Travelling with him is a secret passenger - his daughter. Twenty-something, unkempt, off the rails.With a week on the road together, father and daughter must restore themselves and each other, and repair a relationship that is at once fiercely loving and deeply scarred.As they journey south, down the motorways, through the service stations, a devastating picture reveals itself: a story of grief, of shame, and of love in all its complex, dark and glorious manifestations.______________PRAISE FOR WE ARE NOT IN THE WORLD:'Wonderful, wrenching . . . full of enormous feelings very precisely rendered' Sara Baume'A whirlpool of memories, regrets and hopes' Tim Pears'An uncanny ability to turn the seemingly insignificant into something monumental' Jan Carson'Unusual, utterly original and mysterious . . . definitely a 2020 must read' Elaine Feeney

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    But beware! For in the fairy-tale, that s where the witch lives...Away from the city, with no distractions, the Gingerbread House seems like the perfect place to start work on a novel. That's what former advertising copywriter Tess thinks when she goes there to live with Eleanor, her aged mother-in-law. But Eleanor is suffering from dementia, and caring for her proves tougher than Tess could ever have imagined: feeling increasingly isolated, her only comfort is wine o'clock and weekend visits from her husband. Meanwhile her teenage daughter Katia is helpless to intercede; in the end she can only watch as things fall apart and a tragedy even closer to home surfaces.The Gingerbread House is a deeply moving novel: a compassionate and occasionally wickedly funny tale of a family's agonising struggle with dementia.

    Mrs. Hawkins, the majestic narrator, takes us well in hand and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South Kensington rooming house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide. With aplomb, however, Mrs. Hawkins confidently set about putting things to order, little imagining the mayhem that would ensue. Now decades older, thin, successful, and delighted with life in Italy--quite a far cry from Kensington--Mrs. Hawkins looks back to all those dark doings and recounts how her own life changed forever. She still, however, loves to give advice: "It's easy to get thin. You eat and drink the same as always, only half...I offer this advice without fee; it is included in the price of this book."

    (Can you guess which one?) She discovers a cache of papers that appear to give an account of the murders by an eyewitness. The plot weaves between the narrative of the eyewitness and Jean's private struggle with jealousies and suspicions as her marriage teeters. A rich, textured novel.

    So busy that she leaves little time for memories of her lost twin, Moira; her fractured family in Castine, Maine; and the music she left behind in the wake of tragedy nine years ago.Until a childhood relic and a series of anonymous notes resurrects her dreams, a lost language, and her most painful recollections; and prompts her to cross an ocean in search of ancient history. There, Maeve will learn new truths about her past, and come face to face with the one thing she truly fears. Only then can she choose between the safe life she's built for herself and one of risk, with bonds she knows can be both wrenchingly delicate and more enduring than time.

    Now, twenty years later, in the heat of a New Mexican summer, Thomas has begun having bizarre conversations with his dead relatives and it's up to Amina-a photographer in the midst of her own career crisis-to figure out what is really going on. But getting to the truth is far harder than it seems. From Thomas's unwillingness to talk, to Kamala's Born Again convictions, to run-ins with a hospital staff that seems to know much more than they let on, Amina finds herself at the center of a mystery so thick with disasters that to make any headway at all, she has to unravel the family's painful past.

    And she's determined to inform and educate the ladies of London on the nefarious-and deadly-criminals who are preying on the fairer sex. When her reporting leads to the arrest of a notorious killer, however, Katherine flees to a country house party to escape her newfound notoriety-only to witness a murder on her very first night. And when the lead detective accuses Katherine of inflaming-rather than informing-the public with her column, she vows to prove him wrong.Detective Inspector Andrew Eversham's refusal to compromise his investigations nearly cost him his own career, and he blames Katherine. To avoid bad publicity, his superiors are pressuring him to solve cases quickly rather than correctly. When he discovers she's the key witness in a new crime, he's determined to prevent the beautiful widow from once again wreaking havoc on his case. Yet as Katherine proves surprisingly insightful and Andrew impresses Katherine with his lethal competency, both are forced to admit the fire between them is more flirtatious than furious. But to explore the passion between them, they'll need to catch a killer.

    Then, at her childhood home in Queens, Majella discovers the diary of her maternal ancestor Ginny—and is shocked to read a story of murder in her family history. With the famine upon her, Ginny Doyle fled from Ireland to America, but not all of her family made it. What happened during those harrowing years, and why does Ginny call herself a killer? Is Majella genetically fated to be a bad mother, despite the fierce tenderness she feels for her baby? Determined to uncover the truth of her heritage and her own identity, Majella sets out to explore Ginny’s past—and discovers surprising truths about her family and ultimately, herself.

