He'd heard that the locals constructed jerry-rigged hoops out of any material they could get their hands on-car hoods, driftwood, twisted rebar-and built courts everywhere, from cluttered street corners to the slopes of volcanoes and in the thick of jungles.Allured by the idea of an island nation full of people who love the game as irrationally as he does, American journalist Rafe Bartholomew arrived in Manila to unlock the riddle of basketball's grip on the Philippines. On his unforgettable journey, Bartholomew spends a season inside the locker room of a Philippine professional team, dines with politicians who exploit hoops for electoral success, travels with a troupe of midgets and transsexuals who play exhibition games at rural fiestas, and even acts in a local soap opera. Sweating his way through hard-fought games of 3-on-3, played with homemade hoops for 50-cent wagers, Bartholomew uses a mix of journalistic knowhow and the hard- court ethics he learned from his dad to get in the paint and behind the scenes of Filipinos' against-all-odds devotion to the sport.

    It was one that led him steadily to a fresh interpretation of human interaction with God?as born solely from God's grace and not the Church's mediation?and to the famous theses he posted at Wittenberg in 1517. Luther's persistence in this belief, and in his long battle with Church leaders?embellished by rich historical background?make Marty's biography riveting reading. Luther's obdurate yet receptive stance, so different from the travestied image of ?fundamentalism? we currently face, restored the balance between religion and the individual. "Martin Luther" is at once a fascinating history, a story of immense spiritual passion and amazing grace, and a superb intellectual biography.

    More than the individual story of a mother watching her sons grow and plunge into real life, Dekada '70 is an indictment of martial law, and here, Lualhati minces no worlds." - Female Forum, November 21, 1983

    Hard to imagine that no one counts,that only things endure.Unlike the seasons, our shirts don't shed,Whatever we see does not see us,however hard we look,The rain in its silver earrings against the oak trunks,The rain in its second skin.--from "Scar Tissue II"In his new collection, the Pulitzer Prize-winning poet Charles Wright investigates the tenuous relationship between description and actuality--"thing is not an image"--but also reaffirms the project of attempting to describe, to capture the natural world and the beings in it, although he reminds us that landscape is not his subject matter but his technique: that language was always his subject--language and "the ghost of god." And in the dolomites, the clouds, stars, wind, and water that populate these poems, "something un-ordinary persists."Scar Tissue is a groundbreaking work from a poet who "illuminates and exalts the entire astonishing spectrum of existence" (Booklist).

    To understand the universe in the far future, we must first describe its present state and structure on the grand scale, and how its present properties arose. Dr Islam explains these topics in an accessible way in the first part of the book. From this background he speculates about the future evolution of the universe and predicts the major changes that will occur. The author has largely avoided mathematical formalism and therefore the book is well suited to general readers with a modest background knowledge of physics and astronomy.

    Adrian is rich, innocent, handsome—the son of a leading family; Anna has been widowed in the rebel struggle and was herself detained and tortured by the military; Eliza, the beautiful daughter of a courtesan, is now the object of the perverted desires of the depraved Colonel Amor, Anna's tormentor.As the heat of the carnival brio rises, so do intimations of revolution, for somewhere in the jungle the rebel leader Guevara is plotting a terrorist act: a bomb will be placed at the speakers' stand timed to explode when the governor appears. Anna makes contact with the rebels, while Eliza plots to kill Amor for what he has done to her friend. And Adrian is captured and drugged by the colonel.As the tension builds, the novel moves back in time, in the Book of Numbers, on a headlong, magical, sometimes hallucinatory reprise of Filipino history and the history of the families of the three young people. We learn of the Japanese atrocities, Filipino greed and treachery, American coldness and venality. We learn how Adrian's fortune was made, how Anna became the strange and silent thinker she is, how Eliza is distantly related by European blood to Anna. And we meet characters whose literally fabulous—a woman who forces icons to respond prayers, a distillery owner who is also master of forty-two ways of self-indulgence, a self-contained maid who determines her master's fat, a boy who falls in love with saxophone, a teenage Chinese girl with bound feet who dreams of the return of the Manchu Dynasty, a German chemist unable to brew beer...Finally, in the Book of Revelations, we reawaken to the present: once again we are at the festival on K_____, about to witness the novel's shattering conclusion, its terrifying finale.Like Isabel Allende's The House of The Spirits, Ninotchka Rosca's novel is both a work of art and a powerful illumination of an entire culture and a country in conflict. Her achievement is timeless as well as masterful.

