A woman had wanted to leave him. You're not going anywhere, he told her. Later that day, a police officer reports to the house and finds some human tissue and organs in a bag left out for garbage. The person of interest in the case is a steelworker named Sam Pirrera, who lives in the house. But who is the victim? Sam's current estranged wife, Danielle? It is known that they had a stormy relationship; Sam had assaulted her as his coke addiction returned. Forensic detectives find traces of blood in the basement, and then the entire corpse, dismembered, the parts hidden behind a false wall and packed in boxes, each of the parts wrapped and doused in gasoline. The victim's identity is discovered through prints to be a prostitute named Maggie Karer. The dismemberment, defensive mutilation, is so calculated and deliberate, the detectives wonder, are there more victims? But Pirrera's first wife was named Beverly, and a woman named Lesa Davidson shows up at the police station to say she hasn't heard from her daughter-Beverly-in eight years. And Sam's estranged wife, Danielle, who is in fact alive, tells police that Sam had once told her he had killed his first wife and dumped her parts in a vat of molten steel at a steel plant. Detectives now pursue a double murder case, led by veteran homicide detective Peter Abi-Rashed, who had once chased a young Sam Pirrera on the streets of Hamilton's east end many years before. The outcome is shocking - and a mystery remains.

    But Charlie wasn't lighting fires alone: he had an accomplice, his girlfriend Tonya Bundick. Through her depiction of the dangerous shift that happened in their passionate relationship, Hesse brilliantly brings to life the once-thriving coastal community and its distressed inhabitants, who had already been decimated by a punishing economy before they were terrified by a string of fires they could not explain. Incorporating this drama into the long-overlooked history of arson in the United States, American Fire re-creates the anguished nights that this quiet county spent lit up in flames, mesmerizingly evoking a microcosm of rural America - a land half gutted before the fires even began.

    Linda Burfield Hazzard. It was supposed to be a holiday for the two sisters. But within a month of arriving at what the locals called Starvation Heights, the women were emaciated shadows of their former selves, waiting for death. They were not the first victims of Linda Hazzard, a quack doctor of extraordinary evil and greed who would stop at nothing short of murder to achieve her ambitions. As their jewelry disappeared and forged bank drafts began transferring their wealth to Hazzard’s accounts, Dora Williamson sent a last desperate plea to a friend in Australia, begging her to save them from the brutal treatments and lonely isolation of Starvation Heights.In this true story—a haunting saga of medical murder set in an era of steamships and gaslights—Gregg Olsen reveals one of the most unusual and disturbing criminal cases in American history.

    England is engulfed in war as King Stephen and his cousin, the Empress Matilda, vie for the crown. In this dangerous world, not even Emma, an eleven-year-old peasant, is safe. A depraved monk obsessed with redheads kidnaps the ginger-haired girl from her village and leaves her for dead. When an archer for hire named Gwyl finds her, she has no memory of her previous life. Unable to abandon her, Gwyl takes the girl with him, dressing her as a boy, giving her a new name—Penda—and teaching her to use a bow. But Gwyn knows that the man who hurt Penda roams free, and that a scrap of evidence she possesses could be very valuable.Gwyl and Penda make their way to Kenilworth, a small but strategically important fortress that belongs to fifteen-year-old Maud. Newly wedded to a boorish and much older husband after her father’s death, the fierce and determined young chatelaine tempts fate and Stephen’s murderous wrath when she gives shelter to the empress.Aided by a garrison of mercenaries, including Gwyl and his odd red-headed apprentice, Maud will stave off Stephen’s siege for a long, brutal winter that will bring a host of visitors to Kenilworth—kings, soldiers . . . and a sinister monk with deadly business to finish.

    Her father, a stern but loving Puritan, once a distinguished soldier in Cromwell's army, fears for his daughter in the poisonous aftermath of the war, and for her vulnerability as an heiress. But above all he fears and misunderstands her scientific passion for butterflies. The girl is Eleanor Glanville, destined to become one of the most famous entomologists in history, bequeathing her name to the rare butterfly which she discovered, the Glanville Fritillary. But not before she had endured a life of quite extraordinary vicissitude. Two marriages and an all-consuming love, which proved her undoing, a deep friendship with one of the great scientists of the day and finally, a trial for lunacy (on the grounds that no sane person would pursue butterflies). The dramatic events of her life are played out against the violent events of the Monmouth Rebellion and the vicious controversy over whether or not to drain the Somerset marshes (what is now the M5 motorway runs across Kings Sedgemoor Drain - one of the first great ditches which reclaimed the land for farming and destroyed this precious natural habitat).

