He and his wife Elizabeth are expecting their second child, and if her parents on Striver’s Row don’t approve of him or their cramped apartment across from the subway tracks, it’s still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time. Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn’t ask where it comes from. He knows a discreet jeweler downtown who doesn’t ask questions, either. Then Freddie falls in with a crew who plan to rob the Hotel Theresa—the “Waldorf of Harlem”—and volunteers Ray’s services as the fence. The heist doesn’t go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers, and other assorted Harlem lowlifes. Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs? Harlem Shuffle’s ingenious story plays out in a beautifully recreated New York City of the early 1960s. It’s a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem. But mostly, it’s a joy to read, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead.

    And now, during their junior year, she’s finally available. So when Kiera volunteers for an opportunity at their church, Del’s right behind her. Though he quickly realizes he’s inadvertently signed up for a Purity Pledge.His dad thinks his wires are crossed, and his best friend, Qwan, doesn’t believe any girl is worth the long game. But Del’s not about to lose his dream girl, and that’s where fellow pledger Jameer comes in. He can put in the good word. In exchange, Del just has to get answers to the Pledgers’ questions…about sex ed.With other boys circling Kiera like sharks, Del needs to make his move fast. But as he plots and plans, he neglects to ask the most important question: What does Kiera want? He can’t think about that too much, though, because once he gets the girl, it’ll all sort itself out. Right?

    Utilizing medical terminology and iconography to work through loss and detachment, McHugh’s startling rhymes and rhythms—along with her sarcastic self-reflection and infectious laughter—serve as antidotes to the sufferings of the world. Being “upgraded to serious” from critical condition is a nod to the healing powers of poetry."Not to Be Dwelled On"Self-interest cropped up even there,the day I hoisted three insteadof the ceremonially called-for twospadefuls of loamonto the coffin of my friend.Why shovel more than anybody else?What did I think I’d prove? More love(mud in her eye)? More will to work?(Her father what, a shirker?) Christ,what wouldn’t anybody giveto get that gesture back?She cannot die again; and Ido nothing but re-live.

    Brown. Brown is the winner of the Texas Book of The Year Prize, 2013. The New York Times calls his work a rekindling of the faith in the shocking, weird and beautiful power of words. Brown finally sold the ship, The Sea Section, upon which he lived for years in the Long Beach harbor, after which he took to hunting for a city that was affordable and had a bustling writer s community. He landed in Austin, Texas and when the progress of that town got to be intense, he moved to the nearby countryside in Elgin, Texas, and from that pastoral setting came unfurling this new collection of his most personal work to date. Brown has been known as one of the most touring, well travelled living poets in America. He has based his whole writing career on changing peoples minds about poetry and he feels a quality, unforgettable live experience can achieve that. Brown told himself he needed a 10-year hiatus from writing poetry when he felt the well of creativity had dried up. 2 years ago, he wrote a one-hour long poetic play called Strange Light, commissioned by The Noord Nederlands Dans Group in Holland. The piece was performed by 14 dancers and accompanied by a live orchestra using music composed by fellow Americans, Emily Wells and Timmy Straw. While he was working on a new libretto for Wayne State University in Detroit, he was set up in a seemingly pastoral country setting, where, as Brown says, an incredible war broke out inside and out, such bright, massive storms, snakes, guns, howling wind, hard sun: all kinds of poems gushed forth. I gave in to the process and my best work to date was born, this will be my 5th book. Our Poison Horse touches on more autobiography than the romantic and fantastical that was so present in his past work. In Derrick Brown s words: I found a poetry in the real events that shaped or broke me. Every morning, I would quiet down, stare out into the field where we were watching our neighbors horse, a horse that was poisoned with pesticide by some local boys, a horse with massive scars all down its body from it s skin peeling from the poison sprayed upon it maliciously by some bastard kids. I watched the horse heal and finally come to me, and trust me and eat carrots. Something about that horse, Lacey, about it not trusting me and then warming up pulled something out of me that I didn t know I was ready for. There is a theme that in beautiful places, you will"

    the new black sees our racial past inevitably shaping our contemporary moment, but struggles to remember and reckon with the impact of generational shifts: what seemed impossible to people not many years ago--for example, the election of an African American president--will have always been a part of the world of children born in the new millennium. All of the poems here, whether sonnet, mesostic, or deconstructed blues, exhibit a formal flair. They speak to the changes we have experienced as a society in the last few decades--changes that often challenge our past strategies for resisting racism and, for African Americans, ways of relating to one another. The poems embrace a formal ambiguity that echoes the uncertainty these shifts produce, while reveling in language play that enables readers to "laugh to keep from crying." They move through nostalgia, even as they insist on being alive to the present and point longingly towards possible futures.

