Portable and reader-friendly, it makes an ideal companion for both lovers of Old Norse mythology and those new to the wisdom of this central Eddic poem wherever they may find themselves.

    

    Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

    From our colonial past to the present, the monster in all its various forms has been a staple of American culture. A masterful survey of our grim and often disturbing past, Monsters in America uniquely brings together history and culture studies to expose the dark obsessions that have helped create our national identity.Monsters are not just fears of the individual psyche, historian Scott Poole explains, but are concoctions of the public imagination, reactions to cultural influences, social change, and historical events. Conflicting anxieties about race, class, gender, sexuality, religious beliefs, science, and politics manifest as haunting beings among the populace. From Victorian-era mad scientists to modern-day serial killers, new monsters appear as American society evolves, paralleling fluctuating challenges to the cultural status quo. Consulting newspaper accounts, archival materials, personal papers, comic books, films, and oral histories, Poole adroitly illustrates how the creation of the monstrous "other" not only reflects society's fears but shapes actual historical behavior and becomes a cultural reminder of inhuman acts.

    A study of Arthurian romance and legend which draws together the different strands of Arthurian myth, from sources as diverse as Geoffrey of Monmouth, Malory, Chretien de Troyes, the Mabinogion, and the English Gawain cycles.

    story of the predecessors of Christians

    This prodigious narrative, composed by the poet Ferdowsi between the years 980 and 1010, tells the story of pre- Islamic Iran, beginning in the mythic time of Creation and continuing forward to the Arab invasion in the seventh century. As a window on the world, "Shahnameh" belongs in the company of such literary masterpieces as Dante's "Divine Comedy," the plays of Shakespeare, the epics of Homer- classics whose reach and range bring whole cultures into view. In its pages are unforgettable moments of national triumph and failure, human courage and cruelty, blissful love and bitter grief.In tracing the roots of Iran, "Shahnameh" initially draws on the depths of legend and then carries its story into historical times, when ancient Persia was swept into an expanding Islamic empire. Now Dick Davis, the greatest modern translator of Persian poetry, has revisited that poem, turning the finest stories of Ferdowsi's original into an elegant combination of prose and verse. For the first time in English, in the most complete form possible, readers can experience "Shahnameh" in the same way that Iranian storytellers have lovingly conveyed it in Persian for the past thousand years.

    Pat Monaghan has studied and taught many integrated studies in poetry, science, mythology, feminist spirituality, environmental studies, chaos theory, and religion. All of these disciplines inform her writing, but none distract from the poetic story-telling or the mystical lore she encounters and then conveys. Her journey takes her to a churchyard with a fountain representing St. Bridget, perhaps a Christian representation of the Celtic goddess of water, fire, and transformation, called Brigit. Monaghan describes spiral petroglyphs and ancient sacred caves, bogs and woods where fairies have played their tricks on humans, and water falls that became sacred spots. The stories instruct and teach, as Monaghan points to ways that these myths still reveal the truths of human life, and the contradictions of love and hate, mother and seductress, harmony and struggle that are embodied in women’s lives — in all of human existence.

    Vividly portraying legendary and semi-legendary figures such as Lear, Cymbeline, Merlin the magician and the most famous of all British heroes, King Arthur, it is as much myth as it is history and its veracity was questioned by other medieval writers. But Geoffrey of Monmouth's powerful evocation of illustrious men and deeds captured the imagination of subsequent generations, and his influence can be traced through the works of Malory, Shakespeare, Dryden and Tennyson.

    This groundbreaking classic explores the necessity of connections between our life and soul and developing the main lines of the soul-making process.

    The highly readable texts and over 800 beautiful full-color images come together in a unique way to convey hidden dimensions of meaning. Each of the ca. 350 essays examines a given symbol’s psychic background, and how it evokes psychic processes and dynamics. Etymological roots, the play of opposites, paradox and shadow, the ways in which diverse cultures have engaged a symbolic image—all these factors are taken into consideration.Authored by writers from the fields of psychology, religion, art, literature, and comparative myth, the essays flow into each other in ways that mirror the psyche’s unexpected convergences. There are no pat definitions of the kind that tend to collapse a symbol; a still vital symbol remains partially unknown, compels our attention and unfolds in new meanings and manifestations over time. Rather than merely categorize, The Book of Symbols illuminates how to move from the visual experience of a symbolic image in art, religion, life, or dreams to directly experiencing its personal and psychological resonance.The Book of Symbols sets new standards for thoughtful exploration of symbols and their meanings, and will appeal to a wide range of readers: artists, designers, dreamers and dream interpreters, psychotherapists, self-helpers, gamers, comic book readers, religious and spiritual searchers, writers, students, and anyone curious about the power of archetypal images.

    An intelligent popular history of the magically enchanting early English civilisation on which Tolkien based his world of Lord of the Rings.

    Did some divine power create the first couple? Religious scriptures the world over aver that one or the other god gave birth to humans, but science has not yet identified any supernatural power that created and governed human beings. Did primeval humans come up with the idea of gods to help them cope with their fears? Could it be that they attributed natural phenomena — unfathomable and frightening to them — to the working of invisible gods? The Evolution of Gods uses modern science to explain why, when and how religions and gods became the desirable explanations of the inexplicable events. It describes anthropological and historical facts about the evolution of religions and gods, in a simple and straightforward manner, to assert that human imagination created gods, and not the other way around.The book begins with the epoch when the human race came into being, between 400,000 and 200,000 years ago. Around 100,000 years ago, humans invented language and began to discuss and analyze each happening around them. Whatever they could not comprehend, their priest attributed to some unseen power. At one point in time, we do not know exactly when it happened, humankind began an activity called worship. Humans began to worship each seen or unseen power, which was beyond their control, but could either harm or help them. They believed that worship protected them and sought the blessings of that power. Priests all over the world invented almost identical methods of worship, such as folding their hands, bowing, kneeling, flowers offering, prayers and sacrifices. For example, anthropologists have drawn that ancient humans had largely inadequate protection against cold; their survival largely deepened upon available sunlight—something beyond their control. In that scenario, solar worship was a logical outcome. In a similar manner, the humans found thunder and lightning inexplicable and frightening. Gradually, they began to worship the sky as god. There is enough historical evidence to assert that the ancestors of Hindus, Buddhists, Jews, Christians and Muslims, before their religions came into practice, worshipped the sun and the sky. Thus, history demonstrates that whenever humankind faced a new challenge, priests invented a more useful deity and consigned the older one to oblivion. For example, around three thousand years ago, cultivation provided several facilities to humans that paved the way for a population explosion. At the same time, farming exposed people to pets, rodents, mosquitoes, houseflies and parasites. All these factors together gave rise to altogether new diseases such as cholera, tuberculosis, typhoid and plague. Apart from these diseases, population explosion also gave rise to social diseases such as poverty, inequality, injustice, crime and exploitation. All these together forced people to lead a miserable life no better than hell. Around this time, a few geniuses such as the Buddha, Moses and Jesus discovered the causes and remedies of human sufferings. For example, Moses suggested ten morals, sacrifices and prayers to protect people from their miseries. The contemporary priests transcribed prayers, rituals, myths, allegories and morals preached by these prophets after their death. The Holy Scriptures, such as the Vedas and the Bible were the compilations of such writings. These books advised worship, sacrifices, magic or morals to eradicate human miseries. The Suffering masses had no option but to follow those advices. These scriptures fashioned the organized religions of today. Let us think for a moment why there are many religions and there is only one science on the Earth. There is one concrete reason behind this irony; about one thing or concept there is only one truth but there can be many lies. This book is an effort to light a candle in the darkest corner of human consciousness.

    Jean Shinoda Bolen's extraordinary memoir celebrates the pilgrimage that heralded her spiritual awakening and leads readers down the path of self-discovery. In this account of her journey to Europe in search of the sacred feminine, she unveils the mythological significance of the midlife search for meaning and renewal."[Bolen] charts a path that will lead many readers to the heart of their own emotional and spiritual pilgrimages."- San Francisco Chronicle Book Review"This wise and challenging work, the most personal of Jean Shinoda Bolen's books, is an absorbing often uncannily perceptive, and useful companion for the soul journeys of our time, which is The Time of the Goddess Returning.- Alice Walker, author of The Color Purple"In Crossing to Avalon, Jean Shinoda Bolen turns her acute and brilliant eye toward the interconnectedness of women's mysteries, sacredness of the body, the effect of pilgrimage on soul, and deep feminine friendships."- Clarissa Pinkola Estes, Ph.D., author of Women Who Run with the WolvesJean Shinoda Bolen, M.D., is a Jungian analyst and clinical professor of psychiatry at the University of California, San Francisco. She is the author of Goddesses in Everywoman, Gods in Everyman, and The Tao of Psychology.

    But the sources of our knowledge about these societies are relatively few, leaving the gods of the North shrouded in mystery. In compiling this dictionary Rudolf Simek has made the fullest possible use of the information available -Christian accounts, Eddic lays, the Elder Edda, runic inscriptions, Roman authors (especially Tacitus), votive stones, place names and archaeological discoveries. He has adhered throughout to a broad definition of mythology which presents the beliefs of the heathen Germanic tribes in their entirety: not only tales of the gods, but beings from lower levels of belief: elves, dwarfs and giants; the beginning and end of the world; the creation of man, death and the afterlife; cult, burial customs and magic - an entire history of Germanic religion. RUDOLF SIMEK is Professor of Medieval German and Scandinavian literature at the University of Bonn in Germany.