    Her last play was a flop, her financial situation is getting desperate, and she's stuck with the worst actress in the world as the lead in her new comedy. But when she offers to organize the funeral of a murdered man it seems her troubles are only just beginning...

    Such strange and chilling tales run the gamut of the terrifying and the bizarre and include crime victims, lost explorers, ships vanished at sea, outdoor disappearances, and supernatural mysteries that defy all explanation. Among these pages you’ll find accounts of America’s Lost Colony, history’s most famous ghost ships, famous figures who vanished into the unknown, the unknown fate of America’s first kidnapping for ransom, a vanished heiress, lighthouse keepers who impossibly disappeared, the killer who escaped the noose – permanently, the Grand Canyon adventurers who were never seen again, the Prohibition lawman’s nephew who was never found, the Ohio sorority girl who never made it home, the abducted housewife who disappeared, the Hollywood starlet who left her family behind, a missing West Point cadet, the babysitter who vanished on Halloween, the missing Texas couple who may have been Russian spies, the little boy who walked away for good in the Smoky Mountains, a missing heiress to a candy empire, a missing TV news reporter, a long distance runner whose run never ended, plus infamous vanishings of figures like Theodosia Burr, Amelia Earhart, Glenn Miller, Judge Crater, Jimmy Hoffa, and far too many more! Just remember as you turn the pages, that if these people so easily vanished from the face of the earth, then it means it could happen to anyone – perhaps even you. You may want to read this one with the lights on.

    Displaying a meticulous command of evidence and unerring dramatic flair, Roughead brings to life some of the most notorious crimes and extraordinary trials of eighteenth- and nineteenth-century England and Scotland. Utterly engrossing, these accounts of pre-meditated mayhem and miscarried justice also cast a powerful light on the evil that human beings, and human institutions, find both tempting to contemplate and all too easy to do.

    The author Daphne du Maurier, beautiful, famous, despairing as her marriage falls apart, finds herself haunted by Rebecca, the character in her most famous novel, written 20 years earlier. Seeking distraction, she begins to research a biography of Branwell Bronte.

    Jerusalem lies ransacked. Amidst the chaos, an English knight is entrusted with a valuable religious relic: a fragment of the True Cross, allegedly stained with the blood of Christ. The relic is said to be cursed: anyone who touches it will meet an untimely and gruesome end. Several decades later, the Cross turns up in the possession of a dealer, robbed and murdered en route to Glastonbury. Investigating the death, Bernard Knight's protagonist, Crowner John learns of its dark history. In Oxford in 1269, the discovery of a decapitated monk leads Ian Morson's academic sleuth William Falconer to uncover a link to the relic. In 1323, in Exeter, Michael Jecks' Sir Baldwin has reason to suspect its involvement in at least five violent deaths. Thirty years later, several suspicious deaths occur in Cambridge - and, once again, the tainted relic has a crucial part to play. Finally, it's despatched to London, where Philip Gooden's Nick Revill will determine its ultimate fate.

    Touring with her camera in hand, Elena has found new inspiration in the striking Italian landscape, and she's met an equally striking man named Ian. When Ian has to leave unexpectedly, Elena--usually the more practical of the sisters--finds she's not ready to part from him, and the two share a spontaneous train trip home to England. But a shocking sequence of events disrupts their itinerary, forcing Elena to personally deliver a message to Berlin on Ian's behalf, one that could change the fate of Europe.Back home, Elena's diplomat father and her secretive grandfather--once head of MI6, unbeknownst to his family--are involved in their own international machinations. Worried when Elena still hasn't returned from Italy, her grandfather starts to connect the dots between her change in plans and an incident in Berlin, where Adolf Hitler and the Third Reich are on the rise. It seems the message Elena delivered has forced her into a dangerous predicament, and her grandfather's old contacts from MI6 may be the only people who can get her out alive--if Elena can tell the difference between her allies and her enemies.New York Times bestselling author Anne Perry merges family secrets with suspense on the world stage, as darkness bubbles under the surface of a Europe on the brink of change. In these complicated times, Elena emerges as a strong new heroine who learns quickly that when nothing is certain, she can rely only on herself.