    In turns sad, troubled and angry, her voice has always been one of great empathy, knowing, as she says, “the only mercy is memory.” In this, her 12th book of poetry, the National Book Award-winner speaks to the tenuous relationship between mothers and daughters, the debilitating power of cancer, the open wound of racial prejudice, the redemptive gift of story-telling. “September Song,” a sequence of seven poems, featured on National Public Radio, presents a modern-day Orpheus who, through her grief, attempts to heart-intelligently respond to the events of September 11th. The last sequence of poems—a tightly-woven fabric of caveats and prayers—was initially written in the 1970s, then revised and reshaped in the last few years.Lucille Clifton is an award-winning poet, fiction writer and author of children’s books. Her most recent poetry book, Blessing the Boats: New and Selected Poems 1969–1999 (BOA), won the 2000 National Book Award for Poetry. Two of Clifton’s BOA poetry collections, Good Woman: Poems and a Memoir 1969–1980 and Next: New Poems, were chosen as finalists for the Pulitzer Prize in 1988, while Clifton’s The Terrible Stories (BOA) was a finalist for the 1996 National Book Award. Clifton has received fellowships from the NEA, an Emmy Award from the American Academy of Television Arts and Sciences, the Shelley Memorial Prize and the Charity Randall Citation. She is a Distinguished Professor of Humanities as St. Mary’s College in Maryland. She was appointed a Fellow of The American Academy of Arts and Sciences, and elected as Chancellor of The Academy of American Poets in 1999. She lives in Columbia, MD.

    is the debut collection of prose and poetry by Malawian writer, Upile Chisala. This book explores the self, joy, blackness, gender, matters of the heart, the experience of Diaspora, spirituality and most of all, how we survive. soft magic. is a shared healing journey.

    As a leading abolitionist, her bravery and selflessness has inspired generations in the continuing struggle for civil rights. Now, National Book Award nominee Erica Armstrong Dunbar presents a fresh take on this American icon blending traditional biography, illustrations, photos, and engaging sidebars that illuminate the life of Tubman as never before. Not only did Tubman help liberate hundreds of slaves, she was the first woman to lead an armed expedition during the Civil War, worked as a spy for the Union Army, was a fierce suffragist, and was an advocate for the aged. She Came to Slay reveals the many complexities and varied accomplishments of one of our nation’s true heroes and offers an accessible and modern interpretation of Tubman’s life that is both informative and engaging. Filled with rare outtakes of commentary, an expansive timeline of Tubman’s life, photos (both new and those in public domain), commissioned illustrations, and sections including “Harriet By the Numbers” (number of times she went back down south, approximately how many people she rescued, the bounty on her head) and “Harriet’s Homies” (those who supported her over the years), She Came to Slay is a stunning and powerful mix of pop culture and scholarship and proves that Harriet Tubman is well deserving of her permanent place in our nation’s history.

     From Cleo Wade: Where to Begin is a collection of the ideas, mantras, and poems I turn to when I feel like I am losing it. I wrote this so that I could put them all in one place when I felt overwhelmed by worry, fear, anxiety, or helplessness. The words in this book are what stop me from walking away from the problems of the world during tough times. They also help me stay connected to hope during difficult moments and remind me that even on the days that feel the most daunting, I still have the power to show up and do something, somewhere, in some way. Change-making comes in all sizes. It doesn’t always have to be one big gesture or nothing. As my friend Jenna often says, “The big stuff is the small stuff.” Your big life is made up of a collection of all of your small moments. Our big world is a made up of a collection of all of our small actions. This book is about where to begin.

    Left to raise a baby without the assistance of the married father, she has given up on finding a prince on a white horse to rescue her. Enter Cardiologist and single father, Ford Tucker. Dr. Tucker is all work and no play. He has dedicated his life to work and raising his daughter. When Ford becomes Maya’s Cardiologist, he is instantly smitten with her. Sparks fly and the passion’s hot as ever between the two. But just when Ford thinks he has finally found Ms. Right, and Maya thinks she’s found her prince, a devastating secret is revealed that will rock the core of their relationship. Will their bond survive the terrible secret? Or will Ford end up alone and Maya prince less?

