It is also an important source of information on the Byzantine war with the Normans, and the First Crusade, in which Alexius participated. While the Byzantines were allied to the Crusaders, they were none the less critical of their behaviour and Anna's book offers a startlingly different perspective from that of Western historians. Her character sketches are shrewd and forthright - from the Norman invader Robert Guiscard ('nourished by mainfold Evil') and his son Bohemond ('like a streaking thunderbolt') to Pope Gregory VII ('unworthy of a high priest'). The Alexiad is a vivid and dramatic narrative, which reveals as much about the character of its intelligent and dynamic author as it does about the fascinating period through which she lived.E.R.A. Sewter's translation captures all the strength and immediacy of the original and is complemented by an introduction that examines Anna's life and times. This edition also includes maps, appendices, genealogical tables, a bibliography and indexes of events and names.

    grave praises the virtues of Mnesarete, an Athenian woman who died young; a great number of Roman wives were found guilty of poisoning their husbands, but was it accidental food poisoning, or disease, or something more sinister. Apart from the legends of Cleopatra, Dido and Lucretia, and images of graceful maidens dancing on urns, the evidence about the lives of women of the classical world--visual, archaeological, and written--has remained uncollected and uninterpreted. Now, the lavishly illustrated and meticulously researched Women in the Classical World lifts the curtain on the women of ancient Greece and Rome, exploring the lives of slaves and prostitutes, Athenian housewives, and Rome's imperial family. The first book on classical women to give equal weight to written texts and artistic representations, it brings together a great wealth of materials--poetry, vase painting, legislation, medical treatises, architecture, religious and funerary art, women's ornaments, historical epics, political speeches, even ancient coins--to present women in the historical and cultural context of their time. Written by leading experts in the fields of ancient history and art history, women's studies, and Greek and Roman literature, the book's chronological arrangement allows the changing roles of women to unfold over a thousand-year period, beginning in the eighth century B.C.E. Both the art and the literature highlight women's creativity, sexuality and coming of age, marriage and childrearing, religious and public roles, and other themes. Fascinating chapters report on the wild behavior of Spartan and Etruscan women and the mythical Amazons; the changing views of the female body presented in male-authored gynecological treatises; the new woman represented by the love poetry of the late Republic and Augustan Age; and the traces of upper- and lower-class life in Pompeii, miraculously preserved by the eruption of Mount Vesuvius in 79 C.E. Provocative and surprising, Women in the Classical World is a masterly foray into the past, and a definitive statement on the lives of women in ancient Greece and Rome.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    363, the violent end of the Emperor Julian has become synonymous with the death of paganism. But how did a young philosopher-warrior, who ruled for only eighteen months, come to be seen as one of the most potent threats to Christianity?Driven by a burning hatred of the Church, rooted in the brutal murder of his family and the treachery of his Christian predecessor Emperor Constantius II, Julian dedicated his brief reign to the eradication of this new and dangerous cult. He vowed to rid the Roman Empire of heresy and restore paganism to the hearts and minds of its citizens.Although vilified throughout history as the 'Apostate', Julian was an inspirational and visionary leader. He made appointments on merit rather than influence or money, cut down on bureaucracy and had an economic policy geared to avoid corruption and waste. His experiment with paganism may have ultimately failed, but Julian has long been a hero of secular humanists and critics of Christianity's historical record.Drawing on Julian's own writings, and using extensive new archaeological and literary research, Adrian Murdoch explores the vivid, engaging and complex character of this controversial emperor. The Last Pagan will fascinate anyone with an interest in ancient history or the history of Christianity.

    Surrounded by men who are jockeying for power–Cicero, Brutus, Cassius, and Mark Antony–young Octavius must work against the powerful Roman political machinations to claim his destiny as first Roman emperor. Sprung from meticulous research and the pen of a true poet, Augustus tells the story of one man’s dream to liberate a corrupt Rome from the fancy of the capriciously crooked and the wildly wealthy.

    The key difference is often held to be that the Greeks and Romans practiced a "Western Way of War," in which the aim is an open, decisive battle--won by courage instilled, in part, by discipline. Here, Harry Sidebottom looks at how this Western Way of War was constructed and maintained by the Greeks and Romans and why this concept is so prevalent today. All aspects of ancient warfare are thoroughly examined--from philosophy and strategy to the technical skills needed to fight. Sidebottom examines war in the wider context, showing how wars were able to shape classical society, and how an individual's identity was sometimes constructed by war, as in the case of the Christian soldier fighting in God's name. He also explores the ways in which ancient society thought about conflict: Can a war be just? Why was siege warfare particularly bloody? What role did divine intervention play in the outcome of a battle? Taking fascinating examples from the iliad, Tacitus, and the Persian Wars, Sidebottom uses arresting anecdotes and striking visual images to show that any understanding of ancient war is an ongoing process of interpretation.