    While she's packing her possessions, she finds a clue to the whereabouts of her twin sister, who disappeared from the little-known Jewish mecca of Boyle Heights on the eve of WWII when the girls were eighteen. Plunging back into memories of her childhood and the momentous historical facts that impacted her family, Elaine recalls her family's stories-those from the Old Country, and tales of immigration travails, and the heartache of being the "smart" one of the twins instead of the "popular" one.In an utterly unforgettable, salty voice, Elaine revives the memories of growing up with her twin sister Barbara, her parents, her Zayde, her aunts and her younger sisters as the Greensteins bear the disappointments, heartbreaks, and fallout from the immigrant baggage that they have been unable to shed despite settling in southern California-the land of sunshine and opportunity, fig trees and equality.Janice Steinberg's novel is not only about the stories that make up our family histories, but also about those we tell ourselves in order to believe in who we've made ourselves out to be.

    She’s free from confinement—and ready to tell her secrets before it’s too late.She finds a willing audience in journalist Mick Anders, who is reeling after his suspension from a Boston newspaper and in town, reluctantly, to investigate a mysterious portrait of Eula that reportedly sheds tears. He crosses paths with Dr. Paloma Vega, who’s visiting Puerto Pesar with her own mission: to take care of her ailing grandmother and to rescue her rebellious younger sister before something terrible happens. Paloma and Mick have their reasons to be in the hot, parched border town whose name translates as “Port of Regret.” But they don’t anticipate how their lives will be changed forever.Moving and engrossing, this dual story alternates between Della’s dark ordeals of the 1940s and Paloma and Mick’s present-day search for answers―about roots, family, love, and what is truly important in life.

    Her grandson and her daughter, Yuko, perished nearly forty years ago during the bombing of Nagasaki. But the man carries with him a collection of sealed private letters that open a Pandora’s Box of family secrets Ama had sworn to leave behind when she fled Japan. She is forced to confront her memories of the years before the war: of the daughter she tried too hard to protect and the love affair that would drive them apart, and even further back, to the long, sake-pouring nights at a hostess bar where Ama first learned that a soft heart was a dangerous thing. Will Ama allow herself to believe in a miracle?

    Now that he's married to Merrill Darling, daughter of billionaire financier Carter Darling, attorney Paul Ross has grown accustomed to New York society and all of its luxuries: a Park Avenue apartment, weekends in the Hamptons, bespoke suits. When Paul loses his job, Carter offers him the chance to head the legal team at his hedge fund. Thrilled with his good fortune in the midst of the worst financial downturn since the Great Depression, Paul accepts the position.But Paul's luck is about to shift: a tragic event catapults the Darling family into the media spotlight, a regulatory investigation, and a red-hot scandal with enormous implications for everyone involved. Suddenly, Paul must decide where his loyalties lie-will he save himself while betraying his wife and in-laws or protect the family business at all costs?Cristina Alger's glittering debut novel interweaves the narratives of the Darling family, two eager SEC attorneys, and a team of journalists all racing to uncover-or cover up-the truth. With echoes of a fictional "Too Big to Fail" and the novels of Dominick Dunne, "The Darlings" offers an irresistible glimpse into the highest echelons of New York society-a world seldom seen by outsiders-and a fast-paced thriller of epic proportions.

    He is Captain John Lacroix, home from Britain's disastrous campaign against Napoleon's forces in Spain.Gradually Lacroix recovers his health, but not his peace of mind - he cannot talk about the war or face the memory of what happened in a village on the gruelling retreat to Corunna. After the command comes to return to his regiment, he sets out instead for the Hebrides, with the vague intent of reviving his musical interests and collecting local folksongs.Lacroix sails north incognito, unaware that he has far worse to fear than being dragged back to the army: a vicious English corporal and a Spanish officer are on his trail, with orders to kill. The haven he finds on a remote island with a family of free-thinkers and the sister he falls for are not safe, at all.

    Eleven-year-old Fin and his glamorous, worldly, older half sister, Lady, have just been orphaned, and Lady, whom Fin hasn’t seen in six years, is now his legal guardian and his only hope. That means Fin is uprooted from a small dairy farm in rural Connecticut to Greenwich Village, smack in the middle of the swinging ’60s. He soon learns that Lady—giddy, careless, urgent, and obsessed with being free—is as much his responsibility as he is hers.Fin and Lady lead their lives against the background of the ’60s, the civil rights movement, and the Vietnam War—Lady pursued by ardent, dogged suitors, Fin determined to protect his impulsive sister from them and from herself.