    BOXED SET INCLUDES THE FOLLOWING TITLES: Bankroll Squad by David Weaver The Union by Tremayne Johnson The Versace League by Shan Country Girls by Blake Karrington Teflon Mafia by Alicia Howard and Drusilla Mars Ghetto Girl Games by Torica Tymes The Throne by Cole Hart Thug Luv by Jazmyne Truth Hurts, Lies Kill by Raymond Francis The Streets Don’t Luv Me by Alicia Hartley Love and War by Jackie Chanel I see Dead People by Joe Awsum The Real Blockwives of Atlanta by Sevyn McCray Love in the Chamber by Rasheed Carter Hard by Anjela Day Ballad of Bad Bitch by Ms. Bam Kush and Cologne by Envy Seal Handbag Mafia by Chanel Jones

     Janelle's dreams are all set to come true when she gets the chance to become the District Attorney of New York City. The only thing making her have second thoughts is the fact that she’s married to the city’s ultimate bad boy, Luke ‘Outlaw’ Murray. With no one around who understands her ambitious goals, she finds a friend in a woman who truly only wants to bring her down. The saying ‘keep your friends close and your enemies closer’ always rings true but once Janelle finally realizes that her enemy is right in front of her, will it be too late? Luke ‘Outlaw’ Murray is the bad boy who no one ever imagined could be tamed. Now that he’s a family man, his reckless lifestyle has changed, but the savage in him is very much alive. With Janelle focused on her own dreams, he turns his attention back to running the streets... only to meet someone he would have never expected: Chloe Harvarty, the sister of Chris Harvarty, a man whose life he ended in order to protect the woman he loved. His guilt plagues him when he sees the way that his actions have utterly devastated her life and, against his better nature, he’s caught up—feeling obligated to help a woman he begins to feel responsible for. When a simple friendship begins to cross the line over into a lane that he knows he shouldn’t explore, will Outlaw stand strong or will he turn back into his old self and fall back into his womanizing ways?

    Doctors believed that Starr would only be a waste in society and behind in everything she did. After losing the love of her life Keylan; Starr loses all compassion and want to have a better life. She returns to Atlanta from Miami and immediately begins to play hard in the streets.Finding love once again in her ex Quad, Starr begins to contemplate doing right again but suddenly truths are revealed, friends becomes foes, and lives are lost. Starr’s ways finally start to catch up to her and someone wants to send her to an early grave. Will they succeed or will she become the Reigning Starr that no one believed she could be?Gun play, lies, and murder isn’t supposed to be a part of a girl’s everyday life. But Starr isn’t your ordinary girl. Walk with Starr as she takes you on a journey where the girls go just as hard as the boys.

    Instead of going away to college or turning up every weekend, she spent her days behind the counter at McDonalds. With a mother fighting Lupus and bills that had to be paid, Azuri put her life on hold to be whatever her mother needed her to be. A night working the late shift changed her life. It was the day she met Kashmir “Gotti” Banks. Gotti is an arrogant, smart mouthed boss from Harlem and used to getting everything he wanted, that is until he met Azuri. Love ‘em and leave ‘em had been his way of life for the past twenty five years. Chasing women was never his style and being caught, had never been Azuri’s style. The chemistry between the two was far more than either of them could ever imagine. Not sure if Gotti is good for her, Azuri built a wall up that he was determined to tear down. A day at the Rucker started a whirlwind romance between the two, but will they have a happily ever after? Lies, drama, murder, sex and deceit threaten to destroy the union the two have built. Will their love stand the test of time? Or will too many lines being crossed, tear the two apart? Find out in this juicy tale, unlike anything you’ve ever read...

    She follows no one’s rules–she makes them. Now, however, it seems as if Lane, her oldest brother and patriarch of the family, wants to rein her in and put an end to her wild ways. Determined to come out on top, she turns to family friend, Maxwell Banks, who also happens to be her brother’s best friend. After several explosive bumps and well constructed roadblocks, they finally come to a breakthrough in the passionate, but complicated, layers of their relationship. Max, however, has secrets of his own that prevent him from being completely honest with Taylor. Any hope of them building on the fragile bond they've formed is shattered once the details of his deception come to light. When the betrayal is discovered, it could cause more than the loss of trust–it could be the end of someone’s life. Being Barron 3 is the third book in the Barron Trilogy. Books 1 and 2 can be found on Amazon as well as other books by S. K. Hardy. Warning: Being Barron 3 contains adult content (language and sexual scenes) not suitable for readers under 18.