Like his fellow rockers, Chuck Negron, the lead singer of the 1960s rock group Three Dog Night, succumbed to drug abuse and could have easily been among those who lived hard and died young. But while the lives of so many other rock'n'roll singers ended in tragedy, his is a life of triumph.From 1968 through the early 1970s, Three Dog Night was one of the most popular rack bands in the world. With his sweet, soulful sound, Chuck Negron guided the group through eighteen consecutive Top Twenty hits: three hit the #1 spot, including "Joy to the World", and eleven broke into the Top Ten. But while Three Dog Night was hitting the high notes of critical and commercial success, Negron was sinking into the darkness of drug addiction.The singer's downward spiral continued for several years, and after the band's thirteenth album failed to go gold in 1975, they called it quits. For Negron, who was supporting a $2,000-a.day drug habit, the descent was fast and long-lasting, encompassing two decades of horrendous drug abuse and terrifying near-death experiences. That he survived the ordeal at all is a miracle; that he today has a new foothold on life and devotes. a great portion of his time to helping others avoid the pitfalls of drug abuse is an inspiration.Three Dog Nightmare graphically traces the life and times of Bronx-bred Chuck Negron, who used his talent on the basketball court to earn a college scholarship, and turned his for singing into an unforgettable career. For the first time, Negron tells his full story, hoping that itwill teach others the life lessons he had to learn the hard way.

    The book is full of many personal stories never told or published before. 16-page photo insert.

    His memoir is a reflection on his diverse collection of experiences, both hilarious and heartbreaking.Short takes us through his career, from his early years with Second City Toronto and "Saturday Night Live" to his movie, stage, and television stardom. He recalls how he developed some of his enduring characters manic man-child Ed Grimley, elderly Tin Pan Alley songmith Irving Cohen, slimy lawyer Nathan Thurm, and the blubbery and bizarrely insensitive Jiminy Glick. Here, too, are his movie and television appearances, from the classic " Three Amigos!" to his Emmy-nominated role in "Damages," as well as his stage productions, including his Tony Award winning performance in "Little Me." Throughout, such friends and luminaries as Steve Martin, Tom Hanks, John Candy, Gilda Radner, Lorne Michaels, Nora Ephron, Frank Sinatra, and others share the spotlight.This deeply private man brings us into the circle of his family life, from raising his children to the legendary parties he and his wife hosted in their Los Angeles home. He recounts the pain of losing a brother and both parents by the time he was twenty and of the devastating death of Nancy, his wife of thirty years, in 2010. Despite the hardships, Short s life has been full of laughter, and he remains perennially upbeat. In this wise and entertaining memoir, he shares his irrepressible joy."

    A decade and a half ago, George was coming to terms with the fall-out from serious drug addiction, the failure of his relationship with Jon Moss and the collapse of Culture Club.For lesser men this would have been the end but for George it became the start of a period of remarkable reinvention.Told with George's trademark biting wit, brutal honesty and sparkling insight, this book reveals the whole story, reappraising his rise to stardom and all the madness that followed.He talks about his solo singing career, his initiation into the dance music scene, and his role as the driving force behind theatrical sensation Taboo.George also discusses the achievement of the apparently impossible task of reuniting the famously fractious Culture Club.It is only now, many years on from the glittering, glossy Eighties, that George makes an insightful and often hilarious assessment of the impact of that extraordinary era.

    But few could have expected that a young Canadian would pen some of the most distinctively American songs, music that seems soaked in the mythology of the Old South. With songs like The Weight, The Night They Drove Old Dixie Down, and Up on Cripple Creek, Robertson and his partners in The Band fashioned a new popular music lexicon that has endured for decades, influencing countless musicians.In this captivating memoir of The Band's storied career, Robertson weaves together his half-Jewish, half-Mohawk upbringing on the Brantford Six Nations Reserve and in Toronto; his odyssey south at sixteen and rollicking early years on the road with rockabilly legend Ronnie Hawkins; the slow formation of The Band, their trial-by-fire with Bob Dylan on his 1966 world tour, and the forging of their unique sound. He recounts being catapulted to fame with the success of their groundbreaking debut, and takes us through the astonishing run of albums that culminated in one of history's most famous farewell concerts: the movie The Last Waltz, directed by Martin Scorcese. This is the story of a time and place--the moment when rock 'n' roll became life, when electric blues legends like Muddy Waters and Otis Rush criss-crossed the circuit of clubs and roadhouses from Texas to Toronto. It's the story of exciting change as the world tumbled into the '60s, and figures like Dylan and The Band redefined music and culture, with a little help from sex and drugs. And it's the moving story of the profound friendship between five young men who together created a new kind of popular music.

