She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    Especially with an anthology that features the classic stories "Children of the Corn," "The Lawnmower Man," "Graveyard Shift," "The Mangler," and "Sometimes They Come Back"-which were all made into hit horror films.From the depths of darkness, where hideous rats defend their empire, to dizzying heights, where a beautiful girl hangs by a hair above a hellish fate, this chilling collection of twenty short stories will plunge readers into the subterranean labyrinth of the most spine-tingling, eerie imagination of our time.Contents:· Introduction · John D. MacDonald · in · Foreword · fw · Jerusalem’s Lot · nv Night Shift, Garden City, NY: Doubleday, 1978 · Graveyard Shift · ss Cavalier Oct ’70 · Night Surf · ss Cavalier Aug ’74 · I Am the Doorway · ss Cavalier Mar ’71 · The Mangler · nv Cavalier Dec ’72 · The Boogeyman · ss Cavalier Mar ’73 · Gray Matter · ss Cavalier Oct ’73 · Battleground · ss Cavalier Sep ’72 · Trucks · ss Cavalier Jun ’73 · Sometimes They Come Back · nv Cavalier Mar ’74 · Strawberry Spring · ss Ubris Fll ’68; Cavalier Nov ’75 · The Ledge · ss Penthouse Jul ’76 · The Lawnmower Man · ss Cavalier May ’75 · Quitters, Inc. · ss Night Shift, Garden City, NY: Doubleday, 1978 · I Know What You Need · nv Cosmopolitan Sep ’76 · Children of the Corn · nv Penthouse Mar ’77 · The Last Rung on the Ladder · ss Night Shift, Garden City, NY: Doubleday, 1978 · The Man Who Loved Flowers · ss Gallery Aug ’77 · One for the Road · ss Maine Mar ’77 · The Woman in the Room · ss Night Shift, Garden City, NY: Doubleday, 1978Librarian's Note: Alternate cover edition of ISBN 9780450042683

    This exciting new anthology, perfect for airport or airplane reading, includes an original introduction and story notes for each story by Stephen King, along with brand new stories from Stephen King and Joe Hill.Stephen King hates to fly. Now he and co-editor Bev Vincent would like to share this fear of flying with you.Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you're suspended six miles in the air, hurtling through space at more than 500 mph and sealed up in a metal tube (like—gulp!—a coffin) with hundreds of strangers. All the ways your trip into the friendly skies can turn into a nightmare, including some we'll bet you've never thought of before... but now you will the next time you walk down the jetway and place your fate in the hands of a total stranger.Featuring brand new stories by Joe Hill and Stephen King, as well as fourteen classic tales and one poem from the likes of Richard Matheson, Ray Bradbury, Roald Dahl, Dan Simmons, and many others, Flight or Fright is, as King says, "ideal airplane reading, especially on stormy descents... Even if you are safe on the ground, you might want to buckle up nice and tight."

    From the battlefields of a Vietnam veteran's memory to an old-time movie hero's search for a serial killer, from Halloween in a special town--where the rules of trick-or-treat are written in blood--to a Texas road where a wrong turn leads to a nest of evil, horror master McCammon is at his terrifying best in this collection of stories.

    "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have insinuated themselves into our collective imagination.Here are more than twenty of Matheson's most memorable tales of fear and paranoia, including:"Duel," the nail-biting tale of man versus machines that inspired Steven Spielberg's first film;"Prey," in which a terrified woman is stalked by a malevolent Tiki doll, as chillingly captured in yet another legendary TV moment;"Blood Son," a disturbing portrait of a strange little boy who dreams of being a vampire;"Dress of White Silk," a seductively sinister tale of evil and innocence.Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, these and many other stories, more than demonstrate why he is rightfully regarded as one of the finest and most influential horror writers of our generation.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    This is Koontz's spellbinding collection of takes interconnected by the strange highways of human experience: adventures, terrors, failures and triumphs.

    His childhood is his darkest secret, but after a near fatal accident along a deserted road, the darkness he was sure he’d escaped rears its ugly head… and smiles.But this time, he isn’t the only one who sees the soulless eyes of his past. This time, his six-year-old daughter Charlie leans into his ear and whispers: Daddy, I saw it too.And then she begins to change.Faced with reliving the nightmares of his childhood, Jack watches his daughter spiral into the shadows that had nearly consumed him twenty years before. But Charlie isn’t the only one who’s changing. Jack never outran the darkness. It’s been with him all along. And it’s hungrier than ever. A new breed of dark fiction: the subtlety of Seed will haunt you, and the end will wickedly satisfy.

    Lovecraft has yet to be surpassed as the twentieth century’s greatest practitioner of the classic horror tale.”—Stephen King“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.”—H.P. LovecraftThis is the collection that true fans of horror fiction must have: sixteen of H.P. Lovecraft’s most horrifying visions, including:The Call of Cthulu: The first story in the infamous Cthulhu mythos—a creature spawned in the stars brings a menace of unimaginable evil to threaten all mankind.The Dunwich Horror: An evil man’s desire to perform an unspeakable ritual leads him in search of the fabled text of The Necronomicon.The Colour Out of Space: A horror from the skies—far worse than any nuclear fallout—transforms a man into a monster.The Shadow Over Innsmouth: Rising from the depths of the sea, an unspeakable horror engulfs a quiet New England town.Plus twelve more terrifying tales!

    From Brian James Freeman and Richard Chizmar of the acclaimed Cemetery Dance Publications, Dark Screams: Volume One reaches across genres to take readers beyond the precipice of mortal toil and into the glimmering void of irreality and beyond.  WEEDS by Stephen King When a meteorite lands on his property, Jordy Verrill envisions an easy payday. Unfortunately for Jordy, this is no ordinary rock—and the uncompromising force inside has found its first target.  THE PRICE YOU PAY by Kelley ArmstrongNever pay more than you owe. Sounds like easy advice to follow. But for Kara and her childhood friend Ingrid, some debts can never be repaid . . . especially those tendered in blood.  MAGIC EYES by Bill Pronzini Edward James Tolliver has found a weary sort of asylum among the insane. He knows he’s not one of them—but how can he tell anyone about the invaders without sounding that way?  MURDER IN CHAINS by Simon Clark Imagine awaking to find yourself in an underground vault, chained by the neck to a murderous lunatic, a grunting goliath who seems more animal than man. What would you do to save yourself?  THE WATCHED by Ramsey Campbell Little Jimmy gets a glimpse of the cold truth when he finds out that it’s not always what you see that can get you into trouble; it’s who knows what you see.

    And that's a scary place to be.

    Omnibus collection of four early Bachman novels (Rage, The Long Walk, Roadwork, The Running Man) and the essay "Why I Was Bachman"

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.