Richard the Lionheart is dead and his brother John has just been crowned King of England. John travels to St Edmund’s abbey in Suffolk to give thanks for his accession. His visit coincides with the murder of a twelve-year-old boy whose mutilated body bears the marks of ritual sacrifice and martyrdom. This isn’t the first time such a thing has happened. Eighteen years earlier another child was murdered in the town in similar circumstances. Abbot Samson needs to find out if this is indeed another martyrdom or just an ordinary murder and appoints the abbey’s physician, Master Walter, to investigate. Walter discovers a web of intrigue and corruption involving some of the highest in the land but unbeknown to him his own past holds a secret which will put his life in danger before the final terrible solution is revealed.

    

    

    The result is a headlong, love-struck, end-of-millenium, coast-to-coast tour of the frustrations, contraditions and giddying glories of being Irish in the 1990s.

    This beautiful new gift edition of a classic collection combines all three. In thirty compelling Christmas excerpts from his sermons, Luther vividly portrays the human realism of the Nativity: Mary's distress at giving birth with no midwife or water; Joseph's misgivings; the Wise Men's perplexity; and Herod's cunning. Throughout, Luther suggests the question: If we had lived in Bethlehem when Jesus was born, would we have believed that this newborn baby was God in human form? And he reminds us that keeping Christmas is a year-around mission of caring for those in need. Nine elegant illustrations by Luther's contemporaries-including four by noted engraver Albrecht Durer-capture timeless scenes from the Christmas story. And two of Luther's beautiful Christmas carols are included on the final pages of the book.

    At a glance, it bears few similarities to any place we know and inhabit. But upon closer examination, the differences between this complex virtual reality and our own might not be as vast as we think. In “How You Play the Game,” author and philosopher Charlie Huenemann looks philosophically at the game of Minecraft (“What is the point of this game? How does one win? Well, this depends on what you want to do”) and grapples with the ethical conundrums, existential crises and moral responsibilities of the virtual realm. From the Overworld to the Ender Dragon, Huenemann offers an entertaining, insightful and often hilarious examination of Minecraft and the strange worlds—both virtual and not—surrounding it.Charlie Huenemann is a Professor of Philosophy at Utah State University. He writes for 3quarksdaily, and has published several books on the history of philosophy.Cover design by Adil Dara.

    Only Jesus' ministry is redemptive. Jesus has to show up. Theologian Andrew Purves explores at the deepest level the true and essential nature of Christian ministry. He says that the attempt to be an effective minister is a major problem. Ministers are in the way. He radically claims that ministries need to be crucified. They need to be killed off so that Christ can make them live. Rooting church service in Christ's own continuing ministry, Purves provides a vision for students and practicing clergy to reclaim the vital connection between Christ and participation in his ministry today, even if it means letting Christ put to death the ministries to which pastors cling so closely. A radical appraisal for a critical malady affecting the life of the Christian church written in plain, down-to-earth language.

    Perfect for all ages, the thick white paper with lightly ruled lines in the extra-wide margins, provides ample space for your own artistic expressions and journaling. The NIV Beautiful Word™ Coloring Bible is a perfect gift that will become a cherished keepsake full of personalized creative expressions of faith. Features of this treasured Bible include:Hundreds of verses illustrated in ready-to-color line art Thicker white paper for enduring note-taking Lined, wide margins for notes, reflections and art Full text of the most read, most trusted modern-English Bible – the New International Version (NIV) Easy-to-read black letter text in single-column format Lays flat in your hand or on your desk Ribbon marker 8-point type size

    They find a safe haven in the isolated Norfolk village where Seb was born. Yet this idyllic rural setting has its own murderous secrets and a terrible crime requires our hero to play the sleuth once more.Even away from London, Seb and Emily are not as safe as they believe - their enemies are closer than they know and danger lurks at every twist and turn. The sixth Sebastian Foxley medieval murder mystery from bestselling author Toni Mount brings the medieval era to life once again.