    April, a stripper, has brought her daughter to work at the Puma Club for Men. There she encounters Bassam, a foreign client both remote and too personal and free with his money. Meanwhile, another man, AJ, has been thrown out of the club, and he’s drunk, angry, and lonely. From these explosive elements comes a relentless, raw, and page-turning narrative that seizes the reader by the throat with psychological tension, depth, and realism.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Through stories of everyday people, Smith also shows how Americans are faring today--and explores what we can do, together, to re-create the American Dream. Fitting the pieces of a big puzzle together in the way only a veteran reporter can, Smith shows how events reported in many recent news stories--from the mortgage mess to 401(k) disasters, and including problems in housing, banks, pensions, legislation, jobs, and more--are the outcomes of the evolution of a political and economic dismantling that began in 1971 with Lewis Powell's provocative memo, and continued through the eras of Nixon, Carter, Reagan, Clinton, and Bush, up to today. With a deep and sophisticated understanding of recent American history, Smith interweaves into the decades-long story of our country's reconfiguration powerful, vivid portraits, both of some of the people who caused this change, and some of those affected by it. This book tells a story about modern America that has never been told this way before. It is essential reading for anyone who wants to understand America now, and why he or she can't get ahead. "Who Stole the American Dream?" explores how we can recapture lost hope--it is a masterful work about America today by one of our leading print and television journalists.

    The Jack-Roller helped to establish the life-history or "own story" as an important instrument of sociological research. The book remains as relevant today to the study and treatment of juvenile delinquency and maladjustment as it was when originally published in 1930.

    Nine-year-old Millie Ash and her family live a tough and frugal life in Rotherhithe. Millie is determined from a young age to better herself and when her aunt gets her a job as a scullery maid for the Green family in London, she believes her luck is changing. She soon becomes friends with the Green children, Lewis and Joan. Joan is paralysed and confined to the house, and the girls become very close. But years later a tragic accident changes everything and Millie loses her job and is disowned by her family. Lewis stands by her, but when he leaves for the battlefields of France, Millie realises she must make her own luck if she is to have any chance of happiness...

    Apart from this, many a times each state of each nation has role models from the past but not forgotten history. Maharashtra has its own idols. The greatest and most loved of them all is shivaji maharaj.

    A novel that tells of the dark world of Rafael, a rich ophthalmologist and a womanizer—a world largely peopled by the women oppressed by his decayed character.

    wrote on the royal family of the erstwhile state of Travancore. The other two are Dharmaraja (1913) and Ramaraja Bahadur in two parts (1918-1920). Marthanda Varma on the surface, is a historical romance, but its subtext is a political one of contemporary significance. In the novel there is a subplot with Subhadra at the centre. Through what she does or what happens to her, C.V. is projecting a futuristic vision of the New Woman in the Indian context. The conventional image of the woman is replaced by an imagined figure that was to emerge on the Indian scene. Another unique feature of this novel is the introduction, for the first time, of untouchables, the channans of south Travancore, Hence is fiction asserting humanistic values over and above the taboos and superstitions of yester-years.

    Containing 74 essays written over the last ten years, this book covers a range of subjects including the literature of the perceived masters and of Rushdie's contemporaries, the politics of colonialism and the ironies of culture, film, politicians, the Labour Party, religious fundamentalism in America, racial prejudice and the preciousness of the imagination and of free expression.