David Hobbs, vacationing with his wife Miriam, inadvertently stumbles upon a small cloth 'keepsake' bag and a broken tooth. A human tooth. Miriam begs David to hand the bag and tooth over to park officials, but he ignores his wife's pleas and secretly keeps the 'harmless' items. The action opens a doorway that had been closed for nearly a hundred years and unleashes hell on earth, or at least hell in the lives of David and Miriam.Following the brutal murder of his best friend in Denver, and an aborted attack on his oldest son, David desperately seeks to understand why a mysterious teenage girl has chosen to terrorize him and the males closest to him. To prevent further devastation to his family and end the wanton bloodshed, he returns to the enchanted hills of eastern Tennessee, where a terrible truth awaits discovery...one that forces him to face the consequences for the unpaid sins of his ancestors.

    The haughty, aristocratic Ushers live in a mansion near Asheville; the poor but crafty mountain folk (whose families are just as ancient) live on Briartop Mountain nearby. At harvest time, when the book's action unfolds, the mountains are a blaze of color. Add to the mixture a sinister history of mountain kids disappearing every year, a journalist investigating those disappearances, a monster called "The Pumpkin Man," moldy books and paintings in a huge old library at the Usher estate, and a secret chamber with a strange device involving a brass pendulum and tuning forks--and you've got a splendid recipe for atmospheric horror.Originally published: New York: Holt, Rinehart, and Winston, 1984.

    Equal parts brilliant and charming, neurotic and manipulative, Harry has devoted his life to exposing the truth behind England’s many ‘false hauntings’, and never has he left a case unsolved, nor a fraud unexposed.So when Harry and Sarah are invited to Borley Rectory – a house so haunted that objects frequently fly through the air unbidden, and locals avoid the grounds for fear of facing the spectral nun that walks there – they’re sure that this case will be just like any other. But when night falls and still no artifice can be found, the ghost hunters are forced to confront an uncomfortable possibility: the ghost of Borley Rectory may be real. And, if so, they’re about to make its most intimate acquaintance.

    A bereaved father. Alone with his loss, Ian Colmes has driven away everyone he loves. But when he begins to see his dead son again, is it because the boy is reaching out from beyond? Or has Ian's anguish finally given way to dementia?With a masterful hand, suspense newcomer Adam J Nicolai paints a picture of grief, madness, and the furious strength of a father's love for his son.

    From acclaimed director Guillermo del Toro.

    There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again.Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?

    Drive that route from east to west, and you’ll cross six bridges. Take it from west to east, and you might find seven.But you’d better hope not.Titus and Melanie Bell leave their hotel in Fargo for a second honeymoon canoeing the Okefenokee Swamp. But shortly before they reach their destination, they draw up to a halt at the edge of a rickety bridge with old stone pilings, with room for only one car . . .When, much later, a tow-truck arrives, the driver finds Titus lying in the middle of the road, but Melanie is nowhere to be found.

    John Saul, the master of supernatural suspense, John Saul, brings to chilling life the small New England town of Blackstone--and the secrets and sins that lay buried there. . . . — From atop Blackstone's highest hill, the old Asylum casts its shadow over the village. Built in the 1890s to house the insane, the Asylum has stood vacant for decades. But now, the wrecker's ball is about to strike--and unleash an ominous evil. Strange gifts begin to appear on the doorsteps of Blackstone's finest citizens.Each bears a mysterious history.Each brings a horrifying power to harm.Each reveals another thread in the suspensefully woven web of . . .THE BLACKSTONE CHRONICLESPart I--An Eye for an Eye: The DollPart II--Twist of Fate: The LocketPart III--Ashes to Ashes: The Dragon's FlamePart IV--In the Shadow of Evil: The HandkerchiefPart V--Day of Reckoning: The StereoscopePart VI--Asylum

    Recently transplanted from New York City, Sam and her stepmother are not exactly welcomed with open arms. Sam is the descendant of Cotton Mather, one of the men responsible for those trials and almost immediately, she becomes the enemy of a group of girls who call themselves The Descendants. And guess who their ancestors were?If dealing with that weren't enough, Sam also comes face to face with a real live (well technically dead) ghost. A handsome, angry ghost who wants Sam to stop touching his stuff. But soon Sam discovers she is at the center of a centuries old curse affecting anyone with ties to the trials. Sam must come to terms with the ghost and find a way to work with The Descendants to stop a deadly cycle that has been going on since the first accused witch was hanged. If any town should have learned its lesson, it's Salem. But history may be about to repeat itself.

    They find a beautiful old country mansion on Long Island -- restful, secluded, with pool and private beach -- perfect, for the right people. But their "perfect" summer home hides terrors beyond their wildest imaginings. During that long summer the house becomes a nightmare from which there seems to be no escape.

     It starts when Stella, an archaeologist specializing in Anasazi culture, finds David, a young Navajo boy who stumbles onto their dig site in a remote corner of the Navajo Reservation. David's coat is smeared with blood and he's in shock from something he's seen, revealing nothing but his name. Soon Stella and the other archaeologists will discover that something is chasing David, an unimaginable ancient evil that will stop at nothing to get him. After Stella escapes the dig site with David, driving north into Colorado, right into a blizzard, she's carjacked by a gang of criminals fleeing a botched bank robbery. All of them take refuge from the snowstorm in what they believe is an abandoned cabin. But after they find the owner's mutilated body stuffed into a freezer, they realize that something is out there in the blizzard waiting for them. The Ancient Enemy wants things . . . you have to give it what it wants or bad things will happen. Very bad things.

    Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin’s walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past…

    But then a dark cloud threatens the bright promise of summer vacation: on the last day of school, their classmate Tubby Cooke vanishes. Soon, the group discovers stories of other children who once disappeared from Elm Haven. And there are other strange things happening in town: unexplained holes in the ground, a stranger dressed as a World War I soldier, and a rendering-plant truck that seems to be following the five boys. The friends realize that there is a terrible evil lurking in Elm Haven...and they must be the ones to stop it.

    Scattered throughout the settlement are centuries-old stones used during the Great Plague as boundary markers. No plague-sufferer was permitted to pass them and enter the village. The plague diminished, and the village survived unscathed, but since then each year the village trustees have insisted on an ancient ceremony to renew the village boundaries, until a misguided act by the Feenans' son then reminds the village that there is a reason traditions have been rigidly stuck to, and that all acts of betrayal, even those committed centuries ago, have consequences...