With the printed book, information and ideas could disseminate more widely and effectively than ever before—and in some cases, affect and redirect the sway of history. Today, nearly one million books are published each year. But is the era of the book as we know it—a codex of bound pages—coming to an end? And if it is, should we celebrate its demise and the creation of a democratic digital future, or mourn an irreplaceable loss? The digital age is revolutionizing the information landscape. Already, more books have been scanned and digitized than were housed in the great library in Alexandria, making available millions of texts for a curious reader at the click of a button, and electronic book sales are growing exponentially. Will this revolution in the delivery of information and entertainment make for more transparent and far-reaching dissemination or create a monopolistic stranglehold? In The Case for Books, Robert Darnton, an intellectual pioneer in the field of the history of the book and director of Harvard University's Library, offers an in-depth examination of the book from its earliest beginnings to its shifting role today in popular culture, commerce, and the academy. As an author, editorial advisor, and publishing entrepreneur, Darnton is a unique authority on the life and role of the book in society. This book is a wise work of scholarship—one that requires readers to carefully consider how the digital revolution will broadly affect the marketplace of ideas.

    Rich with references ranging from Goethe's Werther to Winnicott, from Plato to Proust, from Baudelaire to Schubert, A Lover's Discourse artfully draws a portrait in which every reader will find echoes of themselves.

    This book explores how Christianity began by tracing its earliest texts, including the Gospel of Thomas, rediscovered in Egypt in 1945.When her infant son was diagnosed with fatal pulmonary hypertension, Pagels' spiritual and intellectual quest took on a new urgency, leading her to explore historical and archaeological sources and to investigate what Jesus and his teachings meant to his followers before the invention of Christianity. The discovery of the Gospel of Thomas, along with more than 50 other early Christian texts, some unknown since antiquity, offers clues. She compares such sources as Thomas' gospel (which claims to give Jesus' secret teaching and finds its closest affinities with kabbalah) with the canon to show how Christian leaders chose to include some gospels and exclude others from the collection many call the New Testament. To stabilize the emerging church in times of persecution, church fathers constructed the canon, creed and hierarchy - and, in the process, suppressed many of its spiritual resources.Drawing on new scholarship - her own and that of an international group of scholars - that has come to light since the 1979 publication of The Gnostic Gospels, she shows that what matters about Christianity involves much more than any one set of beliefs. Traditions embodied in Judaism and Christianity can powerfully affect us in heart, mind and spirit, inspire visions of a new society based on practising justice and love, even heal and transform us.Provocative and moving, Beyond Belief, the most personal of her books to date, shows how the impulse to seek god overflows the narrow banks of a single tradition. She writes, "What I have come to love in the wealth and diversity of our religious traditions - and the communities that sustain them - is that they offer the testimony of innumerable people to spiritual discovery, encouraging us, in Jesus' words, to 'seek, and you shall find.'"CONTENTSFrom the feast of Agape to the Nicene CreedGospels in conflict: John and Thomas God's word or human words?The canon of truth and the triumph of JohnConstantine and the Catholic Church AcknowledgementsNotesIndex

    W. Norton changed the way world literature is taught by introducing The Norton Anthology of World Masterpieces, Expanded Edition. Leading the field once again, Norton is proud to publish the anthology for the new century, The Norton Anthology of World Literature, Second Edition. Now published in six paperback volumes (packaged in two attractive slipcases), the new anthology boasts slimmer volumes, thicker paper, a bolder typeface, and dozens of newly included or newly translated works from around the world. The Norton Anthology of World Literature represents continuity as well as change. Like its predecessor, the anthology is a compact library of world literature, offering an astounding forty-three complete longer works, more than fifty prose works, over one hundred lyric poems, and twenty-three plays. More portable, more suitable for period courses, more pleasant to read, and more attuned to current teaching and research trends, The Norton Anthology of World Literature remains the most authoritative, comprehensive, and teachable anthology for the world literature survey.

