Her voice came back, whispering at first, then screaming. Ceremony for the Choking Ghost contains the sound of that voice returning, bringing poems about grief and its effect on the body, the body politic, memory and, of course, poems about love. From the intensely personal, "How My Family Grieved," to the political, "What Lot's Wife Would Have Said (If She Wasn't a Pillar of Salt)," Finneyfrock engages the reader with the chiseled images of a precise storyteller.

    He draws inspiration from censored histories, subsumed myths and invokes imagined voices from the exiled, demanding of the reader to witness the ubiquitous ideological fictions that surround us.This is one of the most dissonant and penetrating voices in Singapore poetry.A History of Amnesia is listed in the notable books list by the Kiriyama Pacific Rim Book Award (administered by University of San Francisco).

    She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents), and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.This is a love story and a story about betrayal. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar unpicks the slippery, choking cord of memory and myth that binds two women together, making and unmaking them endlessly.

    The Battle for Sanskrit seeks to alert traditional scholars of Sanskrit and sanskriti - Indian civilization - concerning an important school of thought that has its base in the US and that has started to dominate the discourse on the cultural, social and political aspects of India. This academic field is called Indology or Sanskrit studies. From their analysis of Sanskrit texts, the scholars of this field are intervening in modern Indian society with the explicitly stated purpose of removing 'poisons' allegedly built into these texts. They hold that many Sanskrit texts are socially oppressive and serve as political weapons in the hands of the ruling elite; that the sacred aspects need to be refuted; and that Sanskrit has long been dead. The traditional Indian experts would outright reject or at least question these positions.The start of Rajiv Malhotra's feisty exploration of where the new thrust in Western Indology goes wrong, and his defence of what he considers the traditional, Indian approach, began with a project related to the Sringeri Sharada Peetham in Karnataka, one of the most sacred institutions for Hindus. There was, as he saw it, a serious risk of distortion of the teachings of the peetham, and of sanatana dharma more broadly.Whichever side of the fence one may be on, The Battle for Sanskrit offers a spirited debate marshalling new insights and research. It is a valuable addition to an important subject, and in a larger context, on two ways of looking. Is each view exclusive of the other, or can there be a bridge between them? Readers can judge for themselves.

    Along the way you'll meet Sufi saints, fake fakirs and homesick soldiers. You'll get stuck in an icy road river and be miraculously rescued. You'll feel the stress an average Kashmiri experiences everyday. You'll see how blind and dangerous religion can be if it is only followed in rituals and illogical beliefs.You'll see how friendly and hospitable everyone is on the roads of India.You'll come away feeling exhilarated, entertained and yes, also exhausted by the physical arduousness of the motorcycle ride. Witty, reflective and honest, One Life to Ride is a daring, real-life adventure guaranteed to keep you turning the pages. Maybe even make you wish you were riding pillion.

    (Reprinted)

    These include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information.In addition to the listings, Poet's Market offers articles on the Craft of Poetry, Business of Poetry, and Promotion of Poetry--not to mention new poems from today's best and brightest poets, including Beth Copeland, Joseph Mills, Judith Skillman, Laurie Kolp, Bernadette Geyer, and more. Learn the habits of highly productive poets, the usefulness of silence, revision tricks, poetic forms, ways to promote a new book, and more.You also gain access to:Lists of conferences, workshops, organizations, and grantsA free digital download of Writer's Yearbook featuring the 100 Best Markets*Includes access to the webinar "How to Build an Audience for Your Poetry" from Robert Lee Brewer, editor of Poet's Market*

    When Devdas returns to his village, now a handsome lad of nineteen, Paro asks him to marry her. But Devdas is unable to stand up to parental opposition to the match and rejects the proposition. Stunned, Paro agrees to marry an elderly widower. Devdas returns to Calcutta, but every waking hour of his is now filled with thoughts of Paro and his unfulfilled love for her. Desperate to resolve the situation somehow, he runs to Paro who is now married and asks her to elope with him, but she refuses.Heartbroken, he seeks solace in alcohol and in the company of the courtesan Chandramukhi. Chandramukhi falls in love with Devdas, but even when he is with her he can only think of Paro. It is now his destiny to hurtle on relentlessly on the path to self-destruction. Devdas’s tortured life ends when, dying of a liver ailment brought on by alcoholism, he journeys to Paro’s house to see her one last time. Arriving in the middle of the night, he dies unknown, untended, on her doorstep. Paro comes to know of his death only the following morning. Devdas has enthralled readers and filmgoing audiences alike for the better part of a century. This new translation brings the classic tale of star-crossed lovers alive for a new generation of readers.