    World-hatred and asceticism, dreams and states of possession, and pagan and Christian mysticism are all discussed. Finally, Dodds considers both pagan views of Christianity and Christian views of paganism as they emerge in the literature of the time. Although primarily written for social and religious historians, this study will also appeal to all those interested in the ancient world and its thought.

    Peter Salway's narrative takes into account the latest research including exciting discoveries of recent years.

    I. Finley in his classic work. The states of the ancient Mediterranean world had no recognizable real-property market, never fought a commercially inspired war, witnessed no drive to capital formation, and assigned the management of many substantial enterprises to slaves and ex-slaves. In short, to study the economies of the ancient world, one must begin by discarding many premises that seemed self-evident before Finley showed that they were useless or misleading. Available again, with a new foreword by Ian Morris, these sagacious, fertile, and occasionally combative essays are just as electrifying today as when Finley first wrote them.

    Filled with strange anecdotes and illustrated with many bizarre and ghoulish images, Death: A History of Man’s Obsessions and Fears records the lengths to which people throughout history have gone to cope with the five principle fears regarding death: the fear of being buried alive; of our body being defiled in the grave; of disintegrating; of being forgotten; and of suffering an ignominious death. Here you can read about: The case of Lavrinia Merli, who died of hysterics. Two days after burial she was discovered turned over in her grave, having given birth to a seven month old baby. The various methods of embalming, including the Egyptian, and a step-by-step account of modern embalming. The horrifying slow and painful ending of Robert Francois Damiens, who was tortured to death after attempting to assassinate King Louis XV.

    4 BC–65 AD). He counseled readers to “study death always,” and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca’s remarkable meditations on death and dying. Edited and translated by James Romm, How to Die reveals a provocative thinker and dazzling writer who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out.Seneca believed that life is only a journey toward death and that one must rehearse for death throughout life. Here, he tells us how to practice for death, how to die well, and how to understand the role of a good death in a good life. He stresses the universality of death, its importance as life’s final rite of passage, and its ability to liberate us from pain, slavery, or political oppression.Featuring beautifully rendered new translations, How to Die also includes an enlightening introduction, notes, the original Latin texts, and an epilogue presenting Tacitus's description of Seneca's grim suicide.

    Fustel de Coulanges' 1864 masterpiece, La Cité antique, drew upon physical evidence as well as ancient documents rather than the usual post-Classical histories. The result is a fresh, accurate, and detailed portrait of the religious, family, and civic life of Periclean Athens and Rome during the time of Cicero.This fascinating sociological account reveals the significance of kinship and the cult of the family hearth and ancestors to ancient Hellenic and Latin urban culture. It chronicles the rise of family-centered pagan belief systems, tracing their gradual decline to the spread of Christianity. Fustel cites ancient Indian and Hebrew texts as well as Greek and Roman sources. The ingenuity of his interpretations, along with his striking prose style, offer readers a vital and enduring historic survey.

    His work was received with widespread acclaim by the scholarly community and the reading public. In 1902 Mommsen was awarded the Nobel Prize for Literature and acclaimed as 'the greatest living master of the art of historical writing'. Mommsen rejected traditional Enlightenment accounts, which glorified ancient Rome; instead, guided by a new and rigorous criticism of sources, Mommsen began the demythologisation of Roman history. In a vivacious and engaging style, Mommsen drew bold parallels between the nineteenth century and classical Rome. Volume 3 covers the turbulent period from the reforms of Tiberius Gracchus to the death of Sulla, with separate chapters on nationality, religion and education, and the Roman economy.

    It draws on the latest findings in archaeology and history to explain the meanings of rituals, rites, auspices, and oracles, to describe the uses of temples and sacred ground, and to evoke the daily patterns of religious life and observance within the city of Rome and its environs. The text is usefully organized around major themes, such as the origins of Roman religion, the importance of the religious calendar, the structure of religious space, the forms of religious services and rituals, and the gods, priests, and core theologies that shaped religious observance. In addition to its clear and accessible presentation, Roman Religion includes quotations from primary sources, a chronology of religious and historical events from 750 B.C. to A.D. 494, a full glossary, and an annotated guide to further reading.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.