    In his much-awaited memoir, Not Dead Yet, he tells the story of his epic career, with an auspicious debut at age 11 in a crowd shot from the Beatles’ legendary film A Hard Day’s Night. A drummer since almost before he could walk, Collins received on the job training in the seedy, thrilling bars and clubs of 1960s swinging London before finally landing the drum seat in Genesis. Soon, he would step into the spotlight on vocals after the departure of Peter Gabriel and begin to stockpile the songs that would rocket him to international fame with the release of Face Value and In the Air Tonight. Whether he’s recalling jamming with Eric Clapton and Robert Plant, pulling together a big band fronted by Tony Bennett, or writing the music for Disney’s smash-hit animated Tarzan, Collins’s storytelling chops never waver. And of course he answers the pressing question on everyone’s mind: just what does Sussudio mean? Not Dead Yet is Phil Collins’s candid, witty, unvarnished story of the songs and shows, the hits and pans, his marriages and divorces, the ascents to the top of the charts and into the tabloid headlines. As one of only three musicians to sell 100 million records both in a group and as a solo artist, Collins breathes rare air, but has never lost his touch at crafting songs from the heart that touch listeners around the globe. That same touch is on magnificent display here, especially as he unfolds his harrowing descent into darkness after his “official” retirement in 2007, and the profound, enduring love that helped save him. This is Phil Collins as you’ve always known him, but also as you’ve never heard him before.'

    "By turns moving, funny, appalling, disturbing. . . . There has never been anything like it".--"Rolling Stone". 80 b&w photos. 16-page color insert.In his twenty-nine years, rock idol Manson has experienced more than most people have (or would want to) in a lifetime. Now, in his shocking and candid memoir, he takes readers from backstage to gaol cells, from recording studios to emergency rooms, from the pit of despair to the top of the charts, and recounts his metamorphosis from a frightened Christian schoolboy into the most feared and revered music superstar in the country.

    The Smiths, the band with the signature sound he cofounded, remains one of the most beloved bands ever, and have a profound influence on a number of acts that followed—from the Stone Roses, Suede, Blur, and Radiohead to Oasis, The Libertines, and Arctic Monkeys.Marr recalls his childhood growing up in the northern working-class city of Manchester, in a house filled with music. He takes us back to the summer of 1982 when, at eighteen, he sought out one Stephen Morrissey to form a new band they called The Smiths. Marr invites fans on stage, on the road, and in the studio for the five years The Smiths were together and how after a rapid ascent, the working-class teenage rock star enjoyed and battled with the perks of success until ideological differences, combined with his much publicized strained relationships with fellow band mates, caused him to leave in 1987. Marr’s “escape” as he calls it, ensured the beginning of the end for one of the most influential groups of a generation. But The Smiths’ end was only the beginning for Marr. The bona-fide guitar hero continues to experiment and evolve in his solo career to this day, playing with Paul McCartney, Pretenders, Modest Mouse, Oasis and collaborating today’s most creative and renowned artists. Rising above and beyond the personal struggles and bitter feuds, Marr delivers the story of his music and his band, sharing the real insights of a man who has made music his life, and finally giving fans what they’ve truly been waiting for.

    Playing was her father—Duane Allman, who would become one of the most influential and sought-after musicians of his time. Just a few short years into his remarkable career, he was killed in a motorcycle accident at the age of twenty-four. His daughter was two years old.   Galadrielle was raised in the shadow of his loss and his fame. Her mother sought solace in a bohemian life. Friends and family found it too painful to talk about Duane. Galadrielle listened intently to his music, read articles about him, steeped herself in the mythic stories, and yet the spotlight rendered him too simple and too perfect to know. She felt a strange kinship to the fans who longed for him, but she needed to know more. It took her many years to accept that his life and his legacy were hers, and when she did, she began to ask for stories—from family, fellow musicians, friends—and they began to flow.   Galadrielle Allman’s memoir is at once a rapturous, riveting, and intimate account of one of the greatest guitar prodigies of all time, the story of the birth of a band that redefined the American musical landscape, and a tender inquiry of a daughter searching for her father in the memories of others.Praise for Please Be with Me  “Duane Allman was my big brother, my partner, my best friend. I thought I knew everything there was to know about him, but Galadrielle’s deep and insightful book came as a revelation to me, as it will to everyone who reads it.”—Gregg Allman“Poignant and illuminating . . . brings Duane Allman to life in a way that no other biography will ever be able to do.”—BookPage   “Galadrielle Allman offers a moving and poetic portrait of her late father.”—Rolling Stone   “[Allman’s] descriptions and scenes are vivid, even cinematic. . . . The pleasure of reading Please Be With Me lies as much in its lyrical prose as in its insider anecdotes.”—Newsweek   “An elegantly written, heartfelt account.” —The Atlanta Journal-Constitution   “Evokes a wistful, elegiac atmosphere; fans of the ’70s music scene may find it indispensable.” —San Jose Mercury News “A compelling and intimate portrait of Duane.”—The Hollywood Reporter   “Illuminating.”—Kirkus Reviews   “Frequently touching . . . Readers will come away feeling more connected to the man and his music.”—Publishers Weekly“The most moving music biography I’ve ever read. Better than that, Galadrielle has uncovered the heart and motivations, the desolation and saving graces, of the man, and lays it plain in a born-to-write southern voice. She has looked into absence, and from it she has salvaged two hearts: her father’s and her own.”—Mikal Gilmore, author of Shot in the Heart

    Don't miss it." - People Magazine"One of the best celebrity memoirs of the year." -The Hollywood ReporterRock Star. Composer and Lyricist. Feminist Icon. Survivor.Simon's memoir reveals her remarkable life, beginning with her storied childhood as the third daughter of Richard L. Simon, the co-founder of publishing giant Simon & Schuster, her musical debut as half of The Simon Sisters performing folk songs with her sister Lucy in Greenwich Village, to a meteoric solo career that would result in 13 top 40 hits, including the #1 song "You're So Vain." She was the first artist in history to win a Grammy Award, an Academy Award and a Golden Globe Award, for her song "Let the River Run" from the movie Working Girl.The memoir recalls a childhood enriched by music and culture, but also one shrouded in secrets that would eventually tear her family apart. Simon brilliantly captures moments of creative inspiration, the sparks of songs, and the stories behind writing "Anticipation" and "We Have No Secrets" among many others. Romantic entanglements with some of the most famous men of the day fueled her confessional lyrics, as well as the unraveling of her storybook marriage to James Taylor.

    He digs deep into the album cuts of his life and unearths some pivotal moments in black art, hip hop, and pop culture.Ahmir "Questlove" Thompson is many things: virtuoso drummer, producer, arranger, Late Night with Jimmy Fallon bandleader, DJ, composer, and tireless Tweeter. He is one of our most ubiquitous cultural tastemakers, and in this, his first book, he reveals his own formative experiences--from growing up in 1970s West Philly as the son of a 1950s doo-wop singer, to finding his own way through the music world and ultimately co-founding and rising up with the Roots, a.k.a., the last hip hop band on Earth. Mo' Meta Blues also has some (many) random (or not) musings about the state of hip hop, the state of music criticism, the state of statements, as well as a plethora of run-ins with celebrities, idols, and fellow artists, from Stevie Wonder to KISS to D'Angelo to Jay-Z to Dave Chappelle to...you ever seen Prince roller-skate?!?But Mo' Meta Blues isn't just a memoir. It's a dialogue about the nature of memory and the idea of a post-modern black man saddled with some post-modern blues. It's a book that questions what a book like Mo' Meta Blues really is. It's the side wind of a one-of-a-kind mind.It's a rare gift that gives as well as takes.It's a record that keeps going around and around.

    

    Though imperfect in every way, her dysfunctional childhood was as beautiful as it was strange, and as nurturing as it was difficult. At the age of five, Brandi contracted bacterial meningitis, which almost took her life, leaving an indelible mark on her formative years and altering her journey into young adulthood.As an openly gay teenager, Brandi grappled with the tension between her sexuality and her faith when her pastor publicly refused to baptize her on the day of the ceremony. Shockingly, her small town rallied around Brandi in support and set her on a path to salvation where the rest of the misfits and rejects find it: through twisted, joyful, weird, and wonderful music.In Broken Horses, Brandi Carlile takes listeners through the events of her life that shaped her very raw art - from her start at a local singing competition where she performed Elton John’s “Honky Cat” in a bedazzled white polyester suit, to her first break opening for Dave Matthews Band, to many sleepless tours over 15 years and six studio albums, all while raising two children with her wife, Catherine Shepherd. This hard-won success led her to collaborations with personal heroes like Elton John, Dolly Parton, Mavis Staples, Pearl Jam, Tanya Tucker, and Joni Mitchell, as well as her peers in the supergroup The Highwomen, and ultimately to the Grammy stage, where she converted millions of viewers into instant fans.Evocative and piercingly honest, Broken Horses is at once an examination of faith through the eyes of a person rejected by the church’s basic tenets and a meditation on the moments and lyrics that have shaped the life of a creative mind, a brilliant artist, and a genuine empath on a mission to give back.

    Just like everyone else. But—also like everyone else—he’s suffered. A lot. Running from difficult personal losses—like the deaths of loved ones—was something he did for years, and it got the best of him. Eventually, though, he stopped running and started walking a spiritual path. That might be surprising for a dude in a relentlessly touring punk band (Teenage Bottlerocket), but Miguel quickly found that meditation, mindfulness, and yoga really helped. They allowed him to turn inward, to connect to himself and the world around him. Suddenly, he had found actual happiness. Miguel’s realistic. He knows it'll never be all sunshine and peaches. And yet, he is (for the most part) at peace with the world and with himself. It shocks even him sometimes. But he’s come to see the interconnectedness of all things, the beauty of life…even the parts that suck. Each short chapter ends with a hands-on practice that the reader can put into action right away—and each practice offers a distilled “TL;DR” takeaway point. TL;DR: Miguel Chen shares stories, meditations, and practices that can help us reconnect to each other, ourselves, and the world. They’ve worked for him—they can work for anyone.

    Using vignettes and illustrations from family, education, religion, the military, and politics, Black presents a determined and unyielding faith in his Creator. His confidence in God's control of his life led not only to amazing achievement but also to abiding peace when things didn't work out as planned. From the Hood to the Hill describes the obstacles and unlikely paths that led Barry Black to become: a two-star Navy admiral; the only African-American to ever serve as U.S. Navy Chief of Chaplains; and the first person of color in the nation's history to serve as Chaplain of the U.S. Senate. Inside each chapter, he offers the lessons he has learned.