It's a word we all love to hear, but do we really know what it means? Without it, our lives are dry and dusty, but when grace comes, it transforms our lives into something rich and beautiful.

    

    Designed to bring women together in a community of support, the Group Experience provides an in-depth look at what the Bible has to say about image, society, relationships, and our innate longing for soul-deep security. The So Long, Insecurity Group Experience will take readers on a journey deep into God's Word and encourage them to work through their struggles with insecurity together while growing in knowledge of the only One who can provide lasting security.

    Before all the NHL's old barns were torn down to make way for bigger, glitzier rinks. Before expansion and parity across the league, just about anything could happen on the ice. And it often did. It was an era when huge personalities dominated the sport; and willpower was often enough to win games. And in the spring of 1993, some of the biggest talents and biggest personalities were on a collision course. The Cinderella Maple Leafs had somehow beaten the mighty Red Wings and then, just as improbably, the St. Louis Blues. Wayne Gretzky's Kings had just torn through the Flames and the Canucks. When they faced each other in the conference final, the result would be a series that fans still talk about passionately 25 years later. Taking us back to that feverish spring, The Last Good Year gives an intimate account not just of an era-defining seven games, but of what the series meant to the men who were changed by it: Marty McSorley, the tough guy who took his whole team on his shoulders; Doug Gilmour, the emerging superstar; celebrity owner Bruce McNall; Bill Berg, who went from unknown to famous when the Leafs claimed him on waivers; Kelly Hrudey, the Kings' goalie who would go on to become a Hockey Night in Canada broadcaster; Kerry Fraser, who would become the game's most infamous referee; and two very different captains, Toronto's bull in a china shop, Wendel Clark, and the immortal Wayne Gretzky. Fast-paced, authoritative, and galvanized by the same love of the game that made the series so unforgettable, The Last Good Year is a glorious testament to a moment hockey fans will never forget.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Seraki joins the cast of a locally produced musical that exposes the plight of black South Africans. When the play travels to the U.S., Seraki discovers that even in America, the land of opportunity, he cannot escape corruption. An ALA Best Book for Young Adults.

    Controversial but successful on the London stage, this play reveals the fate of a "notorious woman" in Victorian England.

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    Painted in giant whitewashed letters: 'SHARKEY IS A GRASS'. I hadn't a clue who Sharkey was, but I knew one thing. 'Sharkey's a dead man,' I said. Leo knows the value of never grassing and that you never grass on your friends. Everybody, too, knows the gang leaders in town. And you don't grass on them. Not unless you don't value your life - like Sharkey. And then Leo is unlucky enough to witness the murder of one gang leader by another, a man called Armour. Leo is petrified as he realises what he is witnessing and even more petrified when he realises that Armour has seen him. Sure that he is drawing his own last breath, Leo silently says goodbye to his family and everybody he knows. But all Armour does is wink at Leo, very slowly, and leave the scene of the crime. Leo draws a long breath of relief. He has got away with it. But he hasn't - not really. Leo will live to regret that wink and realise that Armour has an insidious hold on him and his family,which will test his family relationships, and his very sense of what is right and wrong. It will take bravery, luck and sheer daring to extricate himself from Armour's deadly web.A riveting and hard-hitting new novel from Cathy MacPhail.

    When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    Paperback book

    In desperation, Rose borrows from pagan knowledge and casts a spell.

    Content with working and living in his small world, Will never expected that a trip to the county fair would change everything. Suddenly, at his father's request, Will is summoned to enroll at Bladebeard Academy--the Empire's premiere military academy--where, with the help of some new friends, he hopes to uncover clues about his father's past and to learn to control his newly discovered powers. However, Will quickly finds that he is not without enemies at Bladebeard Academy, making his task difficult. There is more than meets the eye at the Academy, and it's up to Will to stop the growing shadow that's threatening to throw the Academy and the entire Empire into chaos. Enter a world of magic and swordplay in this action-packed fantasy novel by D.B. Penner

    The talented trio share the same dreams of super-stardom and become best friends. But will their friendship stand up against Lucifette Marciano's plans to wreck their chances and claim fame for herself?A brand new series from two sisters who are well acquainted with stardom. Holly is a celebrity who is also a role model.