    Glamorous. Prosperous. The place to see and be seen. But beneath the shiny exterior beats a dark heart. For when the sun goes down, L.A. becomes the noir city of James Ellroy’s L.A. Confidential or Walter Mosley’s Easy Rawlins novels. Segregation is the unwritten law of the land. The growing black population is expected to keep to South Central. The white cops are encouraged to deal out harsh street justice. In L.A. ’56, Joel Engel paints a tense, moody portrait of the city as a devil weaves his way through the shadows.While R&B and hot jazz spill out of record shops and clubs and all-night burger stands, Willie Fields cruises past in his dark green DeSoto, looking for a woman on whom he can bestow the gift of his company. His brilliant idea: Buy a tin badge in the five-and-ten to go along with his big flashlight and Luger and pretend to be an undercover vice cop. The young white girls doing it with their boyfriends in the lovers’ lanes dotting the L.A. hills would never say no to a cop. Into the car they go for a ride downtown on a “morals charge,” before he kicks out the young man in the middle of nowhere and takes the girl for a ride she’ll spend a lifetime trying to forget.There’s a bad guy on the loose in the City of Angels.Enter Detective Danny Galindo—he’d worked the Black Dahlia case back in ’47 as a rookie. The suave Latino—one of the few in the department—is able to move easily among the white detectives.  Maybe it’s all those stories he’s sold to Jack Webb for Dragnet. When Todd Roark, a black ex-cop, is arrested, Galindo knows he’s innocent. But there’s no sympathy for Roark among the white cops on the LAPD; Galindo will have to go it alone.There’s only one problem: The victims aren’t coming forward. The white press ignores the story, too, making Galindo’s job that much more difficult. And now he’s fallen in love with one of the rapist’s first victims. If he’s ever found out, he can kiss his badge good-bye.With his back up against a wall, Galindo realizes that it will take some good old-fashioned Hollywood magic to take down a devil in the City of Angels.

    American genealogist Jefferson Tayte is hired to find out what happened, but it soon becomes apparent that a calculated killer is out to stop him.In the Blood combines a centuries-old mystery with a present-day thriller that brings two people from opposite sides of the Atlantic together to uncover a series of carefully hidden crimes. Tayte's research centres around the tragic life of a young Cornish girl, a writing box, and the discovery of a dark secret that he believes will lead him to the family he is looking for. Trouble is, someone else is looking for the same answers and will stop at nothing to find them.In the Blood is the first in the Jefferson Tayte mystery series.

    Reporters flocked to the scene. Well-known columnists took up conspicuous seats in the courtroom. The defendant was relentlessly scrutinized for signs of guilt or innocence. Everyone—rich and poor, suffragists and social conservatives, legal scholars and laypeople—had an opinion about Lizzie Borden’s guilt or innocence.The popular fascination with the Borden murders and its central, enigmatic character has endured for more than a hundred years, but the legend often outstrips the story. Based on transcripts of the Borden legal proceedings, contemporary newspaper articles, previously withheld lawyer's journals, unpublished local reports, and recently unearthed letters from Lizzie herself, The Trial of Lizzie Borden is a definitive account of the Borden murder case and offers a window into America in the Gilded Age, showcasing its most deeply held convictions and its most troubling social anxieties.

    “He has nerve and he has knowledge.”In the span of fifteen years, Dr. Thomas Neill Cream poisoned at least ten people in the United States, Britain, and Canada, a death toll with almost no precedents. Structured around Cream’s London murder trial in 1892, when he was finally brought to justice, The Case of the Murderous Dr. Cream exposes the blind trust given to medical practitioners, as well as the flawed detection methods, bungled investigations, corrupt officials, and stifling morality of Victorian society that allowed Cream to prey on vulnerable and desperate women, many of whom had turned to him for medical help.Dean Jobb vividly re-creates this largely forgotten historical account against the backdrop of the birth of modern policing and newly adopted forensic methods, though most police departments still scoffed at using science to solve crimes. But then most police departments could hardly imagine that serial killers existed—the term was unknown at the time. As the Chicago Tribune wrote then, Cream’s crimes marked the emergence of a new breed of killer, one who operated without motive or remorse, who “murdered simply for the sake of murder.”