A city with a thousand years of tradition. A city where you encounter history at every step. The pavement under your feet, the walls of the houses, churches and palaces you pass, the squares and hidden corners, are all imbued with a fascinating past you may often not even begin to suspect. Prague abounds in folk stories and historical legends and myths, some recorded by ancient chroniclers and some collected more recently by enthusiastic scholars. 77 Prague Legends is designed for all visitors to Prague who love to listen to mysterious stories.

    Writng with blazing honesty she tells of her hard-won knowledge of many of the world's spiritual and healing traditions, while hold the Sacred Hoop of Natie Amreicanwisdom. This magnificent teacher becomes for us a new embodiment of White Buffalo Woman."Jean HoustonAuthor of THE SEARCH FOR THE BELOVEDBUFFALO WOMAN COMES SINGING explores fascinating uses of traditions like the Medicine Wheel; healing through ritual action; dreamtime; and the moon lodge -- the woman's place of retreat and visioning. These powerful personal tools integrate ancient wisdom with contemporary experience, as Buffalo Woman calls each spiritual warrior to her own true place in the dance of life.

    Or was it just the odd light of dusk or dawn playing tricks? As Lise Lunge-Larsen’s magical, timeless stories reveal and Beth Krommes’s enchanting scratchboard illustrations capture, the hidden folk are there, all right: you just have to know where—and how—to look.

    Sleeping Beauty and Cinderella do not live happily ever after. And the fairies are saucy, angry, and capricious. Fairy Tales for the Disillusioned collects thirty-six tales, many newly translated, by writers associated with the decadent literary movement, which flourished in France in the late nineteenth century. Written by such creative luminaries as Charles Baudelaire, Anatole France, and Guillaume Apollinaire, these enchanting yet troubling stories reflect the concerns and fascinations of a time of great political, social, and cultural change. Recasting well-known favorites from classic French fairy tales, as well as Arthurian legends and English and German tales, the updated interpretations in this collection allow for more perverse settings and disillusioned perspectives--a trademark style and ethos of the decadent tradition.In these stories, characters puncture the optimism of the naive, talismans don't work, and the most deserving don't always get the best rewards. The fairies are commonly victims of modern cynicism and technological advancement, but just as often are dangerous creatures corrupted by contemporary society. The collection underlines such decadent themes as the decline of civilization, the degeneration of magic and the unreal, gender confusion, and the incursion of the industrial. The volume editors provide an informative introduction, biographical notes for each author, and explanatory notes throughout.Subverting the conventions of the traditional fairy tale, these old tales made new will entertain and startle even the most disenchanted readers.

    Feed the sacred crocodiles at Paga, plunge into the waterfalls of the eastern highlands or marvel at the game in Mole National Park.

    It covered jazz, of course, but it also included Davis’s ruminations on race, politics and culture. Fascinated, Hef sent the writer—future Pulitzer-Prize-winning author Alex Haley, an unknown at the time—back to glean even more opinion and insight from Davis. The resulting exchange, published in the September 1962 issue, became the first official Playboy Interview and kicked off a remarkable run of public inquisition that continues today—and that has featured just about every cultural titan of the last half century.To celebrate the Interview’s 50th anniversary, the editors of Playboy have culled 50 of its most (in)famous Interviews and will publish them over the course of 50 weekdays (from September 4, 2012 to November 12, 2012) via Amazon’s Kindle Direct platform. Here is the interview with the journalist Hunter S. Thompson from the November 1974 issue.

    Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names Asbjørnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally’s vivid translation of their monumental collection is the first new English translation in more than 150 years—and the first ever to include all sixty original tales.Magic and myth inhabit these pages in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. The clever and fearless boy Ash Lad often takes center stage as he ingeniously breaks spells and defeats enemies to win half the kingdom. These stories, set in Norway’s majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe—now translated into an English that is as finely tuned to the modern ear as it is true to the original Norwegian.Included here—for the very first time in English—are Asbjørnsen and Moe’s Forewords and Introductions to the early Norwegian editions of the tales. Asbjørnsen gives us an intriguing glimpse into the actual collection process and describes how the stories were initially received, both in Norway and abroad. Equally fascinating are Moe’s views on how central characters might be interpreted and his notes on the regions where each story was originally collected. Nunnally’s informative Translator’s Note places the tales in a biographical, historical, and literary context for the twenty-first century.The Norwegian folktales of Asbjørnsen and Moe are timeless stories that will entertain, startle, and enthrall readers of all ages.

    Each has a special magic, an aura that is sometimes beautiful and fascinating, sombre and frightening, or exciting and colourful. But what unites all these stories is the essential quality of folk-lore, something that transcends the boundaries of nations, of custom and time, that gives them their permanence and universality of appeal. "Authors need folk-tales," Richard Adams says, "in the same way as composers need folk-song. They're the headspring of the narrator's art, where the story stands forth at its simple, irreducible best. They don't date, any more than dreams, for they are the collective dreams of humanity." In order to preserve as far as possible the immediacy and directness of authentic folk story-telling, each of the nineteen tales is presented as being told by an imagined narrator to one or more hearers at a particular time and place, sometimes past, sometimes present. However, the reader is never told the identity either of the teller or his hearers, but is left free to infer both them and the occasion solely from the narrator's own words. This original technique adds a novel dash of piquancy to this fine collection.

    Moreover, it had the answer! But what man ever takes free advice?

    Full color.

    Seuss--The Cat in the Hat Comes Back, Dr. Seuss's ABC, Oh Say Can You Say?, Oh the Thinks You Can Think , and I Can Read with My Eyes Shut --is perfect for new parents, birthday celebrations, and happy occaisions of all kinds. Ideal for reading aloud or reading alone, it will be cherished by young and old alike. Begin a child on the adventure of a lifetime--with Beginner Books by Dr. Seuss And if you want to make a REALLY BIG impression, consider gifting this along with a copy of our first boxed set of Beginner Books, Dr. Seuss's Beginner Book Collection. The two sets combined include all ten Beginner Books by Dr. Seuss

    D. (1843-1928) was an American orientalist, author and Congregational preacher. In September 1870 Griffis was invited to Japan for the purpose of organizing schools along Western lines. He prepared the New Japan Series of reading and spelling books and primers for Japanese students in the English language. He published 18 books on Japan and Japanese culture, wrote several hundred articles, and made numerous public lectures. It wasn't just Japan and the Orient he was interested in, in his lifetime Griffis travelled to Europe 11 times, mainly to the Netherlands. He was a member of the committee of the Boston Congregational Club to erect a Pilgrim memorial at Delfshaven, the Netherlands in 1909. In 1926 he returned to Japan to receive the Order of the Rising Sun. He died in 1928. His works include The Religions of Japan (1895), Charles Carleton Coffin (1898), Dutch Fairy Tales for Young Folks (1918) and Welsh Fairy Tales (1921).

    At the outset the plan and scope of this book must be made clear. It will be noticed that the belief in fairies and suchlike beings is hardly touched upon at all, except in those instances where fairy lore and witchcraft become inextricably blended. When did witchcraft make its appearance in Ireland, and what was its progress therein? It seems probable that this belief, together with certain aspects of fairy lore previously unknown to the Irish, and ideas relative to milk and butter magic, may in the main be counted as results of the Anglo-Norman invasion, though it is possible that an earlier installment of these came in with the Scandinavians.

    The ancient prayers and stories, along with step-by-step guides to making use of them today, offer powerful proof of the spiritual value of these ancient rites.

    She cannot find her mother. What does her mother look like? Her answer is, “My mother is the most beautiful woman in the world.” When her mother is finally found, she proves to be the most beautiful woman in the world—if only, perhaps, in the eyes of her small daughter.