    Ancient Greek tragedy is revealed as surprisingly modern and experimental, while such concepts as mimesis, catharsis, hubris and the tragic collision are discussed from different perspectives."[Kaufmann] has attempted a searching analysis of the essence of tragedy. He offers a new definition and, without raising his voice, his version of poetics as against that of Aristotle." -- The New York Times

    In the process they discovered both new talents and a wealth of celebrated writers, such as Jorge Luis Arzola, Aimee Bender, Teolinda Gersão, Romulus Linney, Yann Martel, Sam Shepard, and Tobias Wolff. Zdravka Evitmova conjures blood drops that cure any disease. Ian Frazier writes public relations for crows. Juan José Milás leads an amnesiac husband to an affair in the candlelit darkness of a cathedral with his wife. These tales told quickly offer pleasures long past their telling.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    This book brings together those enormously popular columns, some of which have been revised and expanded, to present a minicourse in world poetry. Poet’s Choice includes the work of more than one hundred poets from ancient times to the present—among them Sappho, W. B. Yeats, Czeslaw Milosz, Primo Levi, Robert Frost, Pablo Neruda, Amy Lowell, Mark Strand, and many more—and shares them with all of Hirsch’s inimitable enthusiasm and joy. Rich, relevant, and inviting, the book offers us the fruits of a life lived in poetry.

    . . are you ready for Russia's busty bombshell Octobriana? What about getting your groove on with Mod Love? How about scaring your kid sister with the flesh-eating animals in The Barn of Fear?  And if you can stomach these, you might want to try Amputee Love, Fatman the Human Flying Saucer, Tales of the Leather Nun, and many, many more.

    Excavating the lives of some of the multitudes of Britons held captive in the lands their own rulers sought to conquer, Colley also offers an intimate understanding of the peoples and cultures of the Mediterranean, North America, India, and Afghanistan.Here are harrowing, sometimes poignant stories by soldiers and sailors and their womenfolk, by traders and con men and by white as well as black slaves. By exploring these forgotten captives - and their captors - Colley reveals how Britain's emerging empire was often tentative and subject to profound insecurities and limitations. She evokes how British empire was experienced by the mass of poor whites who created it. She shows how imperial racism coexisted with cross-cultural collaborations, and how the gulf between Protestantism and Islam, which some have viewed as central to this empire, was often smaller than expected. Brilliantly written and richly illustrated, Captives is an invitation to think again about a piece of history too often viewed in the same old way. It is also a powerful contribution to current debates about the meanings, persistence, and drawbacks of empire.

    A mixture of horror, crime, fantasy, science fiction, magical realism, and the grotesque—all with a literary bent—these stories represent the future of genre-bending fiction from some of our brightest and most original voices.

    A Mad Love offers a spirited and indispensable tour of opera's eclectic past and present, beginning with Monteverdi's L'Orfeo in 1607, generally considered the first successful opera, through classics like Carmen and La Boheme, and spanning to Brokeback Mountain and The Death of Klinghoffer in recent years. Musician and critic Vivien Schweitzer acquaints readers with the genre's most important composers and some of its most influential performers, recounts its long-standing debates, and explains its essential terminology.Today, opera is everywhere, from the historic houses of major opera companies to movie theaters and public parks to offbeat performance spaces and our earbuds. A Mad Love is an essential book for anyone who wants to appreciate this living, evolving art form in all its richness.

    Designed to appeal to the generations of Westerners who grew up on Pokemon, manga and video games, A Geek in Japan reinvents the culture guide for readers in the Internet age.Spotlighting the originality and creativity of the Japanese, debunking myths about them, and answering nagging questions like why they're so fond of robots, author Hector Garcia has created the perfect book for the growing ranks of Japanophiles in this inspired, insightful and highly informative guide.

    Still essential and still timely ten years after its original publication, The Shia Revival provides a unique and objective understanding of the 1,400-year bitter struggle between Shias and Sunnis and sheds crucial light on its modern-day consequences. A new epilogue elucidates the rise of ISIS and ongoing tensions between Iran and Saudi Arabia.

    But what exactly is it, and how is it applied? It is a discipline that claims not to be a discipline - a radical critical approach for understanding racial, national, social and gender identities. Introducing Cultural Studies provides an incisive tour through the minefield of this complex subject, charting its origins in Britain and its migration to the USA, Canada, France, Australia and South Asia, examining the ideas of its leading exponents and providing a flavour of its use around the world. Covering the ground from Gramsci to Raymond Williams, postcolonial discourse to the politics of diaspora, feminism to queer theory, technoculture and the media to globalization, it serves as an insightful guide to the essential concepts of this fascinating area of study. It is essential reading for all those concerned with the quickening pulse of old, new and emerging cultures.