    The embarrassment is palatable, but perseverance is the most touching part of these stories. These awful things that happened don't interrupt the dream. The dream of performing and stardom. The dream of connecting with an audience. No Encore! is a glimpse into the analog past; a trip to a distant world when artists made albums and suites of songs you listened in order." —Bret Easton Ellis   “They hated us and started throwing cups, bottles, change, chairs, and anything that wasn’t nailed down.” —Dean Ween This hilarious, sometimes horrifying, collection spans four decades and chronicles the craziest, druggiest, and most embarrassing concert moments in music history—direct from the artists who survived them.  “In the midst of my insanity, I thought it would be a very romantic gesture to go into Fiona Apple’s dressing room and write a message on her wall in my own blood.” —Dave Navarro From wardrobe malfunctions to equipment failures, from bad decisions to even worse choices, this is a riveting look into what happens when things go wrong onstage and off. “Ozzy had a sixty-inch teleprompter with the song lyrics, and that got stolen, along with microphones, snare drums and cymbals. Our drummer at the time was stabbing people in the neck with his drumstick.” —Zakk Wylde No Encore! is an unflinchingly honest account of the shows that tested the dedication to a dream—from Alice Cooper’s python having a violent, gastric malfunction on stage to Lou Barlow’s disastrous attempt to sober up at Glastonbury, from Shirley Manson’s desperate search for a bathroom to the extraordinary effort made to awaken Al Jourgenson as Ministry was taking the stage. As Hunter S. Thompson famously wrote, “Buy the ticket, take the ride.”  “I go to exit the venue, and there’s 25 people marching towards us. It’s about 3:00 AM, and they weren’t there to be nice. They were carrying bats, boards, chains, hammers, and they were coming for us.” —Dee Snider

    Rumors abound that this savage is responsible for the deaths of Lady Catrin’s father and brother. How can she allow her sweet cousin to wed a murderer? Bran ap Madog, bastard son of a Welsh prince, has devoted his life to serving the English king. His badge is the raven, a creature that feeds off rotting spoils, just as Bran feeds off the spoils of war. Now he wants a reward for his service: a wealthy wife and the land and power she can bring him. But there’s another side to the rapacious black birds Bran has chosen for his badge. Social and family-oriented, ravens mate for life. Which gives them something Bran never had—a family, a sense of belonging, and a rightful place in the world. Bran has fought for everything he’s ever had. But his last battle, with his new wife, may cost him the one thing he isn’t prepared to lose: his heart.

    The great city of Constantinople, last remnant of the once-mighty Roman Empire, falls to the Ottoman armies of Sultan Mehmed the Conqueror. An English knight named Sir John Page is taken prisoner by the Ottomans, and forced to entertain the Sultan with tales of the West. Page chooses to tell the story of his own long career as a soldier of fortune in France, Bohemia and the Italian city-states. Page’s tale begins in the year of Agincourt, Henry V’s famous victory over the French. As the bastard son of Thomas Page, a famous mercenary captain known as The Half-Hanged Man or The Wolf of Burgundy, Page soon acquires the nickname of The Wolf Cub. After slaying his cousin in a duel, Page flees his home and joins a band of outlaws in the forests of Sussex. At last - tired of the brutality of his companions - he decides to leave England and join the English army in Normandy. There he endures brutal sieges, vicious combats, torture, betrayal and imprisonment, all to win glory and redeem his father's name. Trapped in the Sultan’s prison, Page must hope his story is enough to save him from the executioner’s blade....at least for another three days...

    The feelings Miss Harriett Ponsonby stirs in him are less than welcome, but when he is left battling for his life, he has no option but to seek the help of the one woman who stirs his soul. The very last thing he wants or needs is to feel any attraction toward the delightfully intriguing Miss Harriett Ponsonby, especially when it appears that her father is involved with the spy smugglers Hugo has been sent to arrest. Torn between his desire for Harriett, and his duties as a member of the Star Elite, decisions don't come more difficult for Hugo when someone tries to take her life, and he finds himself becoming her bodyguard! Can he really send his future father-in-law to jail if he is guilty of spy smuggling? Will his obligation to carry out his orders cost him the hand of the only woman who has ever come close to touching this battle-hardened warrior's heart? Can they identify not only one, but two murderers in time to prevent another death? Book one of the brand new Star Elite series introduces one of England's elite fighting units as they battle to protect England's borders from French spies, murderers, smugglers and thieves while they battle with the demons on the past, and the women who will change their lives forever. Book 2 - Smuggler's Glory released 20th November 2013. Book 3 - His Lady Spy released January 2014.

    

    -- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature-- The critical essays reflect a variety of schools of criticism-- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index