. She is caught in a race against time. If she fails, more innocent people will die. DARK NIGHT OF THE SOUL (BOOK #3) Under the sultry Mediterranean skies, Gia thinks that she's finally escaped the dark cloud that has hovered over her most of her life. But she is wrong. When tragedy strikes and she is left reeling, she is thirsty for vengeance. But in her efforts to see revenge and justice, she finds herself face-to-face with a tangled web of deep dark secrets that threaten to destroy everything she ever believed was true. LONE RAVEN (BOOK #4) Gia Santella's hunt for her best friend leads her on a road trip to Mexico where she learns that there is no refuge from evil despite sunny skies and bucolic beaches. The beauty of Baja hides dark secrets and soon Gia finds herself caught up in a group of ex-pats who like the advantages of living in a place where people can disappear without a trace and nobody bats an eye. BLACK WIDOW (BOOK #5) A Mediterranean cruise. A fascinating new friend. An assassin playing a deadly game of revenge. Vigilante heiress Gia Santella has everything that money can buy. It's what she can't buy--love, companionship, friendship--that eludes her. When Gia is forced to take a luxury cruise, she sets aside her vigilante ways. As she enjoys exotic lands and foods, a new friendship gives her hope that she might be able to lead a normal life like everybody else. But like everything else in her life has done, her new friendship soon takes a deadly turn. TASTE OF VENGEANCE (BOOK #6) They dine with bishops. They vacation with presidents. They sleep with movie stars. So who can stop them when their actions turn deadly? Sydney Rye and Gia Santella--two fierce vigilantes devoted to justice--meet for the first time when they find themselves caught up in a deadly Silicon Valley subculture revolving around some of the most powerful men in the world. It doesn't take long for them to realize that the elite group of men are playing a depraved and deadly game and nobody will dare to interfere. It's left up to the two women to risk it all to stop the men and save more innocent lives.

    Taking a "both/and" approach, this book provides step-by-step guidance on drawing tools and techniques and offers practical suggestions on how to use these skills in conjunction with digital tools on real-world projects. Illustrated with nearly 300 full color drawings, the book includes a series of video demonstrations that reinforces the sketching techniques.

    We need to move away from the definition of function as utility, she argues, to align it with how function is defined in mathematics, biology or music. Form, on the other hand, should be considered not only in the way buildings are produced, but also how they perform sensorially. Function and form, considered together in architecture, stand in opposition to the dualism which defined our approach to the built environment throughout the twentieth century. This book provides a thought-provoking account of the challenges facing the 21st century built environment, and an enlivened awareness of the wider possibilities of architectural form.

    Meanwhile in London, anthropologist Kelly Kinnear is forced into violent confrontation with the shareholders of the most powerful conglomerate in the City of London, warning them of the destruction of an African country. Now the time has come to act. Together, Armstrong and Kinnear forge a passionate alliance – and begin the fight against the forces of greed, evil and corruption attacking a land they would both give their lives to save . . .Hungry as the Sea: Nick Berg - robbed of his wife and ousted from his huge shipping empire - is hell-bent on vengeance. It is the sea which gives him his opportunity. When his arch-rival's luxury liner is trapped in the tempestuous Antarctic, Nick stakes all to pit his powerful salvage tug, the Warlock, in a desperate race against time and the elements . . .Wild Justice: The hijacking of a jumbo jet off the Seychelles galvanizes anti-terrorist chief Peter Stride into the action for which he has spent a lifetime training. But in the hail of bullets which follows, he knows that this is only the beginning of a nightmare. Stride is the one man who might find the twisted genius who holds the world hostage – if only his every move were not anticipated by the enemy . . .