    This book is about the girls whose lives were ruined by me. I want to write about my story, for it’s the only way to be immortal. I want you to feel the pleasure of falling in love. The lust, the passion, the desire, and the craving that turns into an unhealthy addiction. And I want you also to feel the pain of losing someone, the ache, the agony, the bitterness, and the grief that cripples your soul forever. This is for everyone. The forgotten souls buried under the melancholy of the past. Yes, I will show you how much you hurt me, I will write. This is what my heart holds for you; half pleasure, half pain.

    More than forty years passed before Devi read Bengal Nights, the novel Eliade had fashioned out of their encounter, only to find small details and phrases, even her given name, bringing back episodes and feelings she had spent decades trying to forget. It Does Not Die is Devi's response. In part a counter to Eliade's fantasies, the book is also a moving account of a first love fraught with cultural tensions, of false starts and lasting regrets.Proud of her intelligence, Maitreyi Devi's father had provided her with a fine and, for that time, remarkably liberal education — and encouraged his brilliant foreign student, Eliade, to study with her. "We were two good exhibits in his museum," Devi writes. They were also, as it turned out, deeply taken with each other. When their secret romance was discovered, Devi's father banished the young Eliade from their home. Against a rich backdrop of life in an upper-caste Hindu household, Devi powerfully recreates the confusion of an over-educated child simultaneously confronting sex and the differences, not only between European and Indian cultures, but also between her mother's and father's view of what was right. Amid a tangle of misunderstandings, between a European man and an Indian girl, between student and teacher, husband and wife, father and daughter, she describes a romance unfolding in the face of cultural differences but finally succumbing to cultural constraints. On its own, It Does Not Die is a fascinating story of cultural conflict and thwarted love. Read together with Eliade's Bengal Nights, Devi's "romance" is a powerful study of what happens when the oppositions between innocence and experience, enchantment and disillusion, and cultural difference and colonial arrogance collide. "In two novels written forty years apart, a man and a woman tell stories of their love. . . . Taken together they provide an unusually touching story of young love unable to prevail against an opposition whose strength was tragically buttressed by the uncertainties of a cultural divide."—Isabel Colegate, New York Times Book Review"Recreates, with extraordinary vividness, the 16-year-old in love that she had been. . . . Maitreyi is entirely, disarmingly open about her emotions. . . . An impassioned plea for truth."—Anita Desai, New Republic"Something between a reunion and a duel. Together they detonate the classic bipolarities: East-West, life-art, woman-man."—Richard Eder, New York Newsday"One good confession deserves another. . . . Both books gracefully trace the authors' doomed love affair and its emotional aftermath."—Nina Mehta, Chicago Tribune

    At last, just in time for his 99th birthday, a powerful overview of one of America's most beloved poets: New Directions is proud to present a swift, terrific chronological selection of Ferlinghetti's poems, spanning more than six decades of work and presenting one of modern poetry's greatest achievements.

    It scrutinizes its symbolistic dimensions and stylistic excellence while keeping an undeviating focus on the poignant classic of love in the time of war. This study further demonstrates how the novel appeals at different levels like the other works of Hemingwayas a story of war, a story of love, a story of the growth of the heros soul, a story of memorable characters and a work of artistic excellence. The present book will definitely prove useful to students, researchers as well as teachers of English Literature interested in the study of Hemingway and his works.

    

    Here is the green and carefree world of a boy who delights in the possibilities of each day, of a child who wrings from every moment a feeling as intensely magical as it is profoundly innocent.

    The Rajput kingdom of Mewar is at the height of its power. It is locked in war with the Sultanates of Delhi, Gujarat and Malwa. But there is another deadly battle being waged within Mewar itself. who will inherit the throne after the death of the Maharana? The course of history, not just of Mewar but of the whole of India, is about to be changed forever. At the centre of Cuckold is the narrator, heir apparent of Mewar, who questions the codes, conventions and underlying assumptions of the feudal world of which he is a part, a world in which political and personal conduct are dictated by values of courage, valour and courtesy; and death is preferable to dishonour. A quintessentially Indian story, Cuckold has an immediacy and appeal